A Mulher no Jardim

This movie really got to me - super intense and stressful. At first, I didn't understand anything, but slowly it all starts making sense, and you get pulled into it. It's not just some random woman appearing out of nowhere - there's actually something deeper, and that's what makes it interesting. I was a bit disappointed that they revealed the woman's face too early - I feel like it should've been saved for the end. But still, that's their choice. The tension, the silence, the way it messes with your head - it all works. It stays with you. Overall, it's a really good film. Definitely worth watching!

The movie had a good concept in the beginning, but the connection to that was not good. It also completely misses its ending and confuses the viewers, and is not even that interesting that you would think about it. I am still confused about that lady, like, was she Death or what, a simple ghost? 1 thing I liked about it was that the family felt like a real family, unlike other movies where the family doesn't even feel real. It won't be a recommendation, but if you want, you can watch it, as it has some decent horror elements and a trippy ending.

Blumhouse CAN be good or decent, but this is yet another one that makes me feel like they put meticulous research into finding out what are the most critically panned and disliked ingredients of their catalogue & then make new films out of them.

Sure, it's a competent enough film with one or two potentially compelling albeit overused themes, but it's also tiring, uninspired, tedious, flat, predictable, lukewarm & ultimately pointless and empty feeling.

It's rare for a movie that's under 90 minutes long to feel this very stretched out, and it's a damn shame that such weak scripts get greenlit with casts & crews that are too good for it.

The worst Jaume Collet-Serra flick, can only compete with "Black Adam" maybe.

Jaume Collet-Serra may not be a perfect director but I have enjoyed his fun popcorn flicks like The Shallows, The Commuter and underrated horror Orphan. While it's messy script and structure does suffer from uneven directions and tone, it's interesting concept and solid thrills offer a good fun horror movie.

Placed with some interesting themes and good camerawork, the slow-burn tension and atmosphere does offer some good build up throughout. Including sound designs and colors used throughout. I do wish the writing does explore some different territories and ways, especially it's third act being pretty rough. Undoubtably, the concept was pretty interesting. Once again, Danielle Deadwyler shines with a strong performance and keeps the characters somewhat interesting, even if it doesn't always work.

For 87 minutes, the movie does feel as if it would work as a short film or a short episode. But as a whole, it's a decent horror flick.

This movie was trash! I really wanted to walk out the theater. I'm done with Blumhouse ... This crap was the last straw!

Blumhouse Productions has become a powerhouse in modern horror, churning out low-budget films that consistently turn a profit. However, while their financial model is impressive, the studio's approach to horror often lacks depth, originality, and genuine terror. Rather than crafting stories with meaningful narratives or psychological complexity, Blumhouse frequently resorts to predictable jump scares, recycled tropes, and shallow characters designed to appeal to the broadest possible audience.