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5,9/10
4,3 mil
SUA AVALIAÇÃO
Situado na Ucrânia dos anos 30, enquanto Stalin avança as ambições dos comunistas no Kremlin, o jovem artista Yuri luta para salvar sua amante Natalka do Holodomor, o programa de fome que ac... Ler tudoSituado na Ucrânia dos anos 30, enquanto Stalin avança as ambições dos comunistas no Kremlin, o jovem artista Yuri luta para salvar sua amante Natalka do Holodomor, o programa de fome que acabou matando milhões de ucranianos.Situado na Ucrânia dos anos 30, enquanto Stalin avança as ambições dos comunistas no Kremlin, o jovem artista Yuri luta para salvar sua amante Natalka do Holodomor, o programa de fome que acabou matando milhões de ucranianos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 indicações no total
Anastasiya Karpenko
- Irena
- (as Anastasia Karpenko)
Avaliações em destaque
1930's Ukraine. Genocide through starvation. It was never going to be a pleasant story. It's tough to make a film out of something so one sided and something so horrific. And at times its difficult to sit through. Yes it's violent but we don't see a lot of it up close. It's not gratuitous. It's already dire enough. Yet there's plenty to be depressed about.
The story itself is quite good. Following the journey of one character so we get an overview of what happened in varying parts of Ukraine during this time. And yet it's a stretch. Certain scenarios are just asking us to suspend belief a little too far. Our central figures should have been killed several times over. Knowing this is set within real events (though not of these characters) keeps us involved. But only just.
The problem is with the director. The early scenes are so over-lit it makes you feel like you're watching a Disney TV play. The clichés come thick and fast through the staging and unfortunately some of the dialog too. The direction is heavy handed, falling back on triteness such as blood dripping from a sword stuck in the ground and other lame symbolism.
It's all a bit overblown. The cinematography, the music. They wanted to make a real epic here but even at 100 minutes, it feels overlong and over-baked.
It's horrific to be certain and I wanted to care more but the central story just doesn't grab us the way it should. Terence Stamp adds an element of acting class. Shame that it can't be said for the rest of the cast. For example, Stalin is a caricature. Hours after seeing it, I'm already beginning to forget it. And that's not a bad thing.
An event this huge deserves so much more.
The story itself is quite good. Following the journey of one character so we get an overview of what happened in varying parts of Ukraine during this time. And yet it's a stretch. Certain scenarios are just asking us to suspend belief a little too far. Our central figures should have been killed several times over. Knowing this is set within real events (though not of these characters) keeps us involved. But only just.
The problem is with the director. The early scenes are so over-lit it makes you feel like you're watching a Disney TV play. The clichés come thick and fast through the staging and unfortunately some of the dialog too. The direction is heavy handed, falling back on triteness such as blood dripping from a sword stuck in the ground and other lame symbolism.
It's all a bit overblown. The cinematography, the music. They wanted to make a real epic here but even at 100 minutes, it feels overlong and over-baked.
It's horrific to be certain and I wanted to care more but the central story just doesn't grab us the way it should. Terence Stamp adds an element of acting class. Shame that it can't be said for the rest of the cast. For example, Stalin is a caricature. Hours after seeing it, I'm already beginning to forget it. And that's not a bad thing.
An event this huge deserves so much more.
Bitter Harvest is the story of the Holodomor told through the eyes of one family of peasant farmers.
I find that most "critics" are so full of themselves and talk about esoteric crap that 99% of most movie goers to could care less about that render such 'professional" reviews all but worthless.
The story is not about the Holodomor in its totality as the massive act of genocide of the Ukrainian people but rather, it is the love story about a young man in love with a girl from his village and the destruction of their lives as a result of the Holodomor.
In this regard the movie does a fantastic job telling us the story of their lives and the horrific struggles that ensue to just survive. The only minor criticism I have is the romantic leads (Max Irons( Yuri ) and Samantha Barks (Natalka)) lack any real on screen chemistry which makes their romantic scenes seem mildly contrived. The movie does a good job of showing some of the horror perpetrated by Stalin's ruthless starvation of the Ukrainian people. It does not delve deeply into the Holodomor but rather tells the account though the eyes of Yuri and Natalka.
I found the moving to be very moving.
I find that most "critics" are so full of themselves and talk about esoteric crap that 99% of most movie goers to could care less about that render such 'professional" reviews all but worthless.
The story is not about the Holodomor in its totality as the massive act of genocide of the Ukrainian people but rather, it is the love story about a young man in love with a girl from his village and the destruction of their lives as a result of the Holodomor.
In this regard the movie does a fantastic job telling us the story of their lives and the horrific struggles that ensue to just survive. The only minor criticism I have is the romantic leads (Max Irons( Yuri ) and Samantha Barks (Natalka)) lack any real on screen chemistry which makes their romantic scenes seem mildly contrived. The movie does a good job of showing some of the horror perpetrated by Stalin's ruthless starvation of the Ukrainian people. It does not delve deeply into the Holodomor but rather tells the account though the eyes of Yuri and Natalka.
I found the moving to be very moving.
...is the first word about it from me, a man from East, with Ukraine roots. but, scene by scene, you discover its virtue. not so insignificant. because it is an introduction, with form of lesson, to the Holodomor. so, it represents a sketch, with decent performances, not the most inspired dialogues, so simple than it coulb seem be pathetic and fake. but, after its end, you discover it as a nice try. not convincing, too American, using classic ingredients and tricks for a storyy more complex and profound for have need of them but, maybe, a reasonable start point for discover one of most terrible crimes from XX century. sure, it is not perfect and for a viewer like me seems a sort of blasphemy. but, it is a try. or a small hommage. in fact, a first step for propose to West a story about a land and its sufference. and that saves a part from huge mistakes of film.
The Holodomor killed more people than the Nazi Holocaust or the Young Turks murder of millions of their Christian citizens through the Armenian Genocide.
Bitter Harvest explores the history of this tragic event through the eyes of different villagers. A challenging movie with many well done vignettes, it anticipates the creation of more films about this event.
An important difference between the Holodomor versus the Young Turks murder of millions of Armenians citizens is that the Russians have the courage to admit the painful past, thus opening the door to healing. Perhaps this is one of the universal strengths of the Slavic Soul, to be able to look in the mirror of history and through the pain of introspection create great art.
Sadly, thus far, other than a handful of intellectuals, Turkish government remains trapped within the hell of self-deception denying the crimes committed by its forefathers. This ongoing dance of denial which some call "Erdonial" prevents progress and perhaps is one of the constraints against the creation of great art.
Bitter Harvest is a good film with a strong cast turning in strong performances. It will make a good supplement for history classes, and for those times when one is in the mood for lesser known truths that need to be remembered.
Bitter Harvest explores the history of this tragic event through the eyes of different villagers. A challenging movie with many well done vignettes, it anticipates the creation of more films about this event.
An important difference between the Holodomor versus the Young Turks murder of millions of Armenians citizens is that the Russians have the courage to admit the painful past, thus opening the door to healing. Perhaps this is one of the universal strengths of the Slavic Soul, to be able to look in the mirror of history and through the pain of introspection create great art.
Sadly, thus far, other than a handful of intellectuals, Turkish government remains trapped within the hell of self-deception denying the crimes committed by its forefathers. This ongoing dance of denial which some call "Erdonial" prevents progress and perhaps is one of the constraints against the creation of great art.
Bitter Harvest is a good film with a strong cast turning in strong performances. It will make a good supplement for history classes, and for those times when one is in the mood for lesser known truths that need to be remembered.
A common myth involving famine is that that it's entirely down to there not being enough food to go around an increasing human population . In other words there's too many people to survive on an essential resource , or "Malthusian catastrophe" to give it its technical term. What is being said is that there's too many people but there's often the innuendo that there's "too many (Insert black , brown or yellow here) people" here. The reality is that there's more than enough food in the world and the problems of food supply lie elsewhere, Don't believe me ? Ask yourself this:if there's more than 7 billion people in the world , more than it has ever been why is it that in the last few years only the Horn of Africa and North Korea have suffered famines ? You see my point ? It's nothing to do with resources and has everything to do with war in North East Africa and state policy in North Korea
BITTER HARVEST tells the story of one of the worst man made disasters in human history , that of the 1930s Soviet famine , most especially the Holodomor experience of the Ukrainians. Make no mistake because the famine was entirely man made where Josef Stalin rescinded Lenin's New Economic Policy ( Lenin and Trotsky's name change for capitalism )and executed or imprisoned everyone who knew anything about farming or engineering. A recipe for disaster in other words
The film itself is far from a disaster but constantly fails to make up its mind as to what it's trying to be. From the opening scene where the lead male and female are introduced as children you think that the film might be going one way only for it to go in a direction that it doesn't need to. It's a little bit love story , a little bit historical epic , a little bit action adventure etc but these segments never join up to a bigger picture , so much so it leads to an ultimately unsatisfying movie. It doesn't help that the goodies and baddies are painted in such broad stereotypical strokes
This is especially annoying where the casting is involved. Tamar Hassan is an actor I know from low budget British hooligan sub-genre films but is something of a revelation as Commissar Sergei but ends up being a rudimentary villain because that's what the screenplay demands and it is the fault of the screenplay . On the other end of the spectrum is up and coming Welsh actor Aneurin Bernard who plays Mykola a multi-layered Marxist and complex character but quickly disappears from the narrative. Things like this draw your attention to the fact that this is a well meaning film but should have been a great film as well as a well meaning one
BITTER HARVEST tells the story of one of the worst man made disasters in human history , that of the 1930s Soviet famine , most especially the Holodomor experience of the Ukrainians. Make no mistake because the famine was entirely man made where Josef Stalin rescinded Lenin's New Economic Policy ( Lenin and Trotsky's name change for capitalism )and executed or imprisoned everyone who knew anything about farming or engineering. A recipe for disaster in other words
The film itself is far from a disaster but constantly fails to make up its mind as to what it's trying to be. From the opening scene where the lead male and female are introduced as children you think that the film might be going one way only for it to go in a direction that it doesn't need to. It's a little bit love story , a little bit historical epic , a little bit action adventure etc but these segments never join up to a bigger picture , so much so it leads to an ultimately unsatisfying movie. It doesn't help that the goodies and baddies are painted in such broad stereotypical strokes
This is especially annoying where the casting is involved. Tamar Hassan is an actor I know from low budget British hooligan sub-genre films but is something of a revelation as Commissar Sergei but ends up being a rudimentary villain because that's what the screenplay demands and it is the fault of the screenplay . On the other end of the spectrum is up and coming Welsh actor Aneurin Bernard who plays Mykola a multi-layered Marxist and complex character but quickly disappears from the narrative. Things like this draw your attention to the fact that this is a well meaning film but should have been a great film as well as a well meaning one
Você sabia?
- CuriosidadesMax Irons and Aneurrin Barnard played brothers Edward IV and Richard III, respectively in The White Queen (2013)
- Trilhas sonorasWedding March
Music by Anatoliy Mamalyga and Iryna Orlova
Performed by Olha Chornokondratenko (Violin); Vadym Chornokondratenko (Tambourine)
Courtesy of Andamar Entertainment Inc.
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- How long is Bitter Harvest?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 557.241
- Fim de semana de estreia nos EUA e Canadá
- US$ 219.357
- 26 de fev. de 2017
- Faturamento bruto mundial
- US$ 904.399
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Proporção
- 2.35 : 1
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