Child of Grace

I acquired this movie because of Maggie Elizabeth Jones being a lead actress as she was in two other movies I loved: We Bought a Zoo and Away and Back. The plot of a young girl with an apparently loving daddy on an endless road trip seeing a missing child poster with what looks like herself, even down to the birthmark, intrigued me. What does a child think when she is abruptly confronted with what appears to be a new reality that her Dad may or may not be her real Dad, but a kidnapper? The script writer should be congratulated and the novelist Chris Fabry, author of June Bug (highly recommended) on which the movie is based should be congratulated for a touching cliffhanger.

The opening credits, as both of her previous movies, was brilliant with lovely views of her and her father sharing adventures in the western USA, but with a barely noticeable foreboding at the same time. From the opening credits onward there is not a moment where I wasn't on the edge of my chair wondering how the whole thing is going to work out.

Its strange that in the past few years girls have been playing different roles in American culture. The victim role is an old cliché by now. For awhile there were two other common roles for girls: horror and fantasy. I never liked the horror any better than the victim. Fantasy? I wish they'd make the Golden Compass series into a TV series. Girl heroes, love it. Lately girls are starring in Christian redemption movies. these can be icky but better than horror or victim, only if it isn't preaching into my face. Child of Grace, in spite of the title, gets by with a minimalist amount of victim-hood, horror and preaching.

Philosophically there are three things I object to. The first is depicting God as forgiving the most atrocious of behavior. I myself am not forgiving. The second is the complete lack of rights of the child to be anything but property by blood and excusing toxic behavior because it is the law. The third is treating men worse than dogs. Child of Grace deals with these issues. How successfully it does is up to the viewer in accordance with their ideology and belief.

An excellent movie. Ten stars.

I can't remember what brought me to this title. Probably, the "More like I'm addicted to them. I've found so many great movies (and duds as well) that way. Anyway, like other reviewers, I expected a 'Lifetime' style formula movie, but even from the description, I felt there might be something different. I'm so glad I watched it. Right from the beginning, it felt 'off' for the genre. I'm a fan of foreign and indie films that eschew the Hollywood formula and this fits right in there.

SPOILER: Just my imagination working overtime here, probably because I didn't like the ending. I imagine the grandparents and kidnapper/Dad/John end up with a shared custody situation and he is given full custody as the grandparents age and health deteriorates.

I didn't expect much of this film, but wound up being very taken with the acting and the script.

A man and a child live a rootless life but are clearly very close to each other, but the viewer knows from the beginning that there is more to the story. An unexpected encounter with a missing child poster sets both of them on a life-changing journey. How the father and daughter deal with their fate and the changes that must come into their lives unfolds slowly, with few big moments, and yet with a sense of inevitability.

Tom Hildreth is excellent, portraying a complex character with many sides, but whose life has been changed by love. I predict a great acting future-- if she chooses it-- for Maggie Elizabeth Jones, whose acting was natural and affecting. Ted Levine, as usual, brings depth to a role that could have been very pro forma.

All in all, well worth watching.

Watching a 9 year old steal the silver screen is amazing in itself but the detail that unfolds in the beautiful locations of Maine and Colorado truly captivated me. The story is raw at times and links the issues of teen pregnancy, drug abuse, parental definition, ethical/family ties, love, and duty. This is an excellent story told an acted passionately. I was torn between feeling contempt for the father figure for the deception that tears apart his young daughter, and the compassion for the grandparent (sheriff) desperately trying to solve the cold case of the tragic vanishing of his young grand daughter. Twists and turns drive the story along the emotional peaks and valleys that are acted beautifully. Bravo!

I was expecting the typical Lifetime flick when I came across this film. Boy was I wrong and quite pleasantly surprised. I actually enjoyed this film more than some of the higher budget, A list star cast films I've seen within the last few months.

It's obvious to me that a great deal of care went into this movie. The screenplay was well done, it was not at all predicable, the movie was well cast, the acting was solid and believable, particularly from the three leading actors, Ted Levine, Maggie Elizabeth Jones, and Tom Hildreth. Even the soundtrack was well chosen, not cheesy or distracting, just an appropriate accompaniment to the drama. The messages of the film are profound, yet subtle and gives you plenty to contemplate long after the movie is over.

It's encouraging to be reminded that quality movies don't have to rely on enormous budgets and a big star line up to be successful.

Well done.