Estrelando o vencedor do Oscar®, Adrien Brody e Kristen Connolly, HOUDINI, encena a transformação do mestre da fuga de renome mundial de imigrante para estrela.Estrelando o vencedor do Oscar®, Adrien Brody e Kristen Connolly, HOUDINI, encena a transformação do mestre da fuga de renome mundial de imigrante para estrela.Estrelando o vencedor do Oscar®, Adrien Brody e Kristen Connolly, HOUDINI, encena a transformação do mestre da fuga de renome mundial de imigrante para estrela.
- Ganhou 1 Primetime Emmy
- 2 vitórias e 22 indicações no total
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Harry Houndini was a great magician, showman, and at least according to his own legend, a fascinating character. But this doesn't mean that his life story is actually a single great narrative. This glossy renditioning of his biography leaves (too) little to the imagination; yet it's continuously straining, trying to find a uniting theme that means something more than the birth, extraordinary career, and death of one man. In places, the over-stretched story makes little sense: it's understandable that Houdini's assistant should have been grief-stricken by news of his death, but not that this should make him want to destroy all of his master's equipment. Aiden Brody has been good in other stuff, but in this role, there's a lot of screen time and not much to do with it. I could imagine Houdini playing a role in a clever-clever drama not unlike Nic Roeg's 'Insignificance'; but as a biographic hero, this is obvious and surprisingly dull stuff.
The History Channel has been Accused of Escaping from the Real Life Story of the 20th Century's Most Renowned and Recognizable Stage Showman/Magician and Delivering a Spiffed Up Glossy Conglomerate of Psycho-Babble and Stiff Characters.
Adrian Brody does Fine as the Charismatic Curmudgeon of the Spiritualists and Highly Successful Performer that Searches Diligently for the Next Illusion and Death be Damned. This Takes a Toll on His Wife Along with the Burden of a Mother Fixation.
But it's Obvious He does Love His Wife although She Seems to be Playing Third Fiddle to Mom and His Obsession with The Act. This All Makes for Good Drama, but Wait there's More.
We are Informed through some Pretty Bad Dialog and at Times Even Worse Narration that All of this is Playing with Houdini's Head, or at Least the Performer was a Heady Individual.
The Usually Good Screenwriter Nicholas Meyer's Sub-Par Script is Less than Insightful and not Very Witty. It is Downright Dull at Times. What Saves this 2-Part TV Mini-Series from Awfulness is Brody's Energy, the Art-Design, Costumes, and General Look of the Thing.
The Movie is Guilty of Over-Exposing and Telegraphing the Ending with Way too Many Scenes of Houdini's Innards. Ironically with All of the Money Spent on the CGI the Most Impressive Ambiance here is the Vintage Posters that are Everywhere and Use the Original Artwork with Brody's Face Inserted.
Slightly Above Average for This Type of Thing but it's Strength is not its History, but the Sheer Dynamism as a Person and Performer along with His Hyper-Volatility and Fascinating Life that was "The Great Houdini".
Adrian Brody does Fine as the Charismatic Curmudgeon of the Spiritualists and Highly Successful Performer that Searches Diligently for the Next Illusion and Death be Damned. This Takes a Toll on His Wife Along with the Burden of a Mother Fixation.
But it's Obvious He does Love His Wife although She Seems to be Playing Third Fiddle to Mom and His Obsession with The Act. This All Makes for Good Drama, but Wait there's More.
We are Informed through some Pretty Bad Dialog and at Times Even Worse Narration that All of this is Playing with Houdini's Head, or at Least the Performer was a Heady Individual.
The Usually Good Screenwriter Nicholas Meyer's Sub-Par Script is Less than Insightful and not Very Witty. It is Downright Dull at Times. What Saves this 2-Part TV Mini-Series from Awfulness is Brody's Energy, the Art-Design, Costumes, and General Look of the Thing.
The Movie is Guilty of Over-Exposing and Telegraphing the Ending with Way too Many Scenes of Houdini's Innards. Ironically with All of the Money Spent on the CGI the Most Impressive Ambiance here is the Vintage Posters that are Everywhere and Use the Original Artwork with Brody's Face Inserted.
Slightly Above Average for This Type of Thing but it's Strength is not its History, but the Sheer Dynamism as a Person and Performer along with His Hyper-Volatility and Fascinating Life that was "The Great Houdini".
I have a strange relationship with Adrian Brody I like him and I like this movie and I think it's independent. The movie is good. I liked it when they debunked the magic tricks because it'll be even real life. The Costa was really good she had like this puppy eyes I laughed when they proved that all psychics are wrong and I love the hell do you need that although he was really eager to talk to his mother but because he was smart the checks didn't I want them and because he's actually Trackmaster you know it's all this all about not as great as Houdini's name but really good. I think they shorten the bed sets that entertaining.
-Houdini (2014) miniseries review: -Houdini is a two-part series following the life and career of Harry Houdini, played by Adrian Brody. Mainly focusing on his rise to fame and career as a major entertainer, Houdini looks at various elements of his life, such as his marriage, family, rivalries, and of course, escape magic tricks.
-I honestly wish Houdini would have been a film. If has a total runtime of 2 hours 20 minutes, a great cast, and high production design. But as a series, it was still pretty darn good! -The story was well focused and very compelling. The second half is very different from the first half because of Houdini's change in interests, but that is what actually happened, so .
-The pace was fantastic. It never became not interesting to me. I binged-watched it because I could not turn it off.
-The acting is very good. Adrian Brody does a very convincing job and the supporting cast did great.
-The characters all feel very human and flawed, which is something I am glad they showed because of how inhuman Houdini appeared to everyone at the time. I also really liked seeing his rivalries with Sir Arthur Conan Doyle and Charlie Chaplin.
-The music did not fit very well. It had a very modern vibe to it, which aided the pace, but made the overall tone feel too . hip? Something like that.
-The editing was also pretty choppy. It matched the fast cuts in the music, which was played for suspense, but was not needed for it. It is prevalent that he lives through dangerous escapes, but his life was still on the line, so modern music and quick-cuts don't were overkill.
-The production design on the film was great. Everything from costumes to makeup was done very well. I also really liked seeing how tricks were done, and some of them are explained afterwards, making you guess first. I am also not going to complain about an anticlimactic ending, because that is how Harry Houdini went, very anticlimactically.
-Houdini had some flaws trying to add style and suspense, but despite its best efforts, it was very well done, well-acted, and compelling due to an engaging story and relentless pace. Houdini, being slightly shy of Amazingtastic, is definitely worth checking out! -Houdini is TV-14 for some mild language, intense scenes, some violence, and some brief sexual content, but no nudity.
-I honestly wish Houdini would have been a film. If has a total runtime of 2 hours 20 minutes, a great cast, and high production design. But as a series, it was still pretty darn good! -The story was well focused and very compelling. The second half is very different from the first half because of Houdini's change in interests, but that is what actually happened, so .
-The pace was fantastic. It never became not interesting to me. I binged-watched it because I could not turn it off.
-The acting is very good. Adrian Brody does a very convincing job and the supporting cast did great.
-The characters all feel very human and flawed, which is something I am glad they showed because of how inhuman Houdini appeared to everyone at the time. I also really liked seeing his rivalries with Sir Arthur Conan Doyle and Charlie Chaplin.
-The music did not fit very well. It had a very modern vibe to it, which aided the pace, but made the overall tone feel too . hip? Something like that.
-The editing was also pretty choppy. It matched the fast cuts in the music, which was played for suspense, but was not needed for it. It is prevalent that he lives through dangerous escapes, but his life was still on the line, so modern music and quick-cuts don't were overkill.
-The production design on the film was great. Everything from costumes to makeup was done very well. I also really liked seeing how tricks were done, and some of them are explained afterwards, making you guess first. I am also not going to complain about an anticlimactic ending, because that is how Harry Houdini went, very anticlimactically.
-Houdini had some flaws trying to add style and suspense, but despite its best efforts, it was very well done, well-acted, and compelling due to an engaging story and relentless pace. Houdini, being slightly shy of Amazingtastic, is definitely worth checking out! -Houdini is TV-14 for some mild language, intense scenes, some violence, and some brief sexual content, but no nudity.
This is definitely a modern miniseries.
Quick editing, fancy graphics and lots of slow motion effects. It even has some CSI-like visuals where you get to see how the muscles of the abdomen react to a direct punch and other similar graphics that usually appear in the CSI franchise.
The music is a mix of classic instruments, heavy metal guitars and synthesizers and adds to the modern feel of the show.
Harry Houdini is presented as a bigger than life character who quickly becomes rich and famous with his wit and boldness. Fame and fortune isn't enough though. He wants to be legendary. Also he wants to make his life count, so in this version he becomes an international spy who uses his performances in Germany and in Russia to gather intelligence before the first world war.
Adrien Brody is good enough as Harry Houdini and his narration, that you can hear throughout the episode, contributes to the dramatic tension that you may think that the show is lacking because of its very modern presentation.
Overall: A series worth watching for entertainment. From a biographical point of view you may want to look elsewhere.
Quick editing, fancy graphics and lots of slow motion effects. It even has some CSI-like visuals where you get to see how the muscles of the abdomen react to a direct punch and other similar graphics that usually appear in the CSI franchise.
The music is a mix of classic instruments, heavy metal guitars and synthesizers and adds to the modern feel of the show.
Harry Houdini is presented as a bigger than life character who quickly becomes rich and famous with his wit and boldness. Fame and fortune isn't enough though. He wants to be legendary. Also he wants to make his life count, so in this version he becomes an international spy who uses his performances in Germany and in Russia to gather intelligence before the first world war.
Adrien Brody is good enough as Harry Houdini and his narration, that you can hear throughout the episode, contributes to the dramatic tension that you may think that the show is lacking because of its very modern presentation.
Overall: A series worth watching for entertainment. From a biographical point of view you may want to look elsewhere.
Você sabia?
- CuriosidadesAdrien Brody had studied magic as a child and was able to perform most of his own stunts.
- Erros de gravaçãoThe capital of Russia at the time of Houdini's visit was St Petersburg, not Moscow. Very doubtful he gave a performance to the Royal Family in Moscow.
- ConexõesFeatured in The 21st Annual Screen Actors Guild Awards (2015)
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Detalhes
- Tempo de duração
- 1 h 16 min(76 min)
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