Bar Doce Lar

We saw this at an Amazon premiere at our local movie theater. I enjoyed the story of JR growing up and learning about becoming a man from his Uncle Charlie, since his own father is absent. JR navigates his way through life and ends up attending Yale and getting a job as a writer. Charlie teaches him to respect women, fosters his love of reading and writing, teaches him to be responsible with money, and other lessons.

I wish there was a bit more character development of a few of the bar patrons - just a little one-on-one interaction with each of them with JR would have added to the story.

Overall, a nice story told well, and worth watching.

There is a group of people who have troubled the cinema, and this mass is fed only by spreading negative energy.

George Clooney and Ben Affleck have been targeted by such people throughout their careers.

The film, which Clooney did a very clean job, attracts people especially with its 70's texture.

Intelligently chosen actors and actresses, excellent selection of songs, cinematography, art direction are very good.

The script is already a book adaptation.

Tye Sheridan is my favorite generation Z actor. He showed her talent in this movie as well.

A very good 'Coming of Age' movie is waiting for you and the movie gives you more than what it promises in this sense.

It's 1973. JR (Daniel Ranieri) and his mother (Lily Rabe) have to move back in with her father (Christopher Lloyd). It's a house full of extended family including Uncle Charlie (Ben Affleck). JR doesn't know his long-absent irresponsible father and Uncle Charlie who owns a local bar becomes his father figure. As an older kid, JR (Tye Sheridan) fulfills his mother's wish for higher education.

There are interesting moments of humanity and humor within an extended non-dramatic coming-of-age story. This is really a series of vignettes of his early life. Director George Clooney is a good workman but this story needs something extra. As it stands, it probably would work better as TV show. I kept thinking the kid needs some friends. Of course, the central theme is the father figure in a young boy's life. The movie needs to concentrate harder on that. Quite frankly, the movie needs more Ben Affleck. He has to sell this. He can't be a side character. I'm not sure if Clooney has the vision as a director.

[UPDATE. AN UNBELIEVABLE AWARDS-SNUB BY THE ACADEMY!!) Clooney directs a highly capable ensemble cast in this intimate feel-good coming of age film based on the memoirs of J. R. Moehringer.

The adapted screenplay by William Monahan tells Moehringer's true story of an underdog finding his way from childhood to adulthood, while pursuing an ivy league education, and his dream of a writing career (including publishing his real-life memoirs that this film is based upon), despite the odds stacked against him of near-poverty, an alcoholic abusive father that abandoned the family, and a dysfunctional (but caring and committed) extended three-generation family.

Ben Affleck plays the boy's well-read self-educated uncle who takes over the reigns of his birth father, and together with his dedicated mother (Lily Rabe), and grandfather (Christopher Lloyd), help guide him (as best they can) along his journey through childhood to adulthood.

The story is interesting, meaningful, and ultimately inspirational, avoiding the cliche' Hollywood treatment that often makes such films unbelievable.

A low key film like this one that makes you reflect and captures your emotional involvement without manipulating is a rare treat indeed.

Clooney directs, teaming with past collaborators Martin Ruhe behind the camera, and Tanya Swerling as Editor, bringing this story to fruition in under two hours.

Oddly, a scene that was partially cut out from the middle of the film, becomes additional-footage shown while credits roll...I deducted points for this uneven editing decision, and don't understand why it wasn't simply pasted back to complete the scene. Regardless, stay with it til the end, as it's worth seeing.

Understanding the awards machine has tilted towards "agendas" of late, I'm not making a prediction for The Tender Bar. However, Affleck has already received both a Golden Globe and SAG nomination, so that at least indicates some sense will be applied this year in voting. That being said, this will be one of the most competitive years ever for Lead Actor awards... If Affleck gets nominated for an Oscar (he should), that alone is amazing. If he wins (he could), he knocks out a handful of the very best performances. Stay tuned...

[EDIT: Tinder Bar receives my "2nd Annual Oscar Snub Award" for the Academy's complete disregard for the film, and especially Ben Affleck who earned but did not receive a nomination, despite the Golden Globes and SAG Awards honoring him with such.]

Films like this don't come along every year, and I'm very thankful this one did.

Bravo to everyone involved 👏.

👍👍

There's nothing wrong with this - it's not bad - but at the same time, there's nothing really great about it either. Just another story from the neighborhood - best part of the movie is the 70s soundtrack!