A Viúva Clicquot

Haley Bennett performs the role of Cliquot quite admirably. The supporting cast is fine but aside from her performance no other actor or actress is memorable. There is a lot of dead time in this movie which is likely because the only real point of the movie is to show that she had to overcome the politics of the time with Napoleonic laws and men believing she wasn't cut out to run the vineyard. I would have liked to see more scenes showing how hard she had to work aside from just constantly watching her mix ingredients in vials. There are some parts of her facing men who doubted her, but I wanted more so you could really root for her.

The court scene at the end I thought had so much potential to be used to tell her story of what she had to go through in greater detail, but instead it was decided to just be an exclamation point for her story.

As a side note, all of the accents are very British which is confusing to me considering they're supposed to be French.

Overall, it's not a bad film, and shows that individuals have the ability to overcome their political surroundings. However, it certainly isn't one that will wow you either.

Relatively dry period drama "Widow Clicquot" is the true story of how in the late 16th century the titular Barbe Nicole Clicquot (rising star Haley Bennett - excellent) inherited the Clicquot vineyards of Champagne from crazy genius husband Tom Sturridge, and with steely determination (and the support of Sam Riley) fought off largely chauvinistic pressure from those around her (including Ben Miles & Paul Rhys) AND oppressive Napoleonic laws, to forge a legacy living on today through Veuve Clicquot. Thomas Napper directs solidly, and Erin Dignam's screenplay (cut with flashbacks) is interesting, tho perhaps only REALLY interesting to wine enthusiasts.

Haley Bennett turns in a reasonable effort here as the eponymous lady who has to keep control of her late husband's vineyards at a time in history when Napoleon's wars were raging throughout Europe - and France wasn't doing so well, by this point - and his laws prohibited women from managing so much as a dinner party. The death of François (Tom Sturridge) has left her a property that her former father-in-law Philippe (Ben Miles) is keen to sell to the neighbouring Mr. Moet but with a bit of help from accountant "Edouard" (Anson Boon) and roguish distributor "Droite" (Paul Rhys) she is determined to develop her own brand of Champagne and, probably more precariously, get the stuff to the well-heeled markets readily prepared to pay through the nose for wine without the "frog-eyed bubbles". The framework is here for a good story, depicting the struggles of a woman - and a father - coming to terms with an untimely death amidst a wartime environment. We do learn a little, via flashback, that her marriage was loving but that her husband became mentally ill putting huge stress on this woman and on their young daughter but the dramatisation is rather let down by a typically uninspiring performance from Sturridge and some quite weak storytelling. Certainly, the film looks great and it illustrates well the difficulties in getting the vintage grown in the first place before bottling these mobile explosive devices and taking them, by wagon, to market and it's quite richly scored by Bryce Dessner, but director Thomas Napper has over-relied on the aesthetics of the film and put too little into the characterisations of a woman who clearly knew her own mind and was not going to let her beloved husband's legacy disappear - even at the risk of bankruptcy. It's worth a watch, but a cinema screening doesn't really add much value to this undercooked period drama that just lacked, well, fizz.

"Widow Clicquot" is an art film with historical chops helping those of us who love champagne and those who study Napolean. "Widow" is important in that title because in the early 19th century Barbe-Nicole Ponsardin Clicquot (Haley Bennett) challenged the 1804 Napoleonic code that didn't allow women to be business owners unless she was a widow.

Throughout the story, flashbacks allow us to see how she became widowed and how she grew into a winemaker helping to establish forever the méthode champenoise. The contemporary scenes allow reflections on the past and, most importantly, the role of women in the early 19th century. Although the early parts where she is struggling and learning the business of producing champagne is visually dark, Bennett infuses Barbe with enough potential energy to light up the screen.

More exciting than seeing her romances with men and wine is the process of refining her test samples into what has been known as "Comet Champagne" after the inspiration of a comet in her sky at that time. Her formula now is identified as Clicquot, a gold standard for fine champagne.

It's possible some would like to discount the feminist angle of this rich biography, but at their peril. The seeds of reasonable progress are sown here because of her excellence in developing the winery and thereby one of the world's greatest wines.

The dramatic tale, from reality, is as powerful as any romantic drama today. Too bad some will miss it out of a fear of being preached to about women's place. It is all about human ingenuity and ambition, male or female.

Widow Clicquot is an adaption of a true story about Madame Barbe-Nicole Ponsardin Clicquot, who was to become known as the "Grande Dame of Champagne". Widowed after her mentally ill husband commits suicide, Barbe-Nicole must take on the male hierarchy to have control over her deceased husband's vineyard and in doing so continue with their quest to create something great, during a time when Napoleon had blocked trade routes. Haley Bennet was superb as Barbe-Nicole, you felt her power and her grief. I have to say she reminds me of Jennifer Lawrence in looks. The whole cast was fantastic, if you love historical dramas about strong women, I highly recommend it.