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6,3/10
7,2 mil
SUA AVALIAÇÃO
Chile, 1955. O caso de María Carolina Geel, uma escritora popular que assassina seu amante, cativa Mercedes, uma secretária tímida que trabalha para o juiz designado para defender o acusado.Chile, 1955. O caso de María Carolina Geel, uma escritora popular que assassina seu amante, cativa Mercedes, uma secretária tímida que trabalha para o juiz designado para defender o acusado.Chile, 1955. O caso de María Carolina Geel, uma escritora popular que assassina seu amante, cativa Mercedes, uma secretária tímida que trabalha para o juiz designado para defender o acusado.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 6 indicações no total
Nicolás Zárate
- Arnés
- (as Nicolás Zarate)
Avaliações em destaque
Even the Chilean national poet Gabriela MISTRAL (1889 - 1957), who was awarded the Nobel Prize for Literature in 1945, stood up for her convicted fellow writer.
In 1955, a sensational scandal occurred in Santiago de Chile. In the Hotel Crillon, the writer Maria Carolina Geel (Francisca LEWIN) shot her lover out of the blue. By chance, the court clerk Mercedes Arevalo (Elisa ZULUETA), who works for the investigating judge, comes into contact with this case. It turns out that she receives the keys to the defendant's luxurious apartment. This opens up a new world for the inconspicuous Mercedes, who is not taken entirely seriously by her husband (Pablo MACAYA) and two sons. Surrounded by beautiful things and in heavenly peace, Mercedes begins to rethink her own life and consider new horizons possible.
A quiet and beautiful narrative film from Chile, which is somewhat reminiscent of the Italian blockbuster TOMORROW IS ALSO ANOTHER DAY / C E ANCORA DOMANI by and starring Paola CORTELLESI. EL LUGAR DE LA OTRA by Maite ALBERDI was selected by Chile as a candidate for the OSCAR for Best International Film.
In 1955, a sensational scandal occurred in Santiago de Chile. In the Hotel Crillon, the writer Maria Carolina Geel (Francisca LEWIN) shot her lover out of the blue. By chance, the court clerk Mercedes Arevalo (Elisa ZULUETA), who works for the investigating judge, comes into contact with this case. It turns out that she receives the keys to the defendant's luxurious apartment. This opens up a new world for the inconspicuous Mercedes, who is not taken entirely seriously by her husband (Pablo MACAYA) and two sons. Surrounded by beautiful things and in heavenly peace, Mercedes begins to rethink her own life and consider new horizons possible.
A quiet and beautiful narrative film from Chile, which is somewhat reminiscent of the Italian blockbuster TOMORROW IS ALSO ANOTHER DAY / C E ANCORA DOMANI by and starring Paola CORTELLESI. EL LUGAR DE LA OTRA by Maite ALBERDI was selected by Chile as a candidate for the OSCAR for Best International Film.
As chilean I felt so proud of this movie. The story is factual and accurate (except for the main character, that is). The author and the book are one of our dear readings, so I felt moved, and prompt to learn more about the background. Little did I know about Maria Carolina Geel and her own deeds at the time, and how Gabriela Mistral gave her a hand to set her free. Same as in the film, I don't believe that any woman close to the culture can feel uninvited somehow, and being dragged to experience a bit of the same sorority . The movie is pleasure to watch, well written and narrated; calm and introspective. Some criticism can be harsh, but quite real and again, accurate. At some point, there was a fight inside of me with the main character, but I couldn't help being absorbed by a recurrent call for compassion that leaves so much space for self expression. Many arguments were constructed subtlety, yet that wasn't the true intention. Not even the main trigger was relevant. The movie moves on a different layer, far from the mainstream. If you are looking for an experience rather than mere entertainment, this might be your option.
! This film is, without a doubt, one of the best movies I've seen in recent years. From the very beginning, it pulls you into its world with a captivating story and a perfectly paced narrative that never feels rushed or slow. The script is incredibly well-written, filled with emotional depth, clever dialogue, and powerful moments that stay with you long after the film ends.
The performances by the cast are absolutely phenomenal. Every actor brings their character to life in a way that feels completely genuine and believable. The lead role, in particular, is played with such intensity and vulnerability that it's impossible not to be moved. The chemistry between the characters adds another layer of richness to the story, making every scene more impactful.
Visually, the movie is stunning. The cinematography is beautiful, with breathtaking shots and artistic camera work that enhances the mood and tone of the film. The use of lighting and color is thoughtful and deliberate, contributing to the emotional atmosphere in a subtle yet powerful way.
The performances by the cast are absolutely phenomenal. Every actor brings their character to life in a way that feels completely genuine and believable. The lead role, in particular, is played with such intensity and vulnerability that it's impossible not to be moved. The chemistry between the characters adds another layer of richness to the story, making every scene more impactful.
Visually, the movie is stunning. The cinematography is beautiful, with breathtaking shots and artistic camera work that enhances the mood and tone of the film. The use of lighting and color is thoughtful and deliberate, contributing to the emotional atmosphere in a subtle yet powerful way.
We've got plenty of feminist work in cinema but this story of intruding takes an honest look at the past. It reminds us how social immobility and income inequality is as old as gender disparity. While we celebrate what was allowed to us the question remains as to what happened to the other two battle fronts. While confinement become a home away for one, The other gets pushed into squatting and ideologically they cross paths to shed one layer of shackles. Flawless acting by the cast. Great cinematography and music. El Luga De La Otra is a radical movie that reminds both women and men of unfinished business.
I think this is my favorite Netflix watch this month. I thoroughly enjoyed this film. The pace perfectly matches the main character's personality. While watching it, I believe I found the peace the main character, Mercedes, seeks. The film is subtly profound.
The void and regret she feels are incredibly relatable qualities and I found myself totally immersed in the story and in her personal journey. I enjoyed the timepieces including the furniture and the fashion of the time so beautifully displayed. I look forward to reading more about the real people behind the headlines and will search for more Chilean films.
The void and regret she feels are incredibly relatable qualities and I found myself totally immersed in the story and in her personal journey. I enjoyed the timepieces including the furniture and the fashion of the time so beautifully displayed. I look forward to reading more about the real people behind the headlines and will search for more Chilean films.
Você sabia?
- CuriosidadesOfficial submission of Chile for the 'Best International Feature Film' category of the 97th Academy Awards in 2025.
- ConexõesReferenced in Expertas en nada: RETORNO (2023)
- Trilhas sonorasEl Merecumbe
Written by Francisco Galán Blanco
Performed by Orquesta Huambaly
Courtesy of Universal Music Chile S.A.
(P) 1957 EMI Odeón Chilena S.A.
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El lugar de la otra
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Mixagem de som
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