Minha Culpa

A very disappointing movie for me as Point Blank (2010) is my favourite French movie and the director of that movie also directed this.

It starts off extremely confusing with a incoherent plot line of clips taking place in the present time mixed with random flashbacks, get's slightly more coherent perhaps 25 minutes in or so but by then I had pretty much given up on the movie.

Felt like it was originally 2 hours or something but then cut down to 90 minutes because it was too slow for them to label it a action-movie and thought fast cuts = action.

And then we get a scene of (real) animal-torture from a bullfighting arena where we get to see a matador sticking knives (again real) into the innocent bull while the crowd cheers in excitement, which was pretty much the nail in the coffin for me.

Well-made action-scenes though, once the action actually get started.

We stayed in a confused state of mind until the last moment, a far-fetched ending finally revealed the implication of the title. Yet apart from its pertinence to the title, the last twist really seems redundant. As an action movie, it is a passable one, though the plot can be further refined to provide more coherence.

"Mea Culpa" will not win any awards for plot originality, and the "ethnic" villains are cardboard, but it's gritty, fast-paced and viscerally exciting, with plenty of fights, shootouts and chases. *** out of 4.

I found this film rather shallow, with lots of violence and little in the way of serious plot. Simon was an interesting character but could have been developed further, I feel. Violence in films will always draw an audience but if not supported by a meaningful story it's appeal is seriously limited, in my opinion.

When I saw the trailer of Mea Culpa, I was really seduced. Vincent Lindon and Gilles Lellouche together in a thriller with real tough scenes, I jumped on this must see ... and I wasn't disappointed at all.

And the movie begins very hard, and it goes on like this till the end : lot of twists and surprises all along the movie, with physical strength and action packed sequences. And noir destiny, very noir.

Believe it, editing and cinematography serve effectively each scene, and you are always surprised. A constant pleasure. And a very smart ending.

Vincent Lindon and Gilles Lellouche are stunning, I just loved their magnetic friendship. They are the main characters really developed.

There are some relevant references to classic movies masterpieces, which make want to see again Framed directed by Phil Karlson, same kind of fights.

I'm waiting for the next Fred Cavayé.