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Luta de Classes

Título original: Highest 2 Lowest
  • 2025
  • R
  • 2 h 13 min
AVALIAÇÃO DA IMDb
6,7/10
2,3 mil
SUA AVALIAÇÃO
POPULARIDADE
58
24
Denzel Washington in Luta de Classes (2025)
Cinema legends converge in director Spike Lee's latest collaboration with Academy Award-winning actor Denzel Washington in 'Highest 2 Lowest.' Also starring A$AP Rocky, Jeffrey Wright, Ilfenesh Hadera, and Ice Spice.

When a titan music mogul is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma in this retelling of legendary Japanese director Akira Kurosawa's 1963 film, 'High to Low.'

Distributed by A24, the film premieres in theaters August 15, and will release on Apple TV+ on September 5.
Reproduzir trailer2:00
3 vídeos
51 fotos
Investigação policialCrimeDramaMistérioSuspense

Um magnata da música enfrenta um dilema moral de vida ou morte durante um sequestro. Uma reinterpretação do thriller High and Low de Kurosawa nas ruas de Nova York.Um magnata da música enfrenta um dilema moral de vida ou morte durante um sequestro. Uma reinterpretação do thriller High and Low de Kurosawa nas ruas de Nova York.Um magnata da música enfrenta um dilema moral de vida ou morte durante um sequestro. Uma reinterpretação do thriller High and Low de Kurosawa nas ruas de Nova York.

  • Direção
    • Spike Lee
  • Roteiristas
    • Evan Hunter
    • Akira Kurosawa
    • Hideo Oguni
  • Artistas
    • Denzel Washington
    • Jeffrey Wright
    • Ilfenesh Hadera
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    2,3 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    58
    24
    • Direção
      • Spike Lee
    • Roteiristas
      • Evan Hunter
      • Akira Kurosawa
      • Hideo Oguni
    • Artistas
      • Denzel Washington
      • Jeffrey Wright
      • Ilfenesh Hadera
    • 44Avaliações de usuários
    • 75Avaliações da crítica
    • 74Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos3

    Official Trailer
    Trailer 2:00
    Official Trailer
    Official Teaser
    Trailer 0:52
    Official Teaser
    Official Teaser
    Trailer 0:52
    Official Teaser
    Highest 2 Lowest
    Trailer 1:53
    Highest 2 Lowest

    Fotos51

    Ver pôster
    Ver pôster
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    + 45
    Ver pôster

    Elenco principal74

    Editar
    Denzel Washington
    Denzel Washington
    • David King
    Jeffrey Wright
    Jeffrey Wright
    • Paul Christopher
    Ilfenesh Hadera
    Ilfenesh Hadera
    • Pam King
    A$AP Rocky
    A$AP Rocky
    • Yung Felon
    • (as A$AP Rocky a.k.a. Rakim Mayers)
    Aubrey Joseph
    Aubrey Joseph
    • Trey King
    Elijah Wright
    • Kyle Christopher
    Rick Fox
    Rick Fox
    • Coach Fox
    Rod Strickland
    • Coach Strickland
    Nuri Hazzard
    • Luther
    Jensen McRae
    • June York
    Jade Cayne
    • Dolly
    Imana Breaux
    Imana Breaux
    • Stackin' Hits Employee
    Andy McQueen
    Andy McQueen
    • Larry Friday
    Ice Spice
    Ice Spice
    • Marisol Cepeda
    • (as Isis 'Ice Spice' Gaston)
    Sunni Valentine
    • Julie Tucker
    Frederick Weller
    Frederick Weller
    • Alex Cordova
    Michael Potts
    Michael Potts
    • Patrick Bethea
    Samm Davis
    • Shabazz
    • Direção
      • Spike Lee
    • Roteiristas
      • Evan Hunter
      • Akira Kurosawa
      • Hideo Oguni
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários44

    6,72.3K
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    Avaliações em destaque

    7maequnrobinson

    Decent film,I recommend y'all watch at home tho.

    If you're a big fan of spike lee, you'll probably love it. Maybe again you'll probably be disappointed. In my opinion, wasn't bad but it could've been great. It felt kinda dragged, overall you got Denzel, asap rocky did solid.

    You can see asap was very into his lines, the scenes between him and Denzel were good.

    Catch it at home and have a sit back on the couch with some popcorn and pizza and enjoy. It's in select theaters, feel free to try to catch it otherwise it'll be available to stream in 2 weeks.
    7boblipton

    Able Adaptation of Kurosawa Movie

    Denzell Washington is a very successful music producer with, as he calls it, "The best ears in the business". He sold off a piece of his corporation a few years back and lives an opulent lifestyle. But the changed economics of the music business, a company sniffing around to buy the company from under him, and a desire to be more of a producer than a businessman have worn on him. He arranges for a loan to buy a block of shares that will give him control. And then his son is kidnapped.

    Many of you will recognize this as a remake of Kurosawa's Tengoku to jigoku aka High and Low. As a result, the first big plot twist did not surprise me. What did surprise me was Spike Lee's expansion, not only of the divide between the highest and lowest wealth in the movie -- although that was by making Washington so very rich -- as the expansion of the ending. Several of Kurosawa's movies seem to end abruptly to me, pointlessly so: an ending that shocks rather than concludes. That is, undoubtedly, a cultural difference. But Lee comes down on my side, and with equally stern cultural self-criticism. In doing so, he demonstrates this is a sturdy story, both in terms of its thriller/kidnapping plot and in terms of how societies view art, money, and privilege.
    6torrascotia

    Good if a bit too long

    This seems to be the first Spike Lee movie I have bothered to see in the cinema for a while. Because it seemed like one of his bigger productions and didn't seem like it was going to bash you over the head with a message about racism. Because the problem with most black American movies is they tend to be either hood movies or go down the racism is a bad thing trope. Spike has many of these under his belt. This actually seemed like a movie in which race didn't matter.

    Now this is apparently based off another book and movie but not ones Id come across which was a good thing. No judging this based off other media.

    What this is, is a story about a record label boss who ends up being extorted through a kidnapping plot. Not very Spike but actually quite engaging. There's even a few decent action scenes thrown in. But being a Spike movie there are the usual nods to black culture and social commentary style rants. And music.

    What stops this from being a great film as opposed to a good one is it's just fat too long. If it ended 30 mins earlier than it does most people would have been happy. But instead there's two additional music scenes that really add nothing. It's also a fairly obvious plot.

    Spikes best movies were his earliest ones even if his newer movies are technically better. But they certainly don't carry the same weight. Must be the fact the current culture simply isn't as good as it was in the 80s.
    7AhmanielleR

    Love Letter to Brooklyn

    This was a "we made it" film. Spike Lee, Denzel Washington and Jeffrey Wright are far from needing to prove their filmmaking and acting chops, so this was a love letter to New York, Brooklyn and Black art. It's a timely representation of Black men building from the ground up, growing together and being a bridge to the young men (A$AP Rocky) who aspire to become them. The plot fell flat for me, because more could've been done with the characters, especially Jeffrey Wright's role. I watched and became more engrossed in the art collection than the story itself.
    4dream-weaver777

    Disappointing.

    Expected more from Spike Lee. Very misfitting score that belonged in a Star Wars type film. We don't need loud distracting music over every scene. The double edited shots were also distracting and over done. Bad acting from many of the supporting cast. Slow start, could have easily tightened the edit. This film didn't seem to know what it was. No clear vision. A little preachy. And a kind of dull story line with no twist!

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    Interesses relacionados

    Ice-T, Mariska Hargitay, Danny Pino, and Kelli Giddish in Lei & Ordem: Unidade de Vítimas Especiais (1999)
    Investigação policial
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Família Soprano (1999)
    Crime
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mistério
    Cho Yeo-jeong in Parasita (2019)
    Suspense

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The film is a reinterpretation of Akira Kurosawa's Céu e Inferno (1963), which was in turn based on the novel "King's Ransom" by Evan Hunter, published in 1959 under his pen name "Ed McBain."
    • Erros de gravação
      In a studio, like the one shown in the film, if the person in the recording booth takes off their headphones they would not be able to hear the person in the other room who is speaking through the "talk back" mic.
    • Citações

      David King: I been to your house. And I appreciate you naming your son after me.

      Yung Felon: Damn! Stupid bitch talk too fuckin' much, B!

      David King: Why she gotta be a bitch?

      Yung Felon: Fuck!

      David King: Why she gotta be a bitch?

      Yung Felon: Fuck!

      David King: Why she gotta be a bitch?

      Yung Felon: Damn, B!

    • Conexões
      Referenced in Radio Dolin: Best Movies of the 2025 Cannes Film Festival (2025)

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    September 2025 TV and Streaming Premiere Dates

    September 2025 TV and Streaming Premiere Dates

    "Slow Horses" and "High Potential" return with new seasons this month. Check out our September calendar for more!
    See the list
    Poster
    Lista

    Detalhes

    Editar
    • Data de lançamento
      • 5 de setembro de 2025 (Estados Unidos da América)
    • Países de origem
      • Estados Unidos da América
      • Japão
    • Central de atendimento oficial
      • Official Site
    • Idioma
      • Inglês
    • Também conhecido como
      • Highest 2 Lowest
    • Locações de filme
      • Brooklyn, Nova Iorque, EUA(on location)
    • Empresas de produção
      • 40 Acres & A Mule Filmworks
      • A/Vantage Pictures
      • A24
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.500.000
    • Faturamento bruto mundial
      • US$ 1.500.000
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 13 min(133 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.39 : 1

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