Zodíaco - Sinais de Destruição

Not a bad film if you just want to relax and zone out. It's simplistic and predictable, but fine to watch. Effects are low budget, so you have to look past them. Overall, accept it for what it is. The only really negative thing I have to say about it is how much of a whiny wimp they made the son. 20 years old and no gumption; just ongoing whining.

The main protagonist carries the film, but he's supposed to when you know that the govt baddies haven't got a full brain cell between them.

"Zodiac: Signs of the Apocalypse" is a very generic and stereotypical disaster movie that follows the dummies handbook of how to make a disaster movie. Everything in the movie was so predictable and scripted that you saw it coming a mile away. And this really brought down the overall enjoyment of the movie.

Sure, the movie was entertaining enough for what it is, but if you have seen any other disaster movie, then you basically have seen this one as well - in theory.

The story is about a series of disasters that happen around the world, and the future of the entire planet rests in the hands of a few people that run against time to save the Earth.

Yeah, basically the same as most other disaster movies. And for some odd reason all these events were happening all around these people. It just didn't make sense. Why would all these cataclysmic events take place around these and not at random locations around the world? Effects-wise, then "Zodiac: Signs of the Apocalypse" was adequate. The effects worked well enough for what they were supposed to portray. But they weren't mind-blowing or overly impressive. So don't get your hopes up for these.

As for the acting, well people were doing good enough jobs with their given roles. Joel Gretch was the one who carried the movie, no doubt about it.

"Zodiac: Signs of the Apocalypse" is a very average run-of-the-mill disaster movie that offers nothing new to the genre. You watch this movie once and never again.

This film is actually brilliant in a rather odd way. It is a great example of what a home made low budget film can be. The story isn't half bad as apocalyptic dramas go, and it is chock full of familiar faces from numerous great sci-fi shows. The writing is exactly what you would expect, slightly stilted dramatic over-the-top. What really works, though, is that, because of the low budget, it is shot almost all on location, and much of the plot is explored through inference and implication, so there is some intelligence involved. Moderate use of pretty good special effects helps to ground the story. This is not a fancy franchise flick, nor is it particularly great in terms of it's originality or message, but all in all, somehow it works.

I give credit to the director for trying but don't expect much. The storyline is like any other disaster movie, only difference is how the disasters come about. The special effects are terrible and you can see clearly they are computerized and transfered - hardly believable. Some of the characters got under your skin, and Christopher LLoyd - maybe it 's his age but a disappointment from his days in Back To The Future. The actors did do a nice job carrying the movie but the special effects just didn't seem to help it - in fact it made you cringe at the way some of the effects appeared. A made for TV film for a rainy Sunday afternoon.

Worst special effects ever and most clichés in the book. OK so its a made for TV movie but there are some standards worth adhering to like plausibility for example yes even in a fantasy. You immediately feel sorry for Neil Martin (Joel Gretsch) that he's the father of the dumbest most self satisfied... (My University professor dad is so stupid) ...half wit in the land. A boy, Colin Martin (Reilly Dolman) with so little intuition or empathy, not to mention an annoying smirk of self satisfaction that right the first moment you are hoping he gets struck by lightening. Also this thing of the characters watching as a disaster rolls towards them when you are screaming "Run, run you dumb... 'chappie, fellows...' (you know what I mean)" is so insulting to the intelligence. Yes I can understand people freezing and dying on the spot but not almost dying because they are just too dumb to move, especially as one is a professor, "Ooh look Cleetus, duh there's a big bolder coming down from duh sky and its going to hit us if we don't duh move!" The boy rubbishes the father's every theory and suggestion. He needs a good slap!. This kid was serving coffee from a stall at the beginning of the movie with no apparent understanding of science. "Plausibility?" You'd think that the father would have had a smarter son, unless of course he was doing booze and smoking grass in his younger child creating days or at least mom was. Meanwhile they've acquired a girl called Sophie (Andrea Brooks) also a scientist... kind of, and during a chase scene, between her and the boy, they run through a gamut of hysterical physical emotions that would take most movies two hours to justify. Anyway the plot rumbles on using every cliché in the book, narrow escapes, implausibly long fights and a member of the CIA in a helicopter so small he could only just fit next to the pilot. The CIA running out of cash? Perhaps the production company was. Just what Christopher Lloyd is doing in this movie is anybody's guess, still I did enjoy his ten minutes (or thereabouts). My favourite scene in the whole thing is the very last scene, the tying up of loose ends where Joel Gretsch makes a speech to camera meanwhile behind him, his son and the girl who have shown virtually no interest in each other, suddenly make meaningful eye contact - if you know what I mean - and go into an immediate embrace behind him thrusting their tongues down each other's throats. THAT had me rolling in the aisles. Truth be told, it was a lousy script and a tight budget that did for this movie..... in my opinion.