O Arquiteto

Any movie with Parker Posey in it deserves a chance. I gave this one a chance. Of all the movies I have seen with her in it, this is the worst. Her character is so typical; there is nothing unusual. The part could have been played by thousands of other actresses.

The movie is about the project of designing and building a home and the interaction among the husband, wife and architect. In the movie, the husband is a successful, logical, practical financial person. She is an artist. They are highly incompatible and constantly disagree. The architect is a typical artist; he claims to consider practicality to be important but that is actually at the bottom of his priorities. He and the project (the house design) amplify the incompatibility between the husband and wife. The architecture might be creative but that is the only creative part of this movie. There is very little romance; the story is not much more than three (or four if you include the builder) people arguing. Even when she announces she is ovulating, there is no romance.

The ending is logical and not a big surprise either; in other words, not creative. And yet, the ending is sudden, as if the writer knew that there was enough material and had to end it somehow.

There are two characters in this movie. The husband needed to be fleshed out, or he was just an annoying one-dimensional sideshow. There was also a baby that came along and was ignored. There was a twist at the end. Even the obvious romance was glossed over. If the film was not gonna give us anything else, that would have sufficed. No. One shag and they don't talk until the end. When the twist all happens in two minutes. I didn't have a problem with the things the architect says, but this isn't a message about art either, because that was also not given time. Just a bit more footage would have made it at least make sense. Surely savaged by the editor, to make it quippy and funny, when it didn't need to be.

An absolutely ironic film, the architect makes you burst into laughter with exquisitely caricatured characters that act a contemporary and very light version of Madame Bovary. This film will not win an Oscar nor will it be in the selection of best films of the decade, but it is always good to spend an afternoon laughing at corny scenes and stereotyped discourses. The architect ironizes the imposture of the current petty bourgeoisie with its appetite for high culture. The musical reference to A homme et une femme de Lelouch is just one of the winks that this gentle comedy gives to French cinema.

This had got yo be one of the worst movies of the year. James Frain wasn't funny. He actually turned my stomach he was so bad. Granted, the role he was given was a ridiculously written character but he did absolutely nothing to try to bring the character to life in any way. There was do much more that could have been done with this film. As it stands it was a poor 21st century remake of "The Money Pit" but with no stars with any talent and little future based on this ridiculous farce. Bleck.

If you're an architect -and I am - this film trots out every negative stereotype you've ever battled in your life and pumps it up to full volume. The architect is the comic villain in this piece: a vain, imperious, pseudo-intellectual, budget-busting, turtleneck wearing wife stealer in the classic Frank Lloyd Wright mode. Of course old FLW also had world-class talent but in my humble opinion he has a lot to answer for with the reputation he saddled generations of future architects with. But I digress. I may have found this film more amusing than most because of the many sly digs at my chosen profession, but it's still a decent comedy.