Sister Midnight
- 2024
- 1 h 47 min
Em Mumbai, um casamento arranjado entra em uma espiral de escuridão quando o marido covarde vê sua esposa se transformar em uma força feroz e implacável dentro de seus limites conjugais.Em Mumbai, um casamento arranjado entra em uma espiral de escuridão quando o marido covarde vê sua esposa se transformar em uma força feroz e implacável dentro de seus limites conjugais.Em Mumbai, um casamento arranjado entra em uma espiral de escuridão quando o marido covarde vê sua esposa se transformar em uma força feroz e implacável dentro de seus limites conjugais.
- Indicado para 1 prêmio BAFTA
- 1 vitória e 10 indicações no total
Suhaas Ahuja
- Doctor
- (não creditado)
Masashi Fujimoto
- Constable
- (não creditado)
Daemian Greaves
- Henchman
- (não creditado)
Ashok Kumar Majee
- Truck Driver
- (não creditado)
Dinesh Sharma
- Priest
- (não creditado)
Chaitanya Solankar
- Sanjay
- (não creditado)
Avaliações em destaque
An amazing film with lots of Stooges,T. Rex,etc music--sorry to be short but my mother is asking for her rotis and chapatis lol thaanks great movie!
Repeating for valid review of 300 words lol An amazing film with lots of Stooges,T. Rex,etc music--sorry to be short but my mother is asking for her rotis and chapatis lol thaanks great movie!
Thanks.
Repeating for valid review of 300 words lol An amazing film with lots of Stooges,T. Rex,etc music--sorry to be short but my mother is asking for her rotis and chapatis lol thaanks great movie!
Thanks.
Sister Midnight is one of those rare films that starts off feeling raw and real, and then slowly descends into something completely unexpected. What begins as a story about a woman trapped in a dull, affectionless marriage turns into a surreal, psychological journey filled with dark humor and horror. Radhika Apte is absolutely brilliant-her performance is both haunting and deeply emotional. The film's second half is wild, unsettling, and hard to look away from. It won't be for everyone, but if you're into bold, strange cinema that pushes boundaries and makes you think, this one is worth watching. It stays with you.
This movie is pure chaos, and I loved every second of it. It tells the story of Uma, a young bride trapped in an awkward arranged marriage in Mumbai. As loneliness and frustration build, Uma's descent into animalistic urges becomes both horrifying and strangely liberating. Visually, it's stunning-vibrant, chaotic, and beautifully unsettling. There's a surreal, punk-rock energy that reminded me of Wes Anderson on a horror binge. It's messy in a way that feels deliberate, and I admired the boldness of its style. Not every moment works, but the ones that do are unforgettable. This is one of those films that makes you feel like you've stepped into a dream-or maybe a nightmare.
Where to begin with this movie? Well first a heads up; the trailer gives away nothing about where this movie ends up going. I'm not going to spoil it here although in all honesty it's not particularly interesting.
The movie opens promisingly by introducing our main characters Uma and Gopal, an unhappily (recently) married couple living in Mumbai. Uma has been uprooted from her home and moved to a place she doesn't understand.
The first 45 minutes or so are her trying and failing to get to grips with her new life with her unsatisfactory husband. The first 15 minutes are fine with nice world building, artistic cinematography somewhat reminiscent of Wes Anderson. There are some comedic elements within quite a dialogue sparse set of scenes that are essentially a series of vignettes. But then this just goes on... and on... and on. By 45 minutes in this plodding plot becomes stale and boring.
Then there is the "twist". Uma comes down with an odd sickness. It's not really apparent that this is a plot point until it is repeated multiple times and the audience eventually get the idea of what is happening by brute force.
Then things just get bizarre. I won't say any more to avoid spoiling what little novelty the film has. But it's just all so weird... and this means it's a real struggle to figure out what the movie is supposed to be about.
Such slim pickings of themes and a barren plot will be fertile ground for some (i.e critics) to come up with a plethora of interpretations that somehow rescue the movie from the yawnfest I felt it was. There has to be some reason critical reception for this movie is good right?
Unless the movie is supposed to be a modern retelling of some Indian folklore story I am ignorant of, I am really struggling to understand what it is supposed to be about. This would be less of a problem if the rest of the film has good pacing, funny dialogue or some thrills but it has none of these. It would be a difficult watch even if it was a 20 minute short, let alone a 110 minute feature.
3/10.
The movie opens promisingly by introducing our main characters Uma and Gopal, an unhappily (recently) married couple living in Mumbai. Uma has been uprooted from her home and moved to a place she doesn't understand.
The first 45 minutes or so are her trying and failing to get to grips with her new life with her unsatisfactory husband. The first 15 minutes are fine with nice world building, artistic cinematography somewhat reminiscent of Wes Anderson. There are some comedic elements within quite a dialogue sparse set of scenes that are essentially a series of vignettes. But then this just goes on... and on... and on. By 45 minutes in this plodding plot becomes stale and boring.
Then there is the "twist". Uma comes down with an odd sickness. It's not really apparent that this is a plot point until it is repeated multiple times and the audience eventually get the idea of what is happening by brute force.
Then things just get bizarre. I won't say any more to avoid spoiling what little novelty the film has. But it's just all so weird... and this means it's a real struggle to figure out what the movie is supposed to be about.
Such slim pickings of themes and a barren plot will be fertile ground for some (i.e critics) to come up with a plethora of interpretations that somehow rescue the movie from the yawnfest I felt it was. There has to be some reason critical reception for this movie is good right?
Unless the movie is supposed to be a modern retelling of some Indian folklore story I am ignorant of, I am really struggling to understand what it is supposed to be about. This would be less of a problem if the rest of the film has good pacing, funny dialogue or some thrills but it has none of these. It would be a difficult watch even if it was a 20 minute short, let alone a 110 minute feature.
3/10.
"Sister Midnight" is fundamentally a social satire that employs elements of dark comedy to critique the redundant rituals and traditions which are often masqueraded or rather endorsed as societal "norms", that everybody has to adhere to.
The messages are delivered with both ingenuity and wit, addressing a wide range of topics; from age old arranged marriages, lack of empathy among community members to pollution, and deeply rooted superstitions.
People who generally appreciate such writings are likely to find it pleasant.
However, it is important to note that some may still perceive the humor as unnecessarily crass, overly stoic, or simply unfunny.
Moreover, the pacing has its problems as it dips randomly, which could lead to growing frustration.
One this is certain, this would not be everyone's cup of tea!
The messages are delivered with both ingenuity and wit, addressing a wide range of topics; from age old arranged marriages, lack of empathy among community members to pollution, and deeply rooted superstitions.
People who generally appreciate such writings are likely to find it pleasant.
However, it is important to note that some may still perceive the humor as unnecessarily crass, overly stoic, or simply unfunny.
Moreover, the pacing has its problems as it dips randomly, which could lead to growing frustration.
One this is certain, this would not be everyone's cup of tea!
Você sabia?
- CuriosidadesDespite the fact that this film takes place in Mumbai, India, there is no actual Indian music in the film or on the soundtrack. Director Karan Kandhari wrote a lot of the soundtrack into the script, and wanted to put together things that really shouldn't go together.
- Trilhas sonorasMoanin'At Midnight
Written by Chester Burnett
Performed by Howlin' Wolf
Principais escolhas
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 123.065
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.801
- 18 de mai. de 2025
- Faturamento bruto mundial
- US$ 316.036
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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