Adicionar um enredo no seu idiomaAn urgent, timely and compelling portrait of Hollywood icon Greta Garbo, whose fame, isolation and loneliness still captures us.An urgent, timely and compelling portrait of Hollywood icon Greta Garbo, whose fame, isolation and loneliness still captures us.An urgent, timely and compelling portrait of Hollywood icon Greta Garbo, whose fame, isolation and loneliness still captures us.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 indicação no total
Noomi Rapace
- Narrator
- (narração)
Kerry Shale
- Additional voice
- (narração)
Orson Welles
- Self
- (cenas de arquivo)
Katharine Hepburn
- Self
- (cenas de arquivo)
Melvyn Douglas
- Self
- (cenas de arquivo)
Marlene Dietrich
- Self
- (cenas de arquivo)
Greta Garbo
- Self
- (cenas de arquivo)
Fredric March
- Self
- (cenas de arquivo)
George Cukor
- Self
- (cenas de arquivo)
Herbert Marshall
- Self
- (cenas de arquivo)
Dick Cavett
- Self
- (cenas de arquivo)
Louis B. Mayer
- Self
- (cenas de arquivo)
Mauritz Stiller
- Self
- (cenas de arquivo)
Avaliações em destaque
Disappointed. The Garbo mask scenes did nothing for this biography. They were distracting. The narrator was annoying. I'm not sure if she escaped from a mime college to exert her annoyingly stilted lines. I'm also not sure if her hair was supposed to be Garboesque. Made it through half the documentary then put the speed on 1.5. There isn't enough Garbo and there is too much of the mask and the mime. Garbo was alive when I was a kid. She'd show up in a news shot or film on occasion. So she didn't disappear. She out right stated she'd had it with Hollywood. Better to watch a film like Ninotchka to see how Garbo shone.
A few interesting facts and movie clips.
The documentary basically focused on everything we already know about Garbo and did little to delve into the deeper mystique of the woman and give us insight into the Garbo that was out of circulation for 50 years. Additionally, I found these things problematic:
-- The "voice of Greta" reading her letters sounded like a character out of Downton Abbey rather than a shy Swede.... totally misses that low husky sound.
-- There is a woman with a mask that keeps appearing in the film --- with the mask hiding her and then at times giving a glimpse of the real life. I suppose there is symbolism there with the real Garbo hiding from the public... but the mask is so creepy and so distracting, that I had to quit watching and just listen.
-- The actress billed as "the investigator" consistently interrupts at inopportune moments and is perhaps more distracting than the creepy mask.
Overall, not well-produced and a big let down. Don't invest the 90 minutes. You could tune into a TCM Garbo movie and hear a Ben Mankiewicz pre-film summary that would give you the same level of information (and you could actually watch him and not be creeped out).
The documentary basically focused on everything we already know about Garbo and did little to delve into the deeper mystique of the woman and give us insight into the Garbo that was out of circulation for 50 years. Additionally, I found these things problematic:
-- The "voice of Greta" reading her letters sounded like a character out of Downton Abbey rather than a shy Swede.... totally misses that low husky sound.
-- There is a woman with a mask that keeps appearing in the film --- with the mask hiding her and then at times giving a glimpse of the real life. I suppose there is symbolism there with the real Garbo hiding from the public... but the mask is so creepy and so distracting, that I had to quit watching and just listen.
-- The actress billed as "the investigator" consistently interrupts at inopportune moments and is perhaps more distracting than the creepy mask.
Overall, not well-produced and a big let down. Don't invest the 90 minutes. You could tune into a TCM Garbo movie and hear a Ben Mankiewicz pre-film summary that would give you the same level of information (and you could actually watch him and not be creeped out).
Nothing on her lesbian crushes or relationships in NYC.
Her last unwitting film performance in Peter De Rome's artful gay porn movie, Adam and Yves in 1974 makes a brief apperance but no mention of the movie itself. Instead her NYC queer friends are presented as ultimatly disloyal and exploitative.
An apparent need to strighten the narrative seems unnecessary, resemebling the kind of closeted biography making that used to occur before the 1990s.
The director seemed unresolvedly torn between celebrating the cause celebe of an icon or revealing the person beneath and in the end the latter is side-stepped and compromised in favour of retaining an enigma. But for what ?
Her last unwitting film performance in Peter De Rome's artful gay porn movie, Adam and Yves in 1974 makes a brief apperance but no mention of the movie itself. Instead her NYC queer friends are presented as ultimatly disloyal and exploitative.
An apparent need to strighten the narrative seems unnecessary, resemebling the kind of closeted biography making that used to occur before the 1990s.
The director seemed unresolvedly torn between celebrating the cause celebe of an icon or revealing the person beneath and in the end the latter is side-stepped and compromised in favour of retaining an enigma. But for what ?
It starts off with a ridiculous statement which says that "why she quit acting and where she went are a mystery to this day...." which was completely untrue. Everyone knows she lived in New York City and walked a lot. People saw her all over the city for years and years. Why she quit has also been well documented. So this slow moving, poorly narrated, idiotically stylized documentary teaches us nothing. Why is that woman in the blond wig reading papers while someone who sounds like Madonna using her fake British accent does a voice over? Why are the creepy papier machet masks necessary-symbolism? Wow, that's a high school play level plot device. The whole thing was off-putting, cringy, shallow and took away from the only decent parts, which was the interviews with people who knew her.
I love documentaries and was so excited to watch this and learn more about Garbo. This was extremely boring and provided mostly surface level information. More time was spent showing an actor holding a weird fake head in front of her own or flipping through papers than clips of Garbo. And yes, I understood the point of the fake head, I just found it an unnecessary waste of time. The film would touch on something quite briefly but wouldn't explore it deeper and would quickly move on. It left me constantly hoping for more but I was disappointed each time. Surely there is more information out there about a fascinating person like Garbo. Don't waste your time.
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- Tempo de duração
- 1 h 30 min(90 min)
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