Thunderbirds

Real effort made with this series but first episode just too frantic- script just trying too hard!

Could have been really good but let down by very poor music score that is plain dull- see the original series to see how it's done.

In episode one someone forgot to put a bit of suspense and build up in. Hopefully better scripts to come but the dramatic "disaster" music and triumphant IR theme lost to a score that seems to have escaped from Disney's Frozen.

Models are a world apart from the sometimes flaky original series - but the attention to detail that inspired a generation of aero and space engineers was not there in this new series.

Maybe this attempt will inspire a new movie with live action - and erase the memory of the last catastrophe

First of all, everyone needs to get over there are no puppets, we all would have loved that but hey this is 2015 not 1965. There are projects (hope all the YOU critics have signed up to the kick starter project) for A possible future puppets series :-)

This Thunderbird series is not bad at all, in fact it's really good. I have given it 10 to readdress the balance, as some people who have given it 1 is absurd. Yes it's a faster pace (but think about the time restriction) the CGI is fantastic, Thunderbird 3's launch is like something out of NASA footage.

There has been some meddling with the characters, not sure why Brains has now an Indian accent, perhaps he has spent some time out in Asia :-) Jeff Tracey is AWOL but there seems to be a story there, and yes to make it more PC we have females taking a bit more of a role. Nothing wrong with that,remember Gerry's new Captain Scarlet had a female LT Green.

I love the Original Thunderbirds (it is the greatest TV show ever made) but this is as close as you can get to it, and to be honest a lot closer than I thought it would be. There are people who will never be satisfied with any remake, and they need to think about the legacy Gerry has left behind, that Thunderbirds are go 50 years later, and I for one, although apprehensive, am thrilled to see the series, after writing to ITV many times telling them they were on a goldmine, has now been made.

Take this in isolation and enjoy it, I did.

As somebody who grew up with the 1960s incarnation of 'Thunderbirds', which still holds up as a classic and iconic, was expecting a disaster and knew that it was going to be difficult coming close to its quality.

Giving it a fair chance, it doesn't reach the standard of the 1960s show but it is nowhere near the disaster that the 2004 live-action film was. It does have its major faults but doesn't disgrace the original in the way that it could have done and actually makes a real effort to try and respect it while trying to appeal to younger and modern audiences (which apparently was not an easy task for them).

There are several good things. The animation is mostly very good, smooth, very detailed and colourful and with the notable exception of a rather plastic and too young-looking Lady Penelope the characters are mostly still recognisable. There are some tense and also humorous moments ("EOS" being one of the show's better episodes with particularly good effects), Parker is often very funny, and there is evidence of 'Thunderbirds Are Go' trying to respect and pay homage to the original 'Thunderbirds' show. The launch sequences in particular are very well done, the models do look good, and also really appreciated that there was more prominence on Number 5.

Love the brotherly bond often between the brothers, and they do have likable moments, if also some bland ones. Was mixed on the voice acting. David Graham comes off best, he is very good and entertaining, and provides some of the show's funniest and most lively moments. Virgil and Scott also come off well. But as much as I really like Rosamund Pike, despite having a beautiful speaking voice her voice acting doesn't really fit Lady Penelope, although the character looks young Pike sounds a little too mature as well as even in tense situations voices her with more-of-the-same expression which gave the sense that her heart wasn't in it (the more sophisticated and aristocratic Penelope is missed). Alan has his likable moments but often he sounds bland.

Where 'Thunderbirds Are Go' mostly falls down is the length and pacing agreed. The episodes are too short, and in an effort to try and cram in as much as possible many of the stories feel rushed and hyper-active (both in comparison to the original and on its own terms). The action is also mixed, sometimes exciting and fun but too many others veer on the cartoonish. There are also changes here, especially the immediately noted and deeply felt absence of Jeff and a more diverse depiction of Brains which struck a strange chord with me and many others and the feeling has not worn off yet.

Another major problem is the music, there are attempts to use the iconic themes but mostly they are lost within the more brash and over-bearingly bombastic style adopted here and very rarely stops. The villain is not particularly menacing as a villain and seems to be there for the sake of it, and while the script has its good moments there is some awkwardness.

Overall, could have been a disgrace but wasn't, while also not being completely successful. Good try though. 6/10 Bethany Cox

Anyone who took this task on was always going to have a hard time of getting it right, and with the absolute utter abortion that was the live action version directed by Jonathon Frakes still firmly in people's minds care and attention was due.

Fortunately a great deal of care and attention has been spent on this show so it works in almost every area, almost.

The set is up is much the same. It's 2060 and the world is united under one army (The Global Defence Force)Thunderbirds already exists, any background as to how or why the organisation was set up is dispensed with. It's run by five brothers, their assistant Brains, and Kyrano, head of their intelligence and in this version a woman. Jeff Tracey is absent although you do get to see his desk. What happened to him is alluded to but not fully explained and will no doubt become a story arc as the show goes on. Someone is causing undersea earthquakes and putting lives in danger so Thunderbirds are Go and its time to launch!

So far so good. The CGI is better than in the live action movie, the new versions of the craft move and feel as though they have weight and have been designed with the flavor, feel and colours of the originals and all work a treat. Time is spent on the launch sequences and these look and feel right. Tracey island looks a little different but not too different and there's even the lemon squeezer on the wall of the Thunderbird 1 launch bay in fact if you keep a close eye on things you will see nods a plenty to the original show. Some of the writing feels a little cheesy but overall works well enough and the updated technology seems in keeping with the times of what may well be possible in the near future.

Some of the characters voices lack depth and I felt a better range of voices could have been chosen for the brothers. Shane Rimmer's voice as Scott in the original show was always going to be hard to match but here at times they blended together, also the CGI look of the characters whilst fine lacked any real emotion on the faces, perhaps to be expected for this type of animation but Alan and Gordon even looked too similar at times that I couldn't always tell them apart. However these gripes were fairly minor and didn't detract from the show the one that did for me was the music. I thought overall the score was weak.

The score for any Thunderbirds show is vital to its success and here I felt it was really lacking in a signature tune. Barry Gray had several stand out scores and easy to identify for each sequence, be that in the danger zone or the Thunderbirds launching sequence. Opening titles aside which paid a suitable homage to Gray, I found the music for the rest of the show a bombastic mess which lacked any real direction or clear emotional underscoring. While Grays shoes were large to fill here is one area they really didn't succeed in my view. That major gripe aside I will watch the show and suspect I will enjoy finding out where the back story of Hood goes as long as he is not a main feature in every episode. Otherwise it will feel like a spy show and not a show about rescues from disaster. The introduction of a new Thunderbird at the end was a nice idea though its worth pointing out that Tracey Island had this same vehicle in the original show, it just had a different name. The pilot was 55 minutes but the main show will run at 30 minutes which with the fast paced editing that CGI animation allows will probably be about right. All in all a commendable effort and not the mess it could have been.

I'm such a hard marker I'm annoying and I just gave this a 10. I actually cannot see any valid reason to give it less. Actually, maybe Grandma should bring it down a couple of points, but I'll stick to a 10 even with her. I grew up on the original (yes I'm that old) and was totally hooked as a kid. I'm still hooked (on the original) and force the re-runs on every child in the family as an important part of their basic education. The movie was a nice idea but the less said about that the better. *Because* of the movie, I had low expectations of this latest. Watched the first episode ... after 5 mins I was feeling disappointed. Modern language, no strings attached, blah blah. By 15 mins I was thinking "Damn if I don't think I might like this." By the end of the second episode it's all over ... I'm sold. This series is outstanding and I can't wait for each new ep. Sure the language is 'modernised' .. remember that they have to be all things to all people with this series; children of today won't sit through the dialogue that accompanied the original version, delivered by cgi characters. The balance they've achieved is stunning. The 'remake' eps (e.g. Fireflash) are just as exciting, maybe more so, as the originals. And as much as I might try to get kids to love the originals as much as I do, they .... don't. Times have changed. The kids do love this new series; they love the scripting, they love the action, they love the speed at which it moves, they love the fact that they don't really understand a lot of what just happened. They just love it. And so do I.