Front Cover

Really enjoyed the way this film deftly provides a window to the Asian American gay experience, which a mainstream audience may not necessarily be aware of.

Acting was also excellent, and what stood out to me most about the film. I was really surprised to know that James Chen was Asian American because his accent was spot on (from what I can tell of mainland China accents). Another great thing about the story line is that it doesn't provide your usual fairy tale ending. But regardless of whether or not you agreed with the choices made by the characters, you could, at the very least, empathize with their experiences and the pressures they face. Kudos to both leads on a job well done.

I've seen many depictions of the challenges of Asian American identity --in film, dance, theatre and even in a musical. Often it's a tall order to expect a thought-provoking blend of humor, believable dialogue, strong characters, a great story and a fresh approach. Front Cover, which I viewed during its world premiere at the Seattle International Film Festival, fulfills all of that for me.

Since the story takes place against the backdrop of the fashion industry in New York City, you will have to endure the requisite diva tantrums and photo-shoot dramas in the opening scenes. Once past those caricatures, you'll be rewarded by a story with a recognizable emotional cadence, yet with surprising twists and turns.

What I cheered most about was the depiction of the range of Asian masculinity and emotions. American actors Jake Choi and James Chen do a fantastic job--of traveling a journey of wariness, rejection, willingness, trust, intimacy and vulnerability--as the two main characters who in the end are faced, as movie characters always are, with difficult choices to make. The actions they choose render a story that will resonate for nearly anyone.

My husband and i had the honor of seeing the premiere of FRONT COVER at the Seattle International Film Festival. We actually had free passes and had been looking for a film to see, we settle on FRONT COVER. Neither of us had any idea how enjoyable this film would be. We related to the story as my husband is from China and a fashion designer. The film is very real to life, wonderfully acted and beautifully written. It's one of those special films, without car chases, special effects or a typical Hollywood ending. The film truly stands out against the widely over budgeted films.

One of the lead actors, James Chen, is so outstanding in this film. Again, my husband is who from China, and i, were so surprised that Mr. Chen captured a Chinese accent so well.

Jake Choi, the other male lead, portrayed the Chinese/American attitude almost too well.

After the film was over, we had the honor to meet and talk with the actors and the writer/director. You could feel how proud they are of this film ... as they should be.

Having spent years of my life living in Asia and being gay I am always attracted to the stories that come from a gay and Asian perspective. This simple but beautiful film is worthy of your attention. It is not perfect. But, it visually shows some of the angst of self hatred and self denial that are common in the gay and Asian communities; Nothing beats the scene of family and three generations doing their best to survive and thrive in today's world tucked into the middle of this movie. I cannot wait to see what the writer and director have next to say about being an immigrant and gay in the world today. Go see this film and then reach out to hear the stories of those you know and love who may be from another place.

Each character is relatable in a different way.

Jake Choi and James Chen's portrayals of Ryan and Ning were very relatable and authentic. It was interesting to watch the character development since both of them had initially possessed or at least exuded a certain level of outer confidence although very different levels of confidence at the beginning of the film. This was apparent in their fashion and clothing choices throughout the length of time we get to spend with them. Ryan's fashion being an assortment of button up shirts and ankle length pants or capris, a fashion style seemingly considered to be more westernized while Ning's fashion sense is often a Chinese shirt with a medium-to-high neck collar or a silk robe which is more of an Asian style.

However, the story definitely shifts in perspective for both of the characters and for the viewer as Ryan and Ning become more and more transparent about their insecurities, flaws and fears, Ryan's insecurity being that he'll be treated differently or less of an important person if he discloses any information about his Asian heritage. Ning's insecurity on the other hand, isn't as obvious as Ryan's, but certain hints like Ning being surrounded by a group of familiar people with a similar Asian life experience suggest that he hasn't yet adapted to the western culture. It seems like the focus of Ryan's story, specifically, is on finding that balance that Ning seems to have when it comes to accepting his ethnic background while Ning's narrative is focused more on building up his confidence to accept his own sexuality. In both scenarios, these two men are seeking some kind of balance in their lives and it provides viewers with two different perspectives. Maybe, this is suggesting that we should take the time to listen to other people's perspectives on the world rather than being stuck in our own miniature worlds, so that we can gain a greater understanding of ourselves. In this way, once we see both of their true selves and find out that they also have their own set of insecurities, their stories and experiences become relatable to us and that feeling of uneasiness and not fitting in and/or even being bullied, I think, is one of universal experience.

Front Cover surfaces stereotypes, but doesn't compromise humor and sensitivity.

In regards to how this film dealt with stereotypes surrounding the Asian and Asian American identities, Ray Yeung, the director of the film, incorporated existing, modern-day stereotypes such as Asians always having to eat only Asian food and Asians only hanging out with other Asians, just to name a few. The story was told in an inventive way that utilized humor in between scenes to give the film a light- hearted, balanced feel while still being culturally sensitive to both identities. Yeung uses just enough stereotypes that it doesn't in any way make it seem like he's taking it too far. Also, in no way does it pose as a distraction from the overall story of the film.

Front Cover is definitely unique in its' approach when bringing up the conversation of race and racial stereotyping compared to conventional and in many cases, extremely offensive and one- dimensional portrayals of Asians and Asian American people in mainstream media. Although Front Cover isn't the first film, it is certainly one of few films that actually portrays Asians and Asian Americans in an accurate light and that is refreshing to see.

This film shows that there is more to a person than the superficial.

I was pleasantly surprised when I watched Front Cover at the 2015 Hawai'i International Film Festival (HIFF). To be honest, I initially went in slightly skeptical about this film, thinking that it would be another one of those sappy love stories about two gay men, except with a new, modern spin that comments on issues about some of the common Asian stereotypes that we see in today's media. However, as the plot continued building on itself, I found that this film was more about seeing the intrinsic qualities of a person behind all of the superficial– appearance, clothing, etc. and if there was anything to take away from this film, it was firstly, to see people for people, regardless of race, ethnicity, social class or any other social constructs that exist. Front Cover was definitely one of those movies that really made me think once I exited out of the theater and it is as transparent and real as the characters are when it comes to talking about race, racial stereotypes, sexuality and human identity; and hopefully, this film can open up a comfortable space where we are no longer afraid to talk about such issues.