Um dos Nossos: David Chase e a Família Soprano

The verb beginning part it shows a lot of David Chase's history, and it shows pictures of him as a young man and he Tough he only stands about 5 foot eight. I guess reading an interview. I research this that Tony Sirico said "if there's any man I would fear it's David Chase" Not saying that Chase is the ultimate bad ass sociopath but he did look like a tough guy even for being a little dude scrappy. I mean I'm born in 1980 but I could just tell by looking at them back then he was a tough guy. I'm sure a lot of stuff they wrote about they did on the show and I think ultimately this is a great documentary that shows that maybe David Chase Was actually Tony soprano.

Alex Gibney has been behind some good documentaries, and The Sopranos is - yes - one of the greatest shows ever made, if not the greatest show ever made. So expectations for something like Wise Guy: David Chase and The Sopranos are allowed to be high, especially given this clocks in at a beefy 160 minutes (it's technically a miniseries, but it's comprised of two "episodes" that both released at the same time, so it's easy to watch as one big movie, effectively).

There is so much to say about The Sopranos, so I feel this could've been an actual miniseries. More could've been covered, but it's a little strange that with what they chose to cover, there was still a bit of repetition. It exists in a strange and flabby middle ground between being a tight two-hour movie and being a multi-hour TV series. Honestly, they could've quite comfortably spent an hour on each season, and made the whole thing 7-ish hours long, a little like The Beatles Anthology miniseries, which spends 60 to 70 minutes per year The Beatles were around, on average.

To get one more complaint out of the way, Wise Guy makes a terrible first impression. The editing feels like it's trying to speedrun the background info on Chase's pre-Sopranos life, and the result is awkward.

Actually, another (minor) complaint. Wise Guy brings up some fairly tired things I feel have been talked about to death regarding The Sopranos, but maybe that's because I've probably spent as much time reading about The Sopranos and watching videos about it than I have spent watching the show (and I've seen it three times, front to back).

But this is generally quite good, especially once you get past that awkward opening. The behind-the-scenes footage is valuable, and the doc's at its best when it focuses on Chase and his relationship with James Gandolfini. Something 80 to 90 minutes long completely focused on that would've been remarkable, but it's still compelling as presented here.

It's a good documentary on a great show. It's hard to imagine any fans of the show not getting at least a little out of it.

I've been ready for this after watching Sopranos recently on HBO signature almost daily this week and I've seen the series a few times it's one of the best shows ever surprised there hasn't been a documentary sooner. David Chase is a genius all around and great of the director to make this 2 part documentary. I love the talent put into everything it's heartwarming learning about the background, worthy of high ratings and and spectacular vibe all around as should be for one of the best series the behind stuff better be great too! Nice to learn about the darkness more and how they didn't do it just for the sake of it. Highly recommend this magnificent mini doc series.

Greetings again from the darkness. Being the creative force behind what many consider to be the best TV show of all time - one that changed the face of television - is both a blessing and a burden. David Chase is that man, and his often dour disposition hides the creative genius behind "The Sopranos" (1999-2007). Oscar winning documentarian Alex Gibney (TAXI TO THE DARK SIDE, 2007; ENRON: THE SMARTEST GUYS IN THE ROOM, 2005) re-creates Dr. Melphi's office for his sit down with Chase, and it's a smooth move to encourage Chase to open up in the same setting where his creation, Tony Soprano, often let his guard down. This is not really meant as an introduction to garner new fans for reruns, but rather as a tribute to David Chase and a peek behind the curtain for hardcore fans.

Don't worry ... it's not three hours of two guys talking. Gibney complements Chase's insight with a treasure trove of clips and interviews and background details, really serving up a deep dive for those who considered this show to be must-see TV. Chase actually quotes one of the best lines from the series when he says, "'Remember when' is the lowest form of conversation". By the end of the first (of two) part, many will be amazed at just how much of the show was inspired by David Chase's actual life and large Italian family. You might also be amazed at how fragile the environment can be for even the most successful of TV shows.

Chase lets us in on some personal details, and nothing is more personal than his proclamation, "My mother was nuts." Fans will eat up the segment on Nancy Marchand, the veteran actor who played Livia, Tony's mother. Chase said Ms. Marchand just "had it" (what he wanted for the character based on his own mother). It's also interesting to learn that Chase's early career aspirations were for movies, not television. In fact, he envisioned this as a movie starring Robert DeNiro and Anne Bancroft. Of course, no one would back him, and when he converted it to a series, none of the networks had an interest either. It took upstart HBO, who at the time was only beginning the transition from Movies and Sports to series. The reception of "Oz" (1997) and "Sex and the City" (1998) set the table for HBO to give the green light to the risky venture that itself eventually set the table for shows such as "Breaking Bad".

The conversation between Gibney and Chase is interspliced with clips from the show, as well as family video and pictures. Chase walks us through how the main characters were cast, and it's fascinating to watch the rough cuts of auditions - some who made it, and some who didn't (including former Cornell star RB and "Hill Street Blues" actor Ed Marinaro). This gives us a true behind-the-scenes glimpse at how things came together. We also hear from some of the show's writers who explain just how stressful things could get in the writers' room, even though HBO gave them significant creative control.

There are segments featuring Michael Imperioli, Steve VanZandt, Lorraine Bracco, Tony Sirico, and Drea de Matteo. Perhaps the most enjoyable is watching Edie Falco (who was the last one cast in the principal cast) as she explains there were no "trigger warnings" for the show. She states it was just like real life, complete with racism, sexism, misogyny, and violence. It's hilarious hearing how sensitive Sirico was about his hair, and Drea walks us through her character's ending - just after Lorraine Bracco explains what happens when David Chase invites you to dinner.

There are clips of the infamous "ducks" from the pilot, and Chase comments on the critical raves that immediately rolled in - plus the pressures of additional seasons. Writer-Producer Terrence Winter joined the show in the second season, and he's interviewed here. Winter has since gone on to write and/or produce projects such as "Boardwalk Empire" and THE WOLF OF WALL STREET (2013), the latter of which got him an Oscar nomination.

The deaths of Nancy Marchand and series star James Gandolfini are handled with grace, including a clip of an emotional Chase speaking at Gandolfini's funeral. We hear about the toll playing Tony took on Gandolfini, and how some of the cast were there for him in times of darkness and need. Gandolfini died in 2013 at age 51 from a heart attack. It's interesting to learn that Chase only directed two episodes himself - the first and the last. And speaking of the finale, we see clips of Holsten's and hear "Don't Stop Believin" while reliving how that finale shocked viewers and generated so much discussion. Chase addresses this by saying, "The truth is ..." Premiering on HBO/Max on September 7, 2024 (Parts 1 and 2)

I found myself tearing up, thinking about all the great scenes and characters, and most of all about the creative process. This series didn't just happen. It came together with a lot of hard work by everyone involved.

My wish is this: that Alex Gibney, or someone, will do a follow-up like Wise Guy, about The Wire. Perhaps David Simon could be the focal point, perhaps Ed Burns, perhaps a dozen other people, but like The Sopranos, The Wire created a world foreign to the viewers, that became so believable that you became part of it.

Hearing about David Chase drawing 13 lines down a page, then adding the character names, then creating a story arc for each-then bringing it into the Writers room to create 13 teleplays-it sounds simple but is fascinating. Then, the actors. James putting a sharp stone in his shoe to make himself angry, Andrianna finding out she was going to be killled at the end of the season, Pauli Walnuts and the hair. So much went into it, and the result was fantastic.