Orgulho e Esperança

I saw this yesterday at a preview and was particularly impressed by the amazing production values shown in this film, as well as the powerful warmth of the ensemble cast within this. Many stand out, to the point where everyone stands out. My personal favourite performances are probably Dominic West's because of his wonderful energy, fantastic delivery and that the fact that he was playing a gay men (and was significantly less creepy than his Fred West performance) and Jessica Gunning's who played her play with such warmth and fire. That said, Staunton, Nighty and Schnetzer et all had some determination as well, it really is that not to want to give individual props to all.

British humour tends to be our best selling point and this film lays bare just how raw and witty we can be in our dialogue when handling such powerful drama. That said, the film is a very difficult viewing experience, in my eyes. The Miners Strike alone is a very raw and sad event for all to see, especially when there will be absolutely no surprises as to the outcome. On top of this there is a plethora of tragic LGBT issues that further hit the viewer like a fist throughout, be it a family not accepting their gay son, the Miners' refusal to fully support the LBGT community when the going gets tougher (the bleakness of those scenes are particularly devastating), the start of AIDS and the knowledge that these men's lives will never be the same, the occasional violence shown to the gay men… the list really does go on. The fact that there is a strong undercurrent of humour throughout is particularly needed and welcomed, although towards the end it proves hard to laugh at. Many look back to the 80s with total joy, but for many people, they were uncertain, intensely painful years to survive in. This movie is a tribute to them, and the cast and crew provide their joie de vivre with an open, pulsating heart.

Watch this preparing to feel a wide variety of emotions. Not all settling.

Some films when they are in pre-release have so much hype and advertising running behind them that by the time the film is actually released we have seen three or four different trailers that have usually given away all the bets bits of the film leaving a sour and disappointing taste in our mouths and a feeling as though we have just wasted our time once we get around to actually seeing them. Then there are some films that deserve the hype and publicity that only ever get minimal, usually these films belong to a film festival and it's only through word of mouth that they make it to their intended audience. Pride is a film that was first released at the 2014 Cannes Film Festival winning a standing ovation and the Queer Palm award from there it went onto a limited release schedule mostly being involved in Queer Film Festivals around the world. Pride is a true life story based around the British Miner's Strike in 1984, Margaret Thatcher was Prime Minister and not very popular, not with miners and especially not with the gay and lesbian community either. Joe, a young naïve closeted gay boy arrives in London to take part in his first gay pride march, soon after arriving Joe is taken in by a local gay and lesbian rights activist group who do their part to raise funds to fight their foe Thatcher and her evil ways. Soon after the group realise that both the Miner's and the gay community have a lot in common they make the decision to start raising funds for the families of the miners in a little Welsh town called Onllwyn. The miners reject the gay and lesbian activists money believing it will do more harm than good for their cause so the group unfazed but a little perplexed decide to take the money personally to the town to hand it over and explain their situation and hopefully form a new alliance against the countries Prime Minister and her party… Pride is set in a very bleak and dark time of British history but I feel that it's never actually shown that way, sure things are dark and gray but I wish the director just added more hardship to his final edit for the film, not being a part of it personally but remembering how harsh it was from school study and other films I have seen over time. I don't think the film was shown as brutally honest as it should have been, from what I know of those days; they were horrid, times were rough and extremely hard, I just wish that it was portrayed a little more than what we were given. That is my only concern with the film, which says a lot I feel. None-the-less it is a fantastic well made, well directed and full of amazing actors that really bring the story to life, the story is really well scripted and the actors chosen in their respective roles have done an amazing job. Staring Bill Nighy (Love Actually, Shaun of the Dead) as Cliff, Imelda Staunton (Maleficent, Vera Drake) as Hefina Headon, Dominic West (John Carter, The Awakening) as Jonathan Blake, Paddy Considine (Hot Fuzz, The World's End) as Dai Donovan, George MacKay (How I live Now, Peter Pan) as Joe "Bromley" Cooper who is one of the few fictional characters created for the film and a whole heap of others, it is actually a very great cast everyone did their part to make the film work. As I said earlier the cinematography of the film was good I just wish it was darker like the times it is set in. The director and his crew have done a great job with this film written by Stephen Beresford and directed by Matthew Warchus (Simpatico). Pride is a feel good film with a fantastic story that can be shared with all your loved ones, there are a couple of scenes that may be a deemed a little over the top but perhaps you can use that to answer some curious minds if questions are asked. Pride is an amazing story that brings two very different worlds together for one great cause.

If you don't laugh, don't shed a tear, or don't want to get up and cheer at the end, then you weren't paying attention during this movie. Based on a true story, this is a film about how two unlikely groups came together in the troubling times of the early 80s in the U.K., but in addition to that, there are a lot of side stories that occur at the same time. Excellent character development (especially after the first 20 minutes), which is critical for a based-on-true-life film. The acting is superb. Listen carefully for the deadpan humor the British are known for: especially if you're not used to London and Welsh accents. Highly recommend this movie to anyone who needs a lift and a reminder that *people are good.*

Just been to the avant-premiere in Paris: The movie is absolutely magical. Not to oversell it, but it's a must-see. It's funny but very moving, with a perfect blend of "comedy" and seriousness (because these were dark times, both for the miners and the gay community). The dialogues are really good, well though-out, and delivered convincingly by a stellar cast, who are always believable in their roles.

It's not just "good for an indie gay movie" - it's an incredibly powerful movie that ranks right up with the best of them this year (and with stars such as Bill Nighy and Imelda Satunton, and a probably fair budget, it doesn't have an "amateur" / "indie" feel at all either).

Anyway, worth the price of admission (unlike, unfortunately, so many movies these days...)

British stage director Matthew Warchus' first venture in filmmaking Pride--based on a true story that had slipped through the cracks of history--won the Queer Palm at the 2014 Cannes Film Festival. And rightly so! The film opened quietly in New York at the 23 Street Chelsea Cinema.

Say the word pride, for many it brings to mind "Gay Pride." For others, it recalls Proverbs 16: "pride goes before destruction and a haughty spirit before a fall."

But Pride is a film about virtuous pride—class pride, gay pride and gender pride. Overall, it is a feel-good picture of solidarity and union of interests that seemingly don't speak to our condition when money and the free market have the upper hand, as well as a sharp rebuke to "identity politics." For Americans with an interest in labor history, it should call to mind between attacks against trade unions by an aggressive government, a hostile press and very forceful police. Actually, today the attacks continue against public unions, minorities and sexual and gender minorities. What make Pride of interest now is its politically charged message that sharply contrasts with the attempt to increase the state of suffering and want of the poor and the declining middle classes, in the same way Ken Burns seven-part documentary The Roosevelts: An Intimate History finds the relationship Americans have with their government seriously wanting. When Margaret Thatcher became prime minister in 1979, she turned a prayer to her own advantage: "where there is discord, may we bring peace, where there is error, may we bring truth and where there is despair, may we bring hope." She brought discord and despair when she threatened to close coal pits, which would rob thousands of their livelihood and leaves even thousands more in want and poverty. The National Union of Miners launch a yearlong strike in 1983 that they lost, thereby initiating the decline of the once powerful trade unions. You know your not going to watch a "gay" film when the opening scenes are of miners on a picket line, with Pete Seeger singing "Solidarity Forever," rarely sung in America today. Thus the theme of solidarity and union is struck from the very start of Pride—"there can be no power greater anywhere beneath the sun, yet what force on earth is weaker that the feeble strength of one, but the union makes us strong." And what union surprises us than straight miners and gay activists? And that is at the heart of this unearthed fragment of history. A natural-born activist Mark Ashton (Ben Schnetzer) rallies a small group of gays to raise funds for the striking miners as Lesbians and Gays Support Miners. Not only is he homosexual he also comes from Ulster and knows something about sectarian and sexual oppression. He immediately grasps, from a class and gender standpoint, Thatcher's hard-nosed policies to close the mines as a way to support the miners subsisting on handouts to oppose government repression. And thus begins LGSM's fund raising to help the miners. The money and the food they collect, they bring to a small Welsh town, not sure how they will be received when the first meet the miners. Since they are from anti-union London, there is an immediate sense of mistrust, compounded by homophobia. Yet they find at first support in miners' wives—especially Hefina (Imelda Staunton), Siân (Jessica Gunning); they are loyal to their husbands, just as much as they are determined to support the strike and just as important, they are of strong will and mind. In a way, these vigorous housewives walk in the way of the Daughters of Mother Jones who participated in labor actions, or the wives of striking New Mexico zinc workers in the suppressed film Salt of the Earth. There is a point in the film when the press got word of support of striking miners. The printed media had at first a field day with headlines saying Perverts and Miners, undoubtedly publicity the parent union NUM wanted to avoid. But Ashton took ownership of this headline by organizing an energetic fund raising campaign under the banner of Perverts and the Pit that brought in even more money and support. Although the strike failed, the support LGSM did not go unrewarded. In 1985 a large contingent of straight miners led the Gay Pride Parade in London with band and unfurled banners of one hand grasping another in solidarity and union of purpose. Furthermore, as a sign of this identity of common endeavor, were it not for the NUM the timorous Labour Party wouldn't have come out for Gay Rights in the party platform The Welsh are known for singing, so it is not surprising at the community hall to hear a swelling chorus of voices intoning Bread and Roses, a song associated with the 1912 Massachusetts textile strike. Nor is it astonishing to hear the voice of Paul Robeson, who became a working class hero of the NUM's through his singing and 1940 film Proud Valley. Characters in Pride are neither, soapy, sappy or maudlin; they are finely drawn and played by first-rate actors, including Bill Nighy, Dominic West and Andrew Scott. Pride is an intelligent picture. It carries the forceful message that gays don't necessarily stand up for gay people, straights for straights, workers for workers, but acting in concert they can act towards political change for the better. As the trade union saying goes: a single finger has the force of one, but four fingers joined by the thumb makes a fist and there is power and determination, strength and power. Pride is highly recommended and not to be missed..