Ballet 422

Ever seen a group of middle aged or even older Chinese mama sans doing the group dances in a town square or in a big empty space of a community park with loud music. Those women danced in uniform with lot of gestures of hands and body languages. What made those group Chinese dances so boring and disgusting to watch? Because those women just followed the music to do an uniformed dance without any essence or meaning to show anything else. It's just a group exercise, nothing more.

What we saw in Ballet 422 was exactly like what I've mentioned above. It's just a group exercise dance in uniform but without anything in it. Those dancers just followed the music tempo to move around but in all very poor form, the music itself was also a hollow meaningless mess. The angles of the dancers' hands, arms, legs, bodies were so messy, never in uniform. They were so busy to follow the music tempos to move, run, glide around but always in a messy forms. There's no story in it, no feeling in it, just like those Chinese old women's dances, the New York City Ballet just did a group exercise on stage with a live orchestra and controlled lighting.

The guy who designed this only paid attention to the techniques, the detailed movements of every dancer, and those dancers also danced like pre-programmed robots but never achieved the uniformity that was the most important requirement of a ballet program. The choice of the music was so bad without any meaning or story in it, just lot of notes changed either fast or slow, or faster or slower. I really don't know what's the purpose of asking so many professional dancers to do a totally meaningless ballet program. What I saw in this documentary was like watching a bunch of ballet students tried very hard to follow a meaningless music, practiced and practiced.

The young guy who choreographed this ballet program was a soul-less, feeling-less mechanic but definitely not an artist. After watching this documentary, it also showed that The New York City Ballet is a 3rd grade ballet company, it has so many mechanics, technicians and robotic dancers but with no soul or heart. It should be disbanded long time ago. If you don't know what I've described about the Chinese mama sans dancing, just go to youtube.com and take a look, then you might understand why and how this Ballet 422 was just a hollow mess.

A behind the scenes look at the concept, creation and choreography of a new ballet for the New York City Ballet. One the Corps members is tasked with the choreography and assisting the costume and lighting teams in creating a piece over several months. I enjoy documentaries and have seen several about the topic of ballet, if that is your wheelhouse you will enjoy it as well.

"Ballet 422" (2014 release; 75 min.) is a documentary about how New York City Ballet dancer Justin Peck, all of just 25 yrs. old, is commissioned to choreograph a new ballet piece, and he has only 2 months to do it, with the premiere scheduled for January 31, 2013 (it is the only new ballet piece of the Winter '13 season, and it is the ballet's 422th overall). The documentary opens with a couple of facts regarding the City Ballet itself (such as: it has its own full tie orchestra), and then we dive straight in, and we are treated to a no-holds barred behind the scenes look at how Peck goes about it.

Couple of comments: first and foremost, if you don't care for ballet, please save yourself the trouble and check out another movie instead. On the other hand, if you love ballet, chances are that you will marvel as we get a glimpse of how the City ballet actually works on a day-to-day basis. We get to know Justin Peck a little bit, as well as several of the featured dancers including Tiler Peck (no relation) and Sterling Hyltin. If you are expecting high drama (say as in "Black Swan"), you will be sorely disappointed. Instead, we get to appreciate the hard work that goes into a ballet piece, all the way to the smallest details (it is amazing to see how much attention the costume design is given). Couple of surprises for me from the documentary: at no point does Justin Peck share explain his vision or concept for he new ballet piece, or if he did, it didn't make it in the documentary. Also, while we are told that the music being used for the ballet hails from 1935, we don't find out what composer or which music piece until the movie's end credits, wow. But in the end those are minor quibbles, and I enjoyed "Ballet 422" quite a bit.

I saw "Ballet 422" at a recent one-time only special showing at my local art-house theater here in Cincinnati. It was announced beforehand that following the showing there would be a Q&A with Victoria Morgan, Creative Director and CEO of the Cincinnati Ballet. It was great that the theater was absolutely PACKED for this, and indeed there was a lively discussion after the showing, with Victoria sharing her further insights on all this. If you love ballet, I strongly encourage you to check out "Ballet 422", be it in the theater, on VOD, or eventually on DVD/Blu-ray (where hopefully there will be some bonus materials). "Ballet 422" is HIGHLY RECOMMENDED!

A simple, unpretentious, thorough account of the creation of a new ballet showing the contributions of the personnel involved, choreographer, dancers, musicians, costumers, hairdressers, therapists and ultimately, the audience. Despite the exhortations of politicians and the press, my heroes are not the young people sending drones out to menace peasants in third world countries; my heroes are the young artists depicted here. I could not do this, nor have I ever wanted to do this, but I'm glad someone is doing it.

This was pretty disappointing. There is just not enough dance and too much filler (or cinema verite) as in:

• Justin Peck (choreographer) walking down empty corridors

• the orchestra being conducted

• too much on costume assemblage (there is footage of a washing machine)

• NYC subway stations

There is not much on the inspiration for the dance and the choreography; there is some perspiration (some short dancing scenes), but very little on the creative process. It's like seeing architects and engineers walking and talking, but never seeing the finished product(the building - in this case the dance).

For dancers only. Not for the audience. I pressed fast forward several times. Badly assembled and edited.