O Mundo de Kanako

I think my headline pretty much says it all but this is a movie that infuses style, gore, cartoon, and fantasy to tell a story full of rape, violence, domestic abuse and pedophilia. A father searches for his daughter but what he finds lands him in the middle of a war between the mob, filled with police corruption, and school bullying. And this is not a spoiler, nor does it scratch the surface. It is a ridiculously creative film but the plot and characters just are not redeemable and that impacts how enjoyable the film is. And this is coming from someone who loves Moebius and Von Trier movies, but I don't find much to grasp onto here.

This is one of those films that you need to pay attention to. It is about Kanako Fujishima who is a bright and beautiful high school student. She is 'the cool set' all by herself and everyone wants to know her. Then one day she goes missing with no trace and no apparent reason for having done so. She lives with her mum who has divorced her father due to his atrocious behaviour.

He was a cop who quit the force around the same time and has become a drug and drink dependant security guard ever since – a state of affairs which has done little to improve his behaviour. However, when their daughter goes missing he is called by his estranged wife to find her. Thus begins a search in which he wants to find his daughter, but in doing so he uncovers a whole side to her that he had never imagined.

Now this is a film that I completely loved and was a bit bowled over by to be honest. It starts a bit full on with plenty of blood splatter – a theme that is repeated rather a lot throughout the 114 minute run time. Ex cop Akikazu is a real 'piece of work', brutish, violent, paradoxical and about as likable as a bout of gangrene.

He explodes onto the screen is a flurry of abuse which he sort of maintains throughout. He drives a 1970's Nissan Gloria which is in keeping with a lot of the styling here. That being the opening sequences are very seventies and full of Batman like words imposed in cartoon on the screen – mainly violent or profane. There is animation throughout too. It is violent, it is bonkers in places and to my amazement I actually laughed a couple of times. There are a few minor issues with continuity but nothing that could possibly detract from the overall impact of this great piece of Japanese movie making.

Amazing editing. SO many storylines working together to make the scene. The movie keeps getting intense.

I think I would've liked reading the source material for this movie. Seems like a good read. The actual movie on the other hand, it was a bit of a hit and a miss for me. I liked the colors, the great acting, and the fact that Kanako's dark secret wasn't something I saw coming. However, I felt like it started out great and then kind of dragged on a little bit on the second half just to end as a totally confused mess. Too many characters and too many sub-plots all of a sudden. I think with a little bit of editing and focusing more on some of the characters (like the bullied boys who were in love with Kanako, or the thug girl) the movie would've been a bit more interesting. If you want to watch something violent and gory, with a decent story and a dark twist I would recommend it. It's pretty unique. I wouldn't buy it, but it was entertaining, a decent watch.

The premise may be minimal, a man searching for his missing daughter discovers she's not what she seems, but the execution is totally over the top.

For starters, it's hyper stylized. The non-linear narrative is frantically edited, at times hard to follow, but always keeping you on your toes. It wilfully mixes genres, going from rogue cop action to teen drama to gory horror to Japanese dance party to art house at the drop of a hat. The music struggles to keep up with the shifting moods, often coming across as a parody of the various styles it emulates. It occasionally aims for the thrift store score of a Tarantino flick, but pales in comparison to his masterful curation.

In a interesting creative choice, the central protagonist is an absolutely loathsome character. He acts as a catalyst for the onslaught of ultraviolence that drives the intrigue of the film, which is as captivating as it is problematic. It unnecessarily pushes boundaries on sexual violence towards women while numbing the viewer to the excessive savagery. The film does eventually wear out it's welcome by the final leg as the seesaw between physical brutality and emotional devastation can prove exhausting over the two hour run-time.

Flaws aside, it's a totally insane ride both for the depraved subject matter and the gonzo delivery. Fully recommended for viewers with strong stomachs and off the wall tastes.