Regresso ao Amor

In a world of junk revivals, it's wonderful to watch a fresh story with humor, heart, and hope. Everything about this story was perfect. I laughed and cried in a rollercoaster of emotions. At one point I was enjoying it so much, I became aware that it may be close to the end. I wanted to see more.

I enjoyed all the stories within the movie. Every character seemed to have their own issues and it was interesting to see Sigourney Weaver's character deal with each of them. Her character was strong and vulnerable.

Why does Hollywood continue to redo stories when writers like this are out there? A small slice of life type of movie is missed. This and mystery movies will always win over super heroes and rethinking what was already done.

Ms. Weaver makes this role seem effortless. I totally related to her character.

I have to search diligently these days, to occasionally find a gem of a movie, and this one is one of those special few.

The acting, the story, the characters, the setting, the score,the camera work....everything, was authentic, beautifully and excellently executed.

The only tiny thought I had, which did not lesson my enjoyment, was why they didn't go with a more authentic Maine accent. No big deal.

A must see movie for those of us who are not entertained or much impressed with what is most popular of movie making these days.

The script is clumsy (Really? Breaking the fourth wall?), the blocking is stumbling and cinematography bland (I felt bad for the poor editor who seemed at a loss to shove the clunky shots together). But in the end, this movie still worked.

It was a pleasure to spend two hours with these actors, especially the always witty and wonderful Sigourney Weaver. She gives the part weight without making it heavy, and she is well-supported by Robert Kline, Rebecca Henderson, Rob Delaney, and Morena Baccarin, all of whom turn in well-rendered performances. And in the end, all the pieces came together to make a satisfying story about people trying-some successfully, some not-to get through life's trials.

The Good House (2021) was co-written and co-directed by Maya Forbes and Wallace Wolodarsky.

Sigourney Weaver stars as high-profile realtor Hildy Good. Weaver is perfect for this role. She looks and acts like the person for whom the role was written.

In an interesting twist, Sigourney doesn't just play the part. She also confides to the audience watching the film. This has been done before, but I've never seen it done as well. (You could consider Shakespeare's soliloquies in the same light. However, most actors I've seen do soliloquies appear to be talking to themselves. Sigourney Weaver is definitely talking to us.)

Hildy is a top-notch realtor, but it's a tough, dog-eat-dog world, and she is holding her own, but not thriving. One problem is that she's an alcoholic. Not a sleep-it-off-and-have-a-hangover alcoholic. She's an alcoholic who drives while drunk, and who has blackouts that are scary.

Kevin Kline portrays Frank Getchell. Getchell is a wealthy businessman, but we are supposed to accept him as a grizzled New Englander. (Inigo Montoya, yes; The Pirate King, yes. Grizzled New Englander, no.)

The movie shows us how a talented realtor works to match owners and buyers. It also shows us views of the beautiful Atlantic seacoast.

(Actually Nova Scotia, not Massachusetts.)

I enjoyed The Good House, mostly because of Sigourney Weaver's outstanding performance. The film has a very weak IMDb rating of 6.4. This is a case where I say, "Did they see the same movie that I saw?" I rated the movie 8. I recommend it.

Weaver's character should be unlikable, but the humanity of her flaws, as well as her humour makes that not so. I can't say this is Weaver's best film, but she's highly watchable.

Themes include friendship, class, and alcoholism. There's really not a lot new here, but Weaver breaking the 4th wall is a nice touch and all the subjects are treated with a degree of finesse.

I'm sure many will watch The Good House for the third outing of Kline and Weaver together, despite it being their softest. It's not as bleak as The Ice House, or as quirky as Dave.

This is predictable adult-contemporary fare, but I was engaged until the end. Weaver mostly steals the show.