Luther: O Cair da Noite

I have but one thing to say: Police divers.

There is a plot convenience towards the end of this film that seems...well...totally stupid. In fact, there are several plot elements throughout the film that are ludicrous. But regarding the aforementioned 'convenience' in the third act; we see the police travelling, via helicopter, to an unknown snowy region to affect an arrest. Why would a last minute, 'time is of the essence', tactical operation in the snow have already geared up police divers?? In the snow? In helicopters? In wetsuits? It hurt my brain.

I have no issue with the occasional plot 'convenience' in order to propel the story forward, but this film takes tremendous liberties that insult the viewers intelligence. It seems lazy and ultimately does a disservice to our protagonist.

Having said all of this, it's still a watchable film. The first act is by far the strongest and most investing, whilst the second and third are serviceable, if not bloated - the film was 30 minutes too long. Our antagonist also lacks any realistic, discernable motivation. Andy Serkis is menacing and creepy in some scenes, whilst being laughably 'unmenacing' in others. I struggled to buy into his criminal 'genius' as well as his physicality in the fight scenes. Speaking of which, some of the fights are well choreographed and executed (particularly the prison scenes), whilst others look and feel fake.

All things considered, it's a solid if slightly forgettable outing for Luther. Elba is fantastic, as always, but is let down by a loose script.

First off, the film: Unfortunately the first half felt very uninspired... I'd seen all of this a million times before... It may have worked with a director who was willing to take more risks.... That being said, the second half becomes much more intense and grand scale and I was fully immersed. Overall I'd give it a 7.5....

Buf thanks to Netflix, I'm dropping it to a 6 for its terrible theatrical release... There were random unrelated subtitles plastered on the screen and layered on top of each other... And thanks to that, when there was non English speaking going on, we had no idea what they were saying... When I complained to the theatre staff, they said it was Netflix and they had nothing to do with it... So really impressive, Netflix....

With all the rumours about Idris Elba replacing Daniel Craig as 007, it looks like he decided to take matters into his own hands and make his own anyway.

This is an action packed, high octane, ridiculously contrived and formulaic James Bond rip-off. Our indestructible hero even has a go at blowing up the underground lair of Dr Evil's more evil brother. The plot possibly doesn't quite reflect the job description of a typical DCI in the London police force but nevertheless it's insanely exciting edge of the seat stuff. The plot might not be super-original or indeed that thought provoking but it extremely well made and thoroughly entertaining.

Looking forward to the next one!

A man is controlling people using their most embarrassing secrets against them. He is also torturing and killing people for sport. DCI Luther is put on the case after the disappearance of one of his victims. This makes Luther a target of the sadist and results in Luther being sentenced to a prison term. However, just because he's in jail doesn't mean Luther isn't on the case.

Being a fan of the TV series I was eagerly awaiting this. I wasn't expecting this film to be as good as the series: most films based on series aren't. Moreover, the quality of the series was due to being able to meticulously build a plot, create engagement with the characters and create tension through developments - a film wouldn't have time enough to do that. So I wasn't too disappointed when this didn't live up to the quality of the series.

Instead of the usual Luther psychological tension and tight plot we have an unoriginal "cop has to save a case while on the run from the law" story. Add in some contrivances, some reasonably predictable plot developments, a cartoonish villain complete with about the fakest-looking hair ever and a reliance on style over substance at times and this is definitely not in the same league as the series.

Yet, despite all this, it's quite entertaining. Despite the 130-minute running time the film moves along at a brisk pace and is never dull. Initial plot setup is good, there are some surprises in the plot and the action scenes are great.

Idris Elba is great in the lead role, as expected, and while Dermot Crowley (as Martin Schenk) was irritating in the series, here he is okay. Cynthia Erivo puts in a solid performance as DCI Odette Raine. On the other hand, Andy Serkis (and his fake hair) is irritating as the villain.

Overall, not great but entertaining.

I loved the first television series of this gritty and challenging police drama. Sadly, now we have reached a nadir for this charismatic and unorthodox character. The story is so ridiculously far-fetched that it reminded me of something Mark Gatiss might have written for "Sherlock" before he watched "No Time To Die" (2021) and thought - nah! It all starts when youngster "Callum" is dragged away from his night-time cleaning job by a mysterious phone call. Next thing we know, "Luther" (Idris Elba) is at a crime scene with no sign of the boy but with a victim in her car that has been missing for ages. Enter the completely un-menacing "Robey" (Andy Serkis) and pretty soon our favourite policeman is incarcerated for a career of systematic rule-bending/breaking and this rather evil monster now proceeds to prove that evil can prevail - and on a fairly spectacular scale. This story is, frankly, preposterous and as the film lumbers along for over two ours I really struggled to remain engaged as it moved from suicide scenarios to far more brutal killings - but what, exactly, is motivating this man is anyone's guess. He appears to have acquired control over a vast network of technology and people to effect his dastardly plan but none of that even vaguely rings plausible. The last twenty minutes are just plain silly and overall, the writing is all rather poor: "They'll kill you John" - "I can live with that!" - not an hint of irony there, neither. This is a pretty shameless attempt to capitalise on a strong character made memorable by a charismatic actor and a series of solid stories. This film has thrown all of those under the snowplough.