Welcome Back

The worst treatment of a script. I might say this. The prequel ' Welcome' was a good watch, a time pass movie with some extremely good comedy scenes. Akshay Kumar did a great job in the comic role. and Anil Kapoor and Nana Patekar were the highlights of the film.

In the second installment. Welcome back, everything fails except nana and Anil. Thanks to Anil and Nana for their effortless performance in the movie. Anil Kapoor should these kind of roles more often. paresh Rawal had nothing to do more, so is with Dimple kapadia and Naseeruddin Shah. John was seen hard working to get the right expressions, but was strictly average. I felt like he is copying Salman Khan's tapori role. The dialogues, body language etc resembles to Salman Khan.

The lead actors were like fashion models on ramp. Shruti Hassan and Anjana Srivastava's cleavage had better expressions than her face.

The script had the potential to bring more laugh, but Director ruined this in timing of twists. Some unnecessary scenes like ' cemetery scene' , was the most boring one in the movie.

IT was very sad to see actors Naseeruddin and Dimple being wasted in this movie, which actually offers some good laugh. This is example of how a good script can be turned into a bad movie.

Nana and Anil were the only saving faces in this movie.

Thumbs down.. Well, come back.

This movie is a crap. South Indian movies are now moving towards Hollywood and our so called Bollywood is degrading itself by making movie like this. I watched it for Brahmanandam but he is not in the movie for a heavy role. Plot was not as good as expected. The maker tried to make a spicy movie but failed and produced a KHICHDI. These type of movies are such a shame of Indian Bollywood. I wasted my 2.30 hrs watching this crap. Naseeruddin shah was not enough good as RDX. Mark my word John Abraham can never be an actor he is good at modelling so go back John this is not your cup of tea. Shruti should stay in South industry as its a very bad movie for her career. Picturisation is not good. Director used sports car for the Shareef Businessman where is your mind director?

The sequel fails to entertain in the slightest bit. It is boring to watch even with a bunch of friends.

Lines were weak, dance numbers didn't do anything to entertain the audience and the overall theme is the exact same as the previous movie.

The acting itself was substandard, leaving much to be desired. Some parts of the movie were amusing but not enough to make it worth watching.

The script seemed randomly thrown in with poor screenplay, mediocre directing and annoying cut-scenes.

Welcome Back fails to live up to expectations set by the original.

Films like DON, Dhoom, Murder, Bhoothnath, Golmaal series and Tanu Weds Manu has generated enough curiosity among movie mongers to spawn their eagerly awaited sequels. Follow-up to the smash-hit Welcome (2007), Welcome Back was right there with high dose of entertainment value but looses the steam due to the fiddling climax, wafer-thin plot and tuneless music.

Uday and Majnu wants to marry off his sister to someone from a good family background if he wants to get married to Chandni. Story gets further complicated when Ranjana(Uday's sister) falls in love with Mumbai goon ( John Abraham) who is completely opposite to what Uday and Majnu expected.

Anees Bazmee has mastered of making no-sense and yet entertaining films ( No Entry, Welcome, Singh Is King, Ready) . With Welcome Back, Bazmee has gone one step-further. He has created a mish-mash plot and sub-plots that will make you pull your hair. You do not bargain for logic here as anything can happen from anywhere and at anytime. The good news is despite all the foolishness, the films work thanks to the quick-witted tapori humour, funny scenes and threesome- Anil Kapoor, Nana Patekar and Paresh Rawal who are sure to bring down the house with their rib-tickling act. The climax plays a spoil-sport and you wish director could have made it more smart, crispy and shorter version. The dialogues, especially, by Raaj Shaandilyaa is noteworthy and will remain with you after the film. Lets be frank- there is nothing called "screenplay" in the film. Editing is terribly loose. The budget is pretty high (estimated to be Rs 100 crores) which makes sense considering high production values and shooting locations in Dubai. Cinematography sometimes rolls out to make film look like 90's potboiler entertainer but nevertheless is magnus. Music is a big letdown. The hopeless film stands on the shoulders of 3 supremely talented actors – Anil Kapoor, Nana Patekar and Paresh Rawal. The chemistry between them is sparkling and convincing that you will love every moment of them in the film. Anil Kapoor is simply mindblowing. Nana Patekar is equally outstanding. Watch for the scene when they play antakshri in the graveyard. Paresh Rawal is splendid. He gets to deliver witty-one-liners and does it with ease. John Abraham is decent with his tapori looks. Shruti Hassan should start thinking of some other profession. Naseeruddin Shah does not making any impact replacing the role of legendary Feroze Khan. as Wanted Bhai. Dimple Kapadia surprises with astounding performance. She gets to deliver some good lines as well.

Despite weak script and poor direction – Welcome Back is watchable only because of three aces – Anil Kapoor, Nana Patekar and Paresh Rawal

Decent – 2.75/5

Sequel of Welcome, which was quite an enjoyable film. This films stars all the A-listers, which was the reason it got droves of people to watch it in the first place. Honestly, the film is a disappointed. With the likes of Nana Patekar and Paresh Rawal. Their presence makes it livelier but the weak story line seriously undermines the whole experience.

The film show casts Dubai shorelines, which look amazing on the big screen. However, the direction was choppy. One particular sequence was just down right stupid when skydivers are above Palm one moments and appear next to their target the next in the sandy dunes of remote UAE.

The A-listers are gold and their on-screen performance was what kept things going but the new cast, Shruti Hassan and Dimple's Daughter (in the film) did a pretty shoddy job.

Film to let go by in the cinema and probably catch up on a Saturday afternoon in front of Tele.