AVALIAÇÃO DA IMDb
6,5/10
18 mil
SUA AVALIAÇÃO
Inglaterra 1959. Em uma pequena cidade de East Anglian, Florence Green decide, contra uma oposição local, abrir uma livraria.Inglaterra 1959. Em uma pequena cidade de East Anglian, Florence Green decide, contra uma oposição local, abrir uma livraria.Inglaterra 1959. Em uma pequena cidade de East Anglian, Florence Green decide, contra uma oposição local, abrir uma livraria.
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- Roteiristas
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- Prêmios
- 14 vitórias e 33 indicações no total
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Avaliações em destaque
Mr Brundish, in the film, states that "gods, humans and animals all have one thing in common - courage."
That was the heart of this story from beginning to end. You may not have liked that the story did not conclude as you would have liked but it was real and genuine, something we see infrequently.
That was the heart of this story from beginning to end. You may not have liked that the story did not conclude as you would have liked but it was real and genuine, something we see infrequently.
A charming and attractive movie set in England 1959 at a small East Anglian town dealing with a stubborn woman called Florence Green : Emilio Mortimer , who attempts to create a bookshop and along the way she amasses a series of obstacles and opposition by some local powers . Then she faces off egoístic local population and other inconveniences , exception for a good-tempered and amiable lonely man : Bill Nighy who helps her . A town that lacks a bookshop is not always a town that wants one! A town without a bookshop is no a town at all.
Enjoyable and feeling drama , adding social habits of a small community at a coastal little town . The main premise results to be the following : is there a place for opening a bookshop in a small town that may not want one ¿. Concerning the peculiar life of an obstinate widow and a loner widower , both of them extremely enthusiasts of reading and books . Two solitary beings whose lives to be intersected thanks to books as Lolita by Vladimir Nabokob and notorious writers as Ray Bradbury : Farenheit 451 . Emily Mortimer is pretty good as the free-spirited entrepreneur who attempts to bring a cultural awakening and Bill Nighy is splendid as the reclusive book loving widower . Along with other secondaries as Patricia Clarson playing the polite but ruthless local grand Lady, Michael Fitzgerald , Francés Barber , James Lance , among others
Special mention for the brilliant and luxurious cinematography by Jean Claude Larrieu. As well as agreeable and evocative musical score by Alfonso de Villalonga . The motion picture was competently directed by the Spanish filmmaker Isabel Coixet following her ordinary feeling style . Coixet e is a fine professional , and she is sually the camera operator of her movies . Isabel is a nice craftsman who has made thoughtful and heartful films , such as : A los que Aman , Map of Sounds of Tokyo , Another me, The Secret Life of Words , Things I Never Told You , Endless Night , Learning to Drive, Elisa and Mariela . And his greatest hits were Another Me , Bookshop. She also has made some documentary and shorts as Proyecto Tiempo , Sea Aral, Espíritu de la Pintura , Marea Blanca , Marlango, Spain in a Day and a segment of París Je taim , among others . The Bookshop rating : 7/ 10. Well worth watching . Better than average .
Enjoyable and feeling drama , adding social habits of a small community at a coastal little town . The main premise results to be the following : is there a place for opening a bookshop in a small town that may not want one ¿. Concerning the peculiar life of an obstinate widow and a loner widower , both of them extremely enthusiasts of reading and books . Two solitary beings whose lives to be intersected thanks to books as Lolita by Vladimir Nabokob and notorious writers as Ray Bradbury : Farenheit 451 . Emily Mortimer is pretty good as the free-spirited entrepreneur who attempts to bring a cultural awakening and Bill Nighy is splendid as the reclusive book loving widower . Along with other secondaries as Patricia Clarson playing the polite but ruthless local grand Lady, Michael Fitzgerald , Francés Barber , James Lance , among others
Special mention for the brilliant and luxurious cinematography by Jean Claude Larrieu. As well as agreeable and evocative musical score by Alfonso de Villalonga . The motion picture was competently directed by the Spanish filmmaker Isabel Coixet following her ordinary feeling style . Coixet e is a fine professional , and she is sually the camera operator of her movies . Isabel is a nice craftsman who has made thoughtful and heartful films , such as : A los que Aman , Map of Sounds of Tokyo , Another me, The Secret Life of Words , Things I Never Told You , Endless Night , Learning to Drive, Elisa and Mariela . And his greatest hits were Another Me , Bookshop. She also has made some documentary and shorts as Proyecto Tiempo , Sea Aral, Espíritu de la Pintura , Marea Blanca , Marlango, Spain in a Day and a segment of París Je taim , among others . The Bookshop rating : 7/ 10. Well worth watching . Better than average .
I do not understand how this beautiful film could have such . . . abysmal ratings. I believe it deserves more credit. Anyone with a love of literature or this style of film should definitely give it a watch and appreciate it!
I wanted to like this film, I really did. Its nicely set, the costumes and the feeling of the time and place are quite accurate. The story is ok. Its just so very flat a film. I don't mind slowly paced films, but to make up for the lack of pace they need to be charming, or witty, or nuanced.....or at the very least original. All through this film I thought of Chocolat. Similar premise in both, but Chocolat is better scripted, acted and directed. There is nothing fundamentally wrong with The Bookshop, it just underwhelms. Maybe I should have watched it on a lazy Sunday afternoon, it passes the time harmlessly. A bit like a BBC period drama.
Echoes of Dylan Thomas' Under Milkwood whisper throughout the deliciously slow film The Bookshop (2017), a village drama that captures the essence of old-world Britishness. If narrative action is important to you there is little to see here, but if you enjoy character portraits you will love this inconsequential tale told beautifully.
Set in a sleepy 1959 seaside port, young widow Florence Green (Emily Mortimer) arrives determined to overcome her grief and open a small bookshop. The town has never had a bookshop and most of the villagers don't like books anyway, except for the reclusive Mr Brundish (Bill Nighy) who reads everything he can. After pushing through a wall of petty officials the shop opens in a run-down cottage despite fierce opposition from the imperious Mrs Gamart (Patricia Clarkson). She wants the cottage reclaimed as an arts centre, so battle-lines are drawn between small-mindedness and the winds of change.
At times the story slows down so much that it almost stops, just to watch tall grass swaying in the wind or to hear leaves sighing on trees. The camera lingers in the space between words or glances, or it traverses shelves full of books with titles hinting that change is coming. Even the film's highlight romantic scene is little more than agonisingly tender moments that evaporate into the ether. Fortunately, the cinematography is up to the challenge of capturing mood and nuance as it dwells on Bradbury's dystopian Fahrenheit 451 (1953)and Nabokov's controversial Lolita (1955)to telegraph the post-war social transformation that is underway elsewhere.
Instead of pushing the narrative forward, the film prefers to dwell on archetypal caricatures of small people in small places. A smug gadabout, a banker nicknamed Mr Potato Head, a smelly fishmonger, a precocious teenager, a dithering lawyer, the snobbish and manipulative Mrs Gamart, and of course, the incurable romantic Mr Brundish. While these are portrayed with a light brush, it is Florence who holds our attention for the depth of her vanguard feminist courage and self-belief. The entire cast is well chosen, but Emily Mortimer is the film's undoubted shining star.
It might be argued that Bill Nighy is such an icon of British movies that he overpowers any given role simply by being a composite of every other persona he has ever played. In other words: he is always Bill Nighy. But that is a minor distraction in an otherwise flawlessly directed, slow-burning village drama of how books and ideas can change the world we live in. It is not recommended, however, for anyone who does not have the time or need to stop and smell flowers or watch boats sail by.
Set in a sleepy 1959 seaside port, young widow Florence Green (Emily Mortimer) arrives determined to overcome her grief and open a small bookshop. The town has never had a bookshop and most of the villagers don't like books anyway, except for the reclusive Mr Brundish (Bill Nighy) who reads everything he can. After pushing through a wall of petty officials the shop opens in a run-down cottage despite fierce opposition from the imperious Mrs Gamart (Patricia Clarkson). She wants the cottage reclaimed as an arts centre, so battle-lines are drawn between small-mindedness and the winds of change.
At times the story slows down so much that it almost stops, just to watch tall grass swaying in the wind or to hear leaves sighing on trees. The camera lingers in the space between words or glances, or it traverses shelves full of books with titles hinting that change is coming. Even the film's highlight romantic scene is little more than agonisingly tender moments that evaporate into the ether. Fortunately, the cinematography is up to the challenge of capturing mood and nuance as it dwells on Bradbury's dystopian Fahrenheit 451 (1953)and Nabokov's controversial Lolita (1955)to telegraph the post-war social transformation that is underway elsewhere.
Instead of pushing the narrative forward, the film prefers to dwell on archetypal caricatures of small people in small places. A smug gadabout, a banker nicknamed Mr Potato Head, a smelly fishmonger, a precocious teenager, a dithering lawyer, the snobbish and manipulative Mrs Gamart, and of course, the incurable romantic Mr Brundish. While these are portrayed with a light brush, it is Florence who holds our attention for the depth of her vanguard feminist courage and self-belief. The entire cast is well chosen, but Emily Mortimer is the film's undoubted shining star.
It might be argued that Bill Nighy is such an icon of British movies that he overpowers any given role simply by being a composite of every other persona he has ever played. In other words: he is always Bill Nighy. But that is a minor distraction in an otherwise flawlessly directed, slow-burning village drama of how books and ideas can change the world we live in. It is not recommended, however, for anyone who does not have the time or need to stop and smell flowers or watch boats sail by.
Você sabia?
- CuriosidadesThe narrator is Julie Christie. A half century earlier, Ms Christie starred in the film Fahrenheit 451 (1966), adapted from the Ray Bradbury novel that was prominently featured in Bookshop.
- Erros de gravaçãoInside the bookshop, modern Penguin Clothbound Classics can be seen on the shelves. These editions were put out in the last 20 years, bound to look like older styles, but are, indeed, recent publications.
- Citações
Edmund Brundish: Old age is not the same thing as historical interest. Otherwise you and I would be far more interesting than we are.
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- How long is The Bookshop?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- The Bookshop
- Locações de filme
- Portaferry, County Down, Northern Ireland, RU(Town of Hardborough exteriors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.400.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.588.150
- Fim de semana de estreia nos EUA e Canadá
- US$ 75.736
- 26 de ago. de 2018
- Faturamento bruto mundial
- US$ 12.062.146
- Tempo de duração
- 1 h 53 min(113 min)
- Cor
- Proporção
- 1.85 : 1
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