Doomed: The Untold Story of Roger Corman's the Fantastic Four

I enjoyed this but even as a casual comic book fan, I knew most of this story. The most interesting thing is that everyone involved thought they would get a "leg up" in the industry if this had been released. I honestly think this could have only hurt their careers. One topic that is never discussed is that the story and acting were terrible. They keep talking about how it looked so good for what they had to work with and never mention that fans would have hated it and anyone who didn't know about the comic would have been turned off of Marvel forever because of this mess.

Roger Corman's officially unreleased production of 'The Fantastic Four' is a fun if bewildering viewing experience. The special effects are pointedly outdated, the narrative writing is questionable, some inclusions are outright flummoxing; that the 1994 movie is enjoyable is largely a matter of constant, shocking disbelief at what one has beheld. That the picture struggled with a low budget is one matter; how much the eyebrow-raising writing and direction could also be attributed to that low budget is another matter entirely. The history of this production is rather astounding in and of itself, and the idea of a documentary laying it all out is welcome indeed. There's maybe not a major wealth of information herein beyond what one can learn elsewhere on the Internet, but 'Doomed!' still does a good job of providing further perspective on the fiasco.

The image that quickly emerges as we watch this is that the cast and the crew who were directly involved with the making of the movie were genuinely excited about the prospect of working on such a property as The Fantastic Four. Everyone was very ready to do their part, and mostly proud of what they were able to do with recognition of the minimal resources that were available. The point is made that the history of live-action adaptations of Marvel comic books was very spotty up to that time, so the vibe on-set was a combination of "working within modest expectations" and hopes of creating something better and memorable, a new high water mark.

The enthusiastic if rushed work during the early 90s production is notably contrasted with the secretive, then-undisclosed, and somewhat shady dealings behind the scenes. Whether intentionally or as blunders of mismanagement, people sitting in posh offices made decisions regarding the superhero team as a property that all but ensured the movie never really had a chance, and all the contributions of the cast and crew were effectively destined for oblivion. True, all this information is known and can be discovered elsewhere, but it's the personal testimonies of those involved, and tiny peeks at the process, that really make 'Doomed!' worthwhile. Their early earnest energy is distinctly opposed with building frustration; details about aspects like some of the filming locations, the post-production efforts, or the score composition all give a delightfully vivid panorama of the entirety of the quagmire that was 'The Fantastic Four.'

This documentary itself is generally well made, compiling film clips, behind the scenes footage, multiple interviews, and stills to tell the story of a feature that was basically ghosted. Marty Langford's sequencing and editing orders the material into a simple, roughly chronological timeline from conception to reaction, while the filmmakers did a suitable job of collecting it all in the first place. I don't think it's entirely perfect; the production values are a little too glaringly bare-faced, as one quite anticipates from Z-grade distributor Uncork'd Entertainment, and intertitles displaying relevant quotes are wholly unnecessary since those quotes tend to echo sentiments that are often spoken aloud shortly thereafter. For whatever deficiencies one may perceive, however, the very idea of 'Doomed!' is gratifying, spotlighting a project that deserves remembrance even if only for the labor that went into it. There's perhaps nothing about this feature that's so essential as to demand viewership, but for select audiences - cinephiles or Marvel fans most of all - it's an enticing look behind the curtain at a movie that never truly got off the ground. Clocking in at an easy 85 minutes, 'Doomed!' is an enjoyable, worthwhile view if you have the chance to check it out.

I recently watched the documentary Doomed: The Untold Story of Roger Corman's The Fantastic Four (2015). The film chronicles the making of the 1990s Fantastic Four, produced on a shoestring budget, under a tight deadline, and with plenty of hope from its cast and crew. But just as filming wrapped, politics, Marvel's financial ambitions, and a quiet payoff ensured the movie would never see an official release.

Written and directed by Marty Langford-in his only directorial project-the documentary features Roger Corman (The Raven), Lloyd Kaufman (The Toxic Avenger), Oley Sassone (Fast Getaway II), Michael Bailey Smith (The Hills Have Eyes), and Joseph Culp (Apollo 13).

What makes this so compelling is how effectively it reunites the original cast, director, producers, and special effects team to tell this bizarre story. The underground copy of the film is already legendary in comic-con circles, and after watching this, I'm determined to track one down. The documentary clearly lays out how and why the project was shelved, and while the film itself is likely terrible-and may have hurt Marvel's 2000s relaunch-I still believe it deserved a chance at release. Corman directing a superhero movie is something I absolutely need in my life, as are some of the other unrealized projects teased here from directors like Wes Craven.

For all the criticism it gets for being low-budget, The Thing's costume looked fantastic, the classic '90s Corman sets were pure nostalgia, and the backstory on the studio was both hilarious and a little depressing. I was impressed by the cast's determination to bring the film to market, as well as by the sheer lengths (and payouts) the studios went to in order to bury it. This is a classic Hollywood story of hope, money, and compromise-one that's played out countless times and will happen again.

In conclusion, Doomed: The Untold Story of Roger Corman's The Fantastic Four offers a fascinating glimpse into a little-known chapter of Hollywood history. I'd score it 7.5/10 and strongly recommend it to fans of the superhero genre.

Greetings again from the darkness. Most people over age 30 remember the release of Tim Burton's Batman Returns, the sequel to his 1989 hit. The film's budget was $80 million, which seems remarkably low compared to the $250 million (or more) budget of today's superhero and comic book film adaptations. Putting all of that in perspective, and providing the best ever look at low budget filmmaking, comes this documentary from director Marty Langford. It's a look back at the ONE million dollar production of Marvel's iconic The Fantastic Four (the same year as Batman Returns), and how backroom negotiations provided a stake to the heart of those involved.

We are shown a quote from Stan Lee: "The movie was never supposed to be shown to anyone." It's a quote that we understand by the end of Langford's story, but still makes little sense. In 1992, producer Bernd Eichinger realized his rights to these famous Marvel characters were expiring at year end. He contacted the master of "B" movies, Roger Corman, who gave his production team one weekend to come up with a workable plan. What followed was the "movie magic" that we rarely glimpse. Even with that low budget, the script was written, the movie was cast and shooting began (with no rehearsal) … the ultimate rushed production.

The documentary connects the dots between Eichinger, Corman, Troma Entertainment, Marvel Studios, Neue Constantine Films, and Avi Arad; however, the real heart and soul comes courtesy of the interviews with the actors and production crew who were so involved. Looking back with nostalgia, pride and frustration, these folks clearly represent the "get it done" attitude that is so crucial in low budget filmmaking. Their disappointment in never having the film released is evident a quarter century later in their words and their faces.

In what could be described as a conspiracy … though more appropriately as yet another clash in the age old art vs. business battle … the cast and crew were manipulated into believing the film would be released. Many made publicity appearances at festivals, and a trailer was cut and shown in many theatres. Unfortunately (for all but a few), the production was merely a ploy to drive up the demand and cost for the rights … as Avi Arad envisioned a slick, high-budget version of the franchise (there have been two failed versions in the years since).

Some of those interviewed include director Oley Sassone, editor Glenn Garland, Joseph Culp (Doctor Doom, son of Robert Culp), Jay Underwood (Johnny Storm), Alex Hyde-White (Reed Richards), Rebecca Staab (Sue Storm), Michael Bailey Smith (Ben Grimm), and Carl Ciarfalo (The Thing). We mostly get the viewpoint of those who were so close to the film, though there is a brief clip of Roger Corman claiming he was under the impression that it was a legitimate film project … this despite his healthy cash out.

Since a copy of the film was "rescued" by the director and editor, it has become something of an urban legend among the comic book fan base … a cult film that never had its day on the big screen. The best comparison might be a bootleg version of a deep cut of a Springsteen song in the 1970's. Everything gets released today, but in those days, studios had a way to control what was seen (and what wasn't). This is a well made documentary on an unusual topic – and a reminder that the artists just want their work seen, while the business side just wants the money.

Having seen the movie years ago in bootleg form, it was neat to see all the people involved talk about the making of it, but this doc was a little long for the fairly simple story involved. A bit rambling and it would have really helped if we were able to finally see a good version of the movie. Not that it was all that great, but still...