Avaliações de usuários

I just watched a film that quietly broke me and gently put me back together. Set in Tampico-a city full of magic, water, and weird little wonders-this story dives deep into grief, healing, and the accidental magic of human connection.

Two strangers meet in a coffee shop. One is all light, the other all walls. And as they try to build a business they know nothing about, they end up building something much more meaningful: a space to process loss, rediscover joy, and allow themselves to feel again.

The performances are raw and beautiful. You want to hug him, even when he's hiding pain behind a smile. You want to shake her, then sit quietly beside her. Their chemistry isn't loud-it's subtle, aching, and real.

This is a story that reminds us how we never truly know what someone carries inside, and how even a stranger can change our story forever.

I laughed, I cried, I left with a full heart-and a deep craving for coffee I still wouldn't know how to make.

Café Chairel stands out as an example of high-quality Mexican art-house cinema. With its circular narrative, tactile textures, and outstanding production design, it offers a version of Tampico (México) that feels intimate, poetic, and unfamiliar to those outside northern Mexico.

The film is based on an unreleased Japanese production, and this influence shows. Its storytelling structure and the interpersonal subtleties between characters evoke a distinctly Eastern sensibility.

With fewer than seven credited actors and many extras, the film leans into its indie nature and relies heavily on form to move the viewer. It's not about plot twists-it's about atmosphere, intention, and craft.

While some editing choices during dialogue scenes felt slightly off, and Tessa Ía's performance lacked the nuance delivered by Mauricio Isaac, these are minor concerns. They may even be the result of deliberate directorial choices. However this isn't commercial cinema-it's slow, quiet, and reflective.

The real strength of Café Chairel lies in its immersive world-building. From the coffee rituals to the coastal landscapes and the interior of the Chairel house, every detail is meticulously constructed. The production design alone deserves a 10/10.

This is a film to savor, not consume. Thoughtful, tender, and visually captivating.