Adicionar um enredo no seu idiomaThe story of the controversial South African band Die Antwoord. Tracing them from their humble beginnings to global phenomenon. Like their music the documentary is shocking, provocative, hig... Ler tudoThe story of the controversial South African band Die Antwoord. Tracing them from their humble beginnings to global phenomenon. Like their music the documentary is shocking, provocative, highly creative and strangely funny.The story of the controversial South African band Die Antwoord. Tracing them from their humble beginnings to global phenomenon. Like their music the documentary is shocking, provocative, highly creative and strangely funny.
Moonchild Sanelly
- Self - Artist
- (as Moonchild)
Ghostface Killah
- Self - Wu-Tang Clan
- (cenas de arquivo)
Tokkie Jones
- Self - Adopted Son
- (cenas de arquivo)
Avaliações em destaque
I'm not sure what to think of them. It shows how much they enjoy making music and it is somewhat catchy. It is a different listen that is for sure. Their daughter seems to love them and their fan base is insane. I believe they are popular because they appeal to the disenfranchised. And. That is a huge crowd. Now. To the elephant in the room. Their adopted son has made some damming allegations against them. And. I do believe there is truth to them. I honestly wish they would address them more and earnestly. The documentary is awfully self serving. I get it. They did earn everything they have. And. No doubt they had their naysayers. They'd videos are definitely unique and ambitious. Not everyone's cup of tea. Again. Good documentary. These two are music geniuses. Whether you like their music or not. I like it more than I thought I would.
I saw Die Antwoord earlier this year in Brixton where they performed in a surprisingly tight venue for two packed nights. They presented 16 in between acts as some kind of angel figure and made a lot of effort to connect to the crowd to see how much rapport they still had. Ninja referred to the controversies in a rap bit about the homophobia accusations being off since their DJ is gay, and the best part in the doc is that he himself gets to clarify he did not want to hog the spotlight once the group became famous.
16 talks about her depression once her parents separated and is presented as the reason they got back together. I'm not sure what to think about her narration and the way she is used to hold the film together. The last frame is a clip of her as a toddler saying "Mommy my heart is fixed". But she is 18, old enough to make her own decisions. I hope.
Ninja and Yolandi talk in an excessively controlled and staged manner, that's not going to help to dispel the bad rep. Ninja's Jesus attire is way over the top. They mention the abuse allegations of their warden son Tokkie but he himself doesn't get to speak his piece. There is an envy narrative in rap music, told by black ZA artists in what feels like carefully staged PR. There is no comment on the sexual misconduct allegations against Ninja. It would have been appropriate to at least mention Zheanni since she reported him for assault and they can't perform in Australia because of that.
So all in all, this is a visually impressive PR piece to assist the comeback of the most wildly innovative act of the 2010s. But it doesn't comment on Waddy Jones' behavior which is OK if you think art and artist should be viewed separately. If you're a fan it's a nice companion piece, it you look for answers you won't find them here.
16 talks about her depression once her parents separated and is presented as the reason they got back together. I'm not sure what to think about her narration and the way she is used to hold the film together. The last frame is a clip of her as a toddler saying "Mommy my heart is fixed". But she is 18, old enough to make her own decisions. I hope.
Ninja and Yolandi talk in an excessively controlled and staged manner, that's not going to help to dispel the bad rep. Ninja's Jesus attire is way over the top. They mention the abuse allegations of their warden son Tokkie but he himself doesn't get to speak his piece. There is an envy narrative in rap music, told by black ZA artists in what feels like carefully staged PR. There is no comment on the sexual misconduct allegations against Ninja. It would have been appropriate to at least mention Zheanni since she reported him for assault and they can't perform in Australia because of that.
So all in all, this is a visually impressive PR piece to assist the comeback of the most wildly innovative act of the 2010s. But it doesn't comment on Waddy Jones' behavior which is OK if you think art and artist should be viewed separately. If you're a fan it's a nice companion piece, it you look for answers you won't find them here.
In the first 5 minutes Yolandi lies and says she was 19 when she met Ninja in 2001. Except that Wikipedia lists her birthdate as December 1, 1984. That means she was most likely 16 (or possibly 17 if they met in December) when she met Ninja. He would have been 26 or 27.
This "documentary" starts with a lie because the truth of Die Antwoord is too disgusting. Nothing after that lie can be trusted. This video is merely slick propaganda meant to rehabilitate their image. And they enlist their daughter, Sixteen, as their mouthpiece.
The visuals and editing are reminiscent of their music videos. Which is to say they are very stylistic and engaging. But this comes across as more of a long form commercial for Die Antwoord than a documentary.
This "documentary" starts with a lie because the truth of Die Antwoord is too disgusting. Nothing after that lie can be trusted. This video is merely slick propaganda meant to rehabilitate their image. And they enlist their daughter, Sixteen, as their mouthpiece.
The visuals and editing are reminiscent of their music videos. Which is to say they are very stylistic and engaging. But this comes across as more of a long form commercial for Die Antwoord than a documentary.
Didn't know anything about Die Antwoord before this. I don't particularly like their music although it does strike as being interesting and unique.
That said the visuals for this documentary are very striking and I'd probably are the main reason that would recommend watching this.
Some people seem to think this is merely a puff piece to offset the allegations made by 'Tokkie'. I don't know anything about that so cannot comment on it further. I would say that 'Ninja' looked particularly 'medicated' during the filming.
On the whole, I found this to be interesting and informative with enough artistic merit to warrant a recommendation.
That said the visuals for this documentary are very striking and I'd probably are the main reason that would recommend watching this.
Some people seem to think this is merely a puff piece to offset the allegations made by 'Tokkie'. I don't know anything about that so cannot comment on it further. I would say that 'Ninja' looked particularly 'medicated' during the filming.
On the whole, I found this to be interesting and informative with enough artistic merit to warrant a recommendation.
Die Antwoord are important and interesting in every way that is important. Without band like this, music would plunge into a putrid sea of mush that is modern pop music ( need I name names )..
What a joy it was to see how they came about with this very HONEST insight into their evolution.
Yes its all marketing and hype but Die Antwoord make it look fresh and interesting. Their sound is very unique, sharp and thought provoking and because they are from Cape Town, South Africa display a naked rawness which this film highlights perfectly.
Bring it on - The Answer indeed.
PS.. the W in their name is pronounced like V.
What a joy it was to see how they came about with this very HONEST insight into their evolution.
Yes its all marketing and hype but Die Antwoord make it look fresh and interesting. Their sound is very unique, sharp and thought provoking and because they are from Cape Town, South Africa display a naked rawness which this film highlights perfectly.
Bring it on - The Answer indeed.
PS.. the W in their name is pronounced like V.
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- ZEF История Die Antwoord
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
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