Avaliações do Metacritic

The film is at its most grimly compelling when it puts her on stage, pinned down by her accusers and fielding questions with a mix of wary contempt and sudden explosions of incandescent rage.

It’s not often that films get better on a second viewing, but this dense, challenging and intellectually rigorous documentary about “Hitler’s favourite film-maker” Leni Riefenstahl is one of those exceptions.

Riefenstahl is a crushing exposé, and its most impressive trick is peeling back the layers of a very private woman to show a petulant child who can’t believe people haven’t gotten over the atrocities she willingly helped create.

With fresh access to her personal, self-serving and -aggrandising archives, Veiel lets Riefenstahl speak unedited: she puts a lot of issues to rest through her own lies, evasions and unrelentingly difficult personality.

Leni Riefenstahl and her controversial legacy are examined in fascinating depth in the new German doc 'Riefenstahl' by Andres Veiel.

Andres Veiel’s sombre documentary tells the gripping, incrementally nauseating story of Helene “Leni” Riefenstahl, the brilliant and pioneering German film-maker of the 20th century who isn’t getting her name on a Girls on Tops T-shirt any time soon.

Veiel structures his film with grace and guile.

Veiel and Maischberger build a compelling case that she was in fact a Nazi, right up until the end of her life.

It’s a portrait that’s really a meditation on Riefenstahl — her life, her art, the question of her guilt. And one of the things it does is to remind you of what a singularly provocative and insidious and mysterious figure she was.

I got bogged down frequently in the familiarity and intentional messiness of the story that Veiel and producer Sandra Maischberger chose to tell, while at the same time wondering what sense a wholly unaware viewer would be able to make of this woman and the long shadow she still casts.