O Enforcador

This is a truly terrible film. The acting is bad the story is bad, the audio is sometime out of sync with characters speech.

The main character is useless all in all a bad film. Do not waste your time with this.

The story does not make sense, I found myself losing track initially then being incredibly bored and the mind wondering, the film does not capture you/ keep you hooked. It is all in all a really terrible film.

The acting is ridiculous, I would strongly advise people to watch a different film.

I cannot understand how such a bad film has 4/5 stars on amazon reviews. It should be noted i don't often leave reviews for films, but this was just so terribly I had to worn others!

The Hangman (2024), directed by Bruce Wemple, is a horror film that collapses under the weight of its own shortcomings, emerging as a masterclass in what not to do in filmmaking. The story follows a father and son on a camping trip in Appalachia that turns deadly when they encounter a cult and a demonic entity, but the execution is a mess. The acting is uniformly dreadful, with the lead actor's performance standing out as the worst, marked by bizarre facial expressions that clash jarringly with the intended emotions of each scene. The camera's relentless zooming in on the lead's face only amplifies this disconnect, making every awkward grimace painfully unavoidable. A secondary villain, stereotyped with a Confederate flag logo on his hat and truck, delivers a performance so wooden it feels like a caricature, while a priest character somehow manages to be even worse, with dialogue and delivery that border on unintentional comedy.

The screenplay is a chaotic jumble, tossing in racial undertones, cult horror, and father-son drama without cohesion or depth, and the direction fails to salvage it, with poor pacing and baffling choices like the overuse of close-ups. Reviews suggest a low-budget production, but no amount of money could fix the fundamentally bad writing, acting, and directing. The Hangman is a cinematic misfire that tries to be a horror but ends up a frustrating, laughably bad ordeal.

Written and starring the same person? Recipe for failure. It's very rare someone in this field can do more than one function. Here we have the writer also playing the main character. Well he can't act. At least not in this film. And the story was all over the place and garbage, so clearly he can't write either. And that seems to be a common theme when people try to do too much in show business.

But the movie, well it isn't good. A black man and his son going to the Appalachian for camping? Pause. We not doing that. First off, camping is not one of our go to activities. Second, we know better than to go out to racism, the place. The cringy bonding in the beginning should've told me turn this movie off. But then we meet the racist locals. Sigh. This has been done to death. It's played out. Then there's this hangman. It was more like an after thought. If they had focused more on that and the cult, and cut out the racism stuff, which added nothing, then maybe this could've been a 3 star instead of 1.

When it comes to modest budget VOD horror flicks, Dread knows its audience. Get a few psychotic characters, plug in some red LEDs, build a fire, throw around a little karo-red blood, and everyone has a screaming good time. Dread's latest VOD release, The Hangman, fulfills all these requirements - minimally. What makes The Hangman at all watchable is the clever crime drama centering on a missing teen that easily slips in-between the pseudo-screams.

While the plight of the father and son deepens the A-story, the demonic tale of the Hangman is abruptly forgotten. When the supernatural menace eventually returns, the story of the Hangman's murderous quest becomes not only confusingly circular but almost completely unnecessary. In fact, The Hangman lacks any true genre scares and possesses startling sparse on-screen violence. The eponymous villain barely lives up to his name, settling instead to casting small nooses for binding people down as if he was a not-so-friendly Appalachian neighborhood web-slinger.

Hardcore horror fans might disagree.

The Hangman apologetically fits within the genre and strangles out the minimally-appropriate material with its very last breath while ignoring the true horror of scary Appalachian drug dealers.

Every decision made by the writers, director, camera operators, actors and their characters was the worst possible decision. It was so bad in every way possible. It's like they asked an improv audience to suggest a genre, sub genre, tone, and a new character to introduce for 3 acts and they just put all of it together to make a mashup of all the ideas.

Or maybe two interns carrying two separate scripts were rushing down a hall and ran into each other, dropping the stacks of papers and when they picked all of the pages up, they had mixed both scripts together and this was the one that got produced.