Una pallottola nel cuore

This was quite charming and fun for the first two seasons. But Season 3 is not worth watching. Maggalena becomes pathetic whiney and repulsive. Yes we get it she is sad and guilt ridden. But the character is pathetic and overacted and ruins what was once a charming show. If you skip Season three you will like the show a lot more.

Entertaining series about a retired journalist, Bruno, and his team that solve cases where the accused is innocent with the cooperation of local law enforcement. Other than the daughter, Maggalena, I enjoyed the series and most of the characters. If her goal was to annoy the audience, she succeeded. The role could have been cast better. The other characters were likeable, especially Bruno, and added to the series whether being a quirky couple in the news room or those Bruno finds innocent. It would have been wise to end at Season 2 rather than change the cast and make Maggalena more annoying than necessary.

This is somewhat entertaining except that the viewer is focused on his wig which appears as if it might fall off any minute or slides around a bit on his head. It's a bit of a silly romp, with the crimes done Italian style with a lot of drama and a lot of tears. There's a lot of predictability of outcomes. As usual, food figures heavily as a centerpiece for many of the scenes. On the whole, it is watchable as long as it's not taken seriously!

The worst aspect of European police shows is the whining daughter that's gorgeous and wants everything bought for her, like an apartment or a pottery studio, because daddy wasn't home much.

This show is the worst because it has the whining daughter get a job and three apartments plus the love of the cop and they all chase her around telling her how much they love her while she complains. On a scooter. Then there's a minor mystery in there somewhere.

I wish it were better because it should be.

If you are look for a tight crime drama, look elsewhere. The dénouement of each episode consists of the villain, no matter how crafty or hardened, confessing under the mildest of pressure. You will soon learn to dread this part of the show.

With that out of the way, these stories are wonderful. The acting of the ensemble is first-rate, led by the protagonist, Gigi Proietti (in the role of Bruno Palmieri). The interplay of the main characters is graceful, the storylines very funny and human. Yes, there's a bit of predictability to the gags, but to see light comedy played so deftly is a treat. It's like watching the cast of the old Rumpole series (though without Mortimer's darker undertones. There are no agonizingly painful marriages of the Horace/Hilda type here.)

This is comfort food, but beautifully created well served up. You want to spend your time with these people and feel the better for having done so. Proietti is insanely talented. He makes light comedy seem effortless, which is far from the case.