Um magnata da música enfrenta um dilema moral de vida ou morte durante um sequestro. Uma reinterpretação do thriller High and Low de Kurosawa nas ruas de Nova York.Um magnata da música enfrenta um dilema moral de vida ou morte durante um sequestro. Uma reinterpretação do thriller High and Low de Kurosawa nas ruas de Nova York.Um magnata da música enfrenta um dilema moral de vida ou morte durante um sequestro. Uma reinterpretação do thriller High and Low de Kurosawa nas ruas de Nova York.
- Direção
- Roteiristas
- Estrelas
- Prêmios
- 17 indicações no total
- Marisol Cepeda
- (as Isis 'Ice Spice' Gaston)
Resumo
Avaliações em destaque
For starters, there are some nice camerawork that helps presents the atmosphere and environment. Creating the vibe and energy of the city of New York. Lee does offer some fresh themes and concepts about it's characters, writing, and the political aspects, however it all feels confused, misplaced, and messy. The writing feels as if this new reinterpretation didn't offer anything special or interesting to the original and book, as if Lee confuses with what he wants to present and display. Alongside with some laughable bad dialogue, the performances are a mix bag. Denzel Washington does provide his best as his energy and personality is good. However some of the other performances are honestly pretty bad, particularly Ilfenesh Hadera. Almost as if the performances are TV levels of acting or being intentionally awful.
The production designs and structure feels cheap and dated, almost as if the movie is having a Hallmark and Lifetime approach. The musical score is one of the worst aspects about this movie as it's presentation, sounding, and how the music is used is all over the place, messy, and atrocious. Regarding pacing, it drags, as the pacing remains uneven and it's first and second act really struggles. However, around it's third act, it does pick up with some interesting and good thrilling moments.
I'm honestly kind of surprised with the positive reviews because audiences and critics have been raving this reinterpretation, however I found it to be tedious and frustrating. I do appreciate it isn't as disgraceful as Lee's remake of "Oldboy" (which I'm glad to hear he has since disowned the movie). However, no matter what, it's pretty clear that it's best to stay away from remaking classics because it ain't worth it.
How bad?
1) Bad dialogue that seems straight from a crappy Law and Order episode.
2) Bad acting from most of the supporting cast. The trio that play the cops are totally unbelievable, with a special call out to the atrocious acting of Dean Winters. He should stick to his Allstate commercials.
3) Bad music. Why didn't Spike hire his trusted composer Terence Blanchard? Instead he went with music that sounded like it came from a bad 1990's drama.
4) Bad editing. Some really strange choices made, including over edited (or badly directed) dialogue scenes and 2 out of nowhere arbitrary wipes. And nothing brings out tension in a paying the ransom scene than cutting away to musical moments from the Puerto Rican parade.
Just awful.
Too long.
The secondary roles are poorly acted.
The wife is not believable.
The plot is stretched and makes no sense.
The pacing is slow and hard to digest.
Missed opportunity to make a good movie.
Some scenes drag too long just for the sake of it.
Você sabia?
- CuriosidadesJeffrey Wright plays Elijah Wright's father in the movie. The actors are real-life father and son.
- Erros de gravaçãoIn a studio, like the one shown in the film, if the person in the recording booth takes off their headphones they would not be able to hear the person in the other room who is speaking through the "talk back" mic.
- Citações
David King: I been to your house. And I appreciate you naming your son after me.
Yung Felon: Damn! Stupid bitch talk too fuckin' much, B!
David King: Why she gotta be a bitch?
Yung Felon: Fuck!
David King: Why she gotta be a bitch?
Yung Felon: Fuck!
David King: Why she gotta be a bitch?
Yung Felon: Damn, B!
- ConexõesReferenced in Radio Dolin: Best Movies of the 2025 Cannes Film Festival (2025)
- Trilhas sonorasOh, What a Beautiful Mornin'
Written by Richard Rodgers and Oscar Hammerstein II
Performed by Norm Lewis
Principais escolhas
The Year in Posters
The Year in Posters
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Highest 2 Lowest
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.500.000
- Faturamento bruto mundial
- US$ 1.500.000
- Tempo de duração
- 2 h 13 min(133 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1






