14 avaliações
I found this documentary to be captivating and insightful. The degree of Da Vinci's scope, talents, creativity, and inquisitive nature are on full display. This doc shows how important and ahead of his time Leonardo's drawings, paintings, designs and scientific inquiries were.
Some of the bad reviews I've seen are almost laughable. It's boring or...it has some subtitles. Really? That speaks volumes of the mindset of some of the negative reviews. Dullards who seem to need popcorn mainstream fare, instead of a thoughtful, poetic, insight into one of the most magnificent minds this world has ever known.
Watch this documentary and be captivated by an inquisitive and supremely talented man and the amazing world he lives in.
Some of the bad reviews I've seen are almost laughable. It's boring or...it has some subtitles. Really? That speaks volumes of the mindset of some of the negative reviews. Dullards who seem to need popcorn mainstream fare, instead of a thoughtful, poetic, insight into one of the most magnificent minds this world has ever known.
Watch this documentary and be captivated by an inquisitive and supremely talented man and the amazing world he lives in.
- cscottnewman
- 20 de nov. de 2024
- Link permanente
Ken Burns makes solid, comprehensive documentaries about self-counsciously big subjects - not for him small, quirky tales. Leonarda da Vinci is thus perhaps an unsurprising subject, and the result is genuinely educational, but also extremely reverential. The narrative talks about the maestro's sense of fun, but the documentary itself is characterised by awe. In its conclusion, it does mention that a previous view, of Leonardo as a self-contained superman aside from broader renaissance thought, has gone out of fashion; but it might almost be seen as trying to restore it. To its credit, the series isn't all gush, and it does explain what made his art (and thinking) revolutionary. It's certainly worth watching even if it tries a bit too hard.
- paul2001sw-1
- 4 de jan. de 2025
- Link permanente
I basically agree with Jezlang's comments on the use of subtitles in this presentation. This is a film about ART; the subtitles are just annoying and distracting. This would have been more effective if there had been a translated voiceover of the non-English speakers. That way I would not have had to split my attention between what was being said, and the art that was being discussed. And yes, somebody should have noticed that small yellow subtitles don't work well on a sepia background!
Ken Burns should know better. Imagine the great Civil War series with subtitles instead of narrations.
These subtitles are almost as annoying as the IMDB character count!
Ken Burns should know better. Imagine the great Civil War series with subtitles instead of narrations.
These subtitles are almost as annoying as the IMDB character count!
- Narce
- 19 de nov. de 2024
- Link permanente
This is not a review of the series, because I think it is compelling and interesting.
My review is of the idiocy of the reviews. The main complaint seems to be that there are subtitles and people don't want to read, which to me is pure laziness. Italians speak italian. Get over it. If you need things narrated for you and hate hearing non-English speakers, you are the problem. Not this documentary.
And the other complaint is there is not enough focus on the Mona Lisa, which has been discussed ad nauseum by others. I loved learning about his sketches and writings and smaller works. This is not a Mona Lisa doc. There are plenty of others out there for you to watch.
Reviewers, do better.
My review is of the idiocy of the reviews. The main complaint seems to be that there are subtitles and people don't want to read, which to me is pure laziness. Italians speak italian. Get over it. If you need things narrated for you and hate hearing non-English speakers, you are the problem. Not this documentary.
And the other complaint is there is not enough focus on the Mona Lisa, which has been discussed ad nauseum by others. I loved learning about his sketches and writings and smaller works. This is not a Mona Lisa doc. There are plenty of others out there for you to watch.
Reviewers, do better.
- twp-84487
- 20 de nov. de 2024
- Link permanente
- Love_Life_Laughter
- 21 de dez. de 2024
- Link permanente
Somehow Ken managed to do this. And it is due to a combination of factors. The narrative is clunky. The art is presented frustratingly. The closeups of the hand writing is monotonous. Important parts of the story are lost in subtitles that are almost impossible to read at times or when your eyes shift to the art being simultaneously shown. Many times we don't even know if the art we are looking at is even his.
But honestly I think all of that could have been forgiven if not for it just having no soul. Da Vinci the man in the soul, but it feels like he's missing the entire time. This should have been our chance to get to know the genius so his work he left behind has a whole new dimension and life to it. But instead of we are just given what feels like a reading of a dry Wikipedia article.
But honestly I think all of that could have been forgiven if not for it just having no soul. Da Vinci the man in the soul, but it feels like he's missing the entire time. This should have been our chance to get to know the genius so his work he left behind has a whole new dimension and life to it. But instead of we are just given what feels like a reading of a dry Wikipedia article.
- neptunewanter
- 22 de nov. de 2024
- Link permanente
Okay. So. Two 2-hour episodes make up this documentary on da Vinci on PBS. It has the Burns name attached to it, and is about a fascinating subject, so what could you possibly not like about it?
It turns out it is boring to the point where I was unable to stay awake. I am so disappointed in this. It had nothing new to add to the wonderful Isaacson biography and frankly, I'm not sure why they made it... unless it was because they needed something for their membership drive.
It would have been okay if there was nothing new AND if what was presented was done so elegantly -- beautifully -- and gracefully. But it lacked those things. It was tedious. I felt like I SHOULD like it because it was Ken Burns and on PBS. But I did not like it.
Trying to watch it, I felt it wandered aimlessly and totally missed a sense of cohesion.
If you watched it and enjoyed it I am so glad for you. I did watch the whole thing but felt it was a waste of time.
It made me want t go back to rewatch da Vinci's Demons. It was crazy but it was fun crazy. This was simply... tedious.
It turns out it is boring to the point where I was unable to stay awake. I am so disappointed in this. It had nothing new to add to the wonderful Isaacson biography and frankly, I'm not sure why they made it... unless it was because they needed something for their membership drive.
It would have been okay if there was nothing new AND if what was presented was done so elegantly -- beautifully -- and gracefully. But it lacked those things. It was tedious. I felt like I SHOULD like it because it was Ken Burns and on PBS. But I did not like it.
Trying to watch it, I felt it wandered aimlessly and totally missed a sense of cohesion.
If you watched it and enjoyed it I am so glad for you. I did watch the whole thing but felt it was a waste of time.
It made me want t go back to rewatch da Vinci's Demons. It was crazy but it was fun crazy. This was simply... tedious.
- LauraAnnG
- 26 de nov. de 2024
- Link permanente
The greatest painting in the world is by far "La Gioconda", known in the English-speaking world as "The Mona Lisa" by the quintessential renaissance man, Leonardo da Vinci. The scholarly art world believes the sitter is Lisa del Gioncondo, the wife of a wealthy silk merchant in Florence, part of the Gherardini family of nobles and merchants.
And yet this documentary spends way too much valuable screen time on the notebooks and uncompleted works and much less time on the Mona Lisa. One unfinished work on a battle scene receive two to three times the screen-time of Mona Lisa! Ultimately it was unfinished!
I think a golden opportunity was missed. I hope it wasn't one of those erroneous beliefs sometimes made by documentary filmmakers that everyone knows about certain things. Not everyone does, especially in an age where people don't read books as much as they used to. Many people don't know about Mona Lisa's origins and history. Yes it is somewhat shrouded in mystery but even that should have been explained.
The documentary doesn't even arrive at the Mona Lisa until near the end. There's lots of earlier set-ups about it, where the narration says that Leonardo's greatest work was to come. When Mona Lisa finally arrives, it is a bit of a disappointment. I wanted to hear about the original commission which was rejected by the Giocondo family. Why it was rejected by the family is nearly as interesting as why it is now considered to be possibly the greatest portrait ever created. There is some analysis by art experts about it's greatness but I also wanted to hear about the history.
The documentary's other shortcoming is the music. They didn't use any music from the time of Leonardo. Lots of music from the late 15th and 16th centuries are extant and there are many recordings of this music. Instead the filmmakers opted from kind of string quartet with lots of violin solos. The violin doesn't appear in Europe until circa 1530, about 10 years after Leonardo's passing. And the kind of virtuoso music used in the doc doesn't begin to be written until the very end of the 17th century, nearly 200 years after Leonardo's lifetime.
The notebooks are essentially the star of the show. I like the notebooks but I think far too much of the doc was spent on them at the price of giving a thorough discussion about Mona Lisa. Mona Lisa is the star artwork of the Renaissance, possibly of all time. In this case she ends up in a supporting role. I found this doc to be less than satisfying.
And yet this documentary spends way too much valuable screen time on the notebooks and uncompleted works and much less time on the Mona Lisa. One unfinished work on a battle scene receive two to three times the screen-time of Mona Lisa! Ultimately it was unfinished!
I think a golden opportunity was missed. I hope it wasn't one of those erroneous beliefs sometimes made by documentary filmmakers that everyone knows about certain things. Not everyone does, especially in an age where people don't read books as much as they used to. Many people don't know about Mona Lisa's origins and history. Yes it is somewhat shrouded in mystery but even that should have been explained.
The documentary doesn't even arrive at the Mona Lisa until near the end. There's lots of earlier set-ups about it, where the narration says that Leonardo's greatest work was to come. When Mona Lisa finally arrives, it is a bit of a disappointment. I wanted to hear about the original commission which was rejected by the Giocondo family. Why it was rejected by the family is nearly as interesting as why it is now considered to be possibly the greatest portrait ever created. There is some analysis by art experts about it's greatness but I also wanted to hear about the history.
The documentary's other shortcoming is the music. They didn't use any music from the time of Leonardo. Lots of music from the late 15th and 16th centuries are extant and there are many recordings of this music. Instead the filmmakers opted from kind of string quartet with lots of violin solos. The violin doesn't appear in Europe until circa 1530, about 10 years after Leonardo's passing. And the kind of virtuoso music used in the doc doesn't begin to be written until the very end of the 17th century, nearly 200 years after Leonardo's lifetime.
The notebooks are essentially the star of the show. I like the notebooks but I think far too much of the doc was spent on them at the price of giving a thorough discussion about Mona Lisa. Mona Lisa is the star artwork of the Renaissance, possibly of all time. In this case she ends up in a supporting role. I found this doc to be less than satisfying.
- classicalsteve
- 19 de nov. de 2024
- Link permanente
- dwarol
- 4 de jul. de 2025
- Link permanente
Two strange production choices make this turgid four hours a bigger slog to get through than it might have been and should have been: Talking heads, no doubt knowledgeable, but not necessarily pleasing to listen to, not just for the non-English speakers but others as well. So the choice was to use their (sometimes grating) voices and put the translations in script at the bottom of the screen. But if I wanted to READ about DaVinci, I'd crack a book. The problem with superimposed text is that the viewer eye track is on the text and not on the always-compelling visuals. This would matter less with many topics but we're here to appreciate DaVinci so what on Earth were you thinking? Bad choice two is the text itself: Small size, strange font and worse, rendered in mellow yellow/key lime green that vanishes into illegibility depending on the visual/artwork that's on the screen. Dear lord. So you make the viewer read (not absorb visuals) but even THAT mission is a failure. It needs to actually be readable -- ALL of it. Perhaps I'm a minority and most viewers won't be bothered by any of the presentation. I spent 25 years in TV production (news, documentaries) so I perhaps look at things with a different eye. But even the content isn't compelling enough to compensate for the ...suboptimal...visual production.
- jezlang
- 18 de nov. de 2024
- Link permanente
Based solely on all their previous work, i expected to be blown away once again - but was instead profoundly disappointed !
The life and times of leonardo da vinci should have provided a veritable feast of fascinating and entertaining material...notwithstanding several well presented relatively unknown historical narratives, the documentary droned on with a hodgepodge of too many unrelated observers without a common thread or coherent theme
basically, the musical score just didn't seem to fit and i found the effect of captioning was annoying....there was a lot of meat in the two episodes, it just wasn't cooked well !
The life and times of leonardo da vinci should have provided a veritable feast of fascinating and entertaining material...notwithstanding several well presented relatively unknown historical narratives, the documentary droned on with a hodgepodge of too many unrelated observers without a common thread or coherent theme
basically, the musical score just didn't seem to fit and i found the effect of captioning was annoying....there was a lot of meat in the two episodes, it just wasn't cooked well !
- william-law
- 20 de nov. de 2024
- Link permanente
The problems with this documentary is a lack of structure.
It is presented in a chronological order. But it lacked cohesiveness. There was no over arching theme. A plot if you will.
It develops character, but lacked real substance. Why did he do something? It goes from vignette to vignette without any regard for the audience. I never felt like I was part of anything that was presented. It never drew me in.
Focus on one aspect of his life, rather than presenting a shot gun approach. Segmentation instead of fragmentation.
The way it was presented... Well the kindest thing I can say was: there cert was no lack of slowness.
It is presented in a chronological order. But it lacked cohesiveness. There was no over arching theme. A plot if you will.
It develops character, but lacked real substance. Why did he do something? It goes from vignette to vignette without any regard for the audience. I never felt like I was part of anything that was presented. It never drew me in.
Focus on one aspect of his life, rather than presenting a shot gun approach. Segmentation instead of fragmentation.
The way it was presented... Well the kindest thing I can say was: there cert was no lack of slowness.
- wayno-6
- 18 de nov. de 2024
- Link permanente
I have been a fan of Ken Burns ever since his Civil War was broadcast. This was the first time I was so bored I didn't even watch the second episode. And I fell asleep during the first one.
As previous reviewers have stated, the most annoying thing was the yellow subtitles! In addition to being too small and difficult to read, they were flashed on the screen so fast I didn't have time to read them.
Another issue, in my opinion, was the number of "expert" commentators. I felt there were way too many. A couple of biographers and three or four art historians would have been sufficient. Surely they were all pretty much in agreement on the topic by now. They all sounded pretty much the same to me. No one really dissed him after 500 years!
And certainly, as another reviewer noted, some more time could have been spent on the most famous painting in the world, Mona Lisa. I learned more about Leonardo after reading Walter Isaacson's great biography and also got better images of all his works.
As previous reviewers have stated, the most annoying thing was the yellow subtitles! In addition to being too small and difficult to read, they were flashed on the screen so fast I didn't have time to read them.
Another issue, in my opinion, was the number of "expert" commentators. I felt there were way too many. A couple of biographers and three or four art historians would have been sufficient. Surely they were all pretty much in agreement on the topic by now. They all sounded pretty much the same to me. No one really dissed him after 500 years!
And certainly, as another reviewer noted, some more time could have been spent on the most famous painting in the world, Mona Lisa. I learned more about Leonardo after reading Walter Isaacson's great biography and also got better images of all his works.
- mdh627
- 19 de nov. de 2024
- Link permanente
Reading through the reviews is very...2024. Hilarious that some egotist takes the trouble to "review the reviewers" because god forbid anyone would have a different opinion.
As for the show: You're better off just spending the four hours reading Walter Isaacson's book. DaVinci is a well-trodden biographical path, so you'd think a new documentary would bring something -- at four hours, actually lots of things -- to the party. To quote Inigo Montoya, get used to disappointment.
There's not enough new or fresh here to justify four hours of TV watching for anyone who's familiar with his story and the eddies of controversy/doubt extant. If you prefer TV, stream "Being Leonardo da Vinci" (2019) or the NOVA episode from PBS.
I agree with the criticism of subtitles. Not because they are subtitles, but because they don't work. They are lost in some of the shots, depending on the artwork on screen. (You had ONE job....). And moreover, why would you obscure the works of one of the most important artists of the past 500 years, if not all time, with (ugly) text overlay? What you get for your 4 hours invested here are such talking head nuggets as "What really matters to Leonardo is dreaming and imagination." Brilliant. NEXT!
As for the show: You're better off just spending the four hours reading Walter Isaacson's book. DaVinci is a well-trodden biographical path, so you'd think a new documentary would bring something -- at four hours, actually lots of things -- to the party. To quote Inigo Montoya, get used to disappointment.
There's not enough new or fresh here to justify four hours of TV watching for anyone who's familiar with his story and the eddies of controversy/doubt extant. If you prefer TV, stream "Being Leonardo da Vinci" (2019) or the NOVA episode from PBS.
I agree with the criticism of subtitles. Not because they are subtitles, but because they don't work. They are lost in some of the shots, depending on the artwork on screen. (You had ONE job....). And moreover, why would you obscure the works of one of the most important artists of the past 500 years, if not all time, with (ugly) text overlay? What you get for your 4 hours invested here are such talking head nuggets as "What really matters to Leonardo is dreaming and imagination." Brilliant. NEXT!
- madgreekfl
- 12 de dez. de 2024
- Link permanente