Quando uma agente de inteligência é suspeita de trair a nação, seu marido agente enfrenta o teste final para saber se deve ser leal ao seu casamento ou ao seu país.Quando uma agente de inteligência é suspeita de trair a nação, seu marido agente enfrenta o teste final para saber se deve ser leal ao seu casamento ou ao seu país.Quando uma agente de inteligência é suspeita de trair a nação, seu marido agente enfrenta o teste final para saber se deve ser leal ao seu casamento ou ao seu país.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória e 3 indicações no total
Daniel Dow
- Vadim Pavlichuk
- (as Dan Dow)
Avaliações em destaque
It was one of those movies that's first hard to get into, but once you hit halfway you're invested. It's not that this movie was bad at all, it just didn't hit for me. It felt like a murder mystery, without the murder. It had fun twists and turns and dark at times. Them sitting around the table was the most intense parts, that goes to show you the amount of action in this movie. Just a warning if you're looking for any at all, this has none. Also most of this movie could have been figured out with a conversation between wife and husband, thay apparently trust each other so much. But whatever. Haha
Watched at AMC on 3-13-2025.
Watched at AMC on 3-13-2025.
This is not your average spy thriller: it's mainly talk, tons of it, between a small group of British intelligence employees who all seem to live their personal and work lives in each others pockets and beds. To attempt to add gravitas to the production, the colour has been desaturated and the light dialled down to dull and grim, so viewers know it's a serious drama, not James Bond.
There are a few effective action set pieces to keep viewers awake ( not my wife, unfortunately, she slept through most of it ) but not really enough, I'm guessing, to satisfy the action fans.
For film fans who try to see everything that opens in cinemas, only.
There are a few effective action set pieces to keep viewers awake ( not my wife, unfortunately, she slept through most of it ) but not really enough, I'm guessing, to satisfy the action fans.
For film fans who try to see everything that opens in cinemas, only.
Full disclosure: when I first saw the trailer for Black Bag, I wasn't impressed. In fact, I was even less impressed when I assumed it was just another run-of-the-mill spy thriller about agents hell-bent on destabilising Moscow.
Boyyyyy, was I wrong.
This film is an absolute class act - an intelligent, gripping espionage drama that had me hooked from start to finish. Cate Blanchett and Michael Fassbender deliver powerhouse performances, balancing raw intensity with the kind of nuance that elevates the film beyond your standard spy fare. Their chemistry is electric, and every moment between them crackles with tension.
The supporting cast is just as strong, with Naomie Harris, Regé-Jean Page, and Pierce Brosnan adding layers of intrigue and depth. The dialogue is razor-sharp, and the script is packed with twists and turns that never feel forced - just expertly crafted storytelling at its finest.
Steven Soderbergh is in his element here, blending sleek cinematography with a tight, sophisticated narrative. It's stylish, smart, and effortlessly cool. If you think you know what to expect from Black Bag, think again. This is espionage cinema at its absolute best.
Boyyyyy, was I wrong.
This film is an absolute class act - an intelligent, gripping espionage drama that had me hooked from start to finish. Cate Blanchett and Michael Fassbender deliver powerhouse performances, balancing raw intensity with the kind of nuance that elevates the film beyond your standard spy fare. Their chemistry is electric, and every moment between them crackles with tension.
The supporting cast is just as strong, with Naomie Harris, Regé-Jean Page, and Pierce Brosnan adding layers of intrigue and depth. The dialogue is razor-sharp, and the script is packed with twists and turns that never feel forced - just expertly crafted storytelling at its finest.
Steven Soderbergh is in his element here, blending sleek cinematography with a tight, sophisticated narrative. It's stylish, smart, and effortlessly cool. If you think you know what to expect from Black Bag, think again. This is espionage cinema at its absolute best.
This taut spy thriller from Stephen Soderbergh doesn't exactly reinvent the wheel of the spy fiction genre, but it's definitely and thoroughly well-made and well-acted. Viewers should first and foremost know that this is a small-scale drama/thriller without action scenes and mostly set in a handful of relatively confined locations, so it is definitely not like a James Bond or Mission Impossible-style spy movie. For patient and sophisticated viewers who enjoy a lot of cleverness with their mystery and intrigue, "Black Bag" will prove to be an entertaining watch. The cast is generally pretty good, especially Michael Fassbender and Cate Blanchett, who are the two leads.
The film feels stylish and polished despite its small scale and brief running time. Soderbergh's deft direction keeps things running quickly and efficiently, paying special attention to the psychological and intuitive motives of the characters. The plot developments aren't particularly unique compared to other spy films, which is what holds back "Black Bag" from being truly great, but its commitment to creating intriguing narrative tension in an entertaining way and at a small scale is commendable. Recommended. 7/10.
The film feels stylish and polished despite its small scale and brief running time. Soderbergh's deft direction keeps things running quickly and efficiently, paying special attention to the psychological and intuitive motives of the characters. The plot developments aren't particularly unique compared to other spy films, which is what holds back "Black Bag" from being truly great, but its commitment to creating intriguing narrative tension in an entertaining way and at a small scale is commendable. Recommended. 7/10.
There's just about enough intrigue in David Koepp's efficient script to hold the attention in trying to decipher what is going on in Steven Soderbergh's underwhelming spy thriller which is more like a theatrical play than a cinematic experience.
All of the assembled cast do a sufficient job in delivering a very talky script. I especially liked Michael Fassbender's concise and measured performance as the spy ordered to get to the bottom of a leaked top secret software program that could jeopardise national security where his wife, Cate Blanchett, is one of the suspects.
For me Soderbergh never quite scratches my itch when he attempts to do 'cool' like he did with the Ocean trilogy. There's a cold aloofness that prevents me as a viewer to get completely wrapped up in the story he is trying to tell. Also with Black Bag I wasn't keen on the cinematography which looked like a creative decision to make most light sources seem diffused, presumably to make this look like an old fashioned espionage thriller from the 1960's. Fassbenders character certainly has shades of Harry Palmer to him, especially wearing those trademark black glasses.
Despite it being talky and smart it's not that taut and I would like to have seen a bit more action and a few surprise twists for there to be a better payoff for all the concentration the viewer has to endure to get to a rather mediocre finale.
All of the assembled cast do a sufficient job in delivering a very talky script. I especially liked Michael Fassbender's concise and measured performance as the spy ordered to get to the bottom of a leaked top secret software program that could jeopardise national security where his wife, Cate Blanchett, is one of the suspects.
For me Soderbergh never quite scratches my itch when he attempts to do 'cool' like he did with the Ocean trilogy. There's a cold aloofness that prevents me as a viewer to get completely wrapped up in the story he is trying to tell. Also with Black Bag I wasn't keen on the cinematography which looked like a creative decision to make most light sources seem diffused, presumably to make this look like an old fashioned espionage thriller from the 1960's. Fassbenders character certainly has shades of Harry Palmer to him, especially wearing those trademark black glasses.
Despite it being talky and smart it's not that taut and I would like to have seen a bit more action and a few surprise twists for there to be a better payoff for all the concentration the viewer has to endure to get to a rather mediocre finale.
Você sabia?
- CuriosidadesThe film's writer David Koepp said of the meaning of the movie's "Black Bag" title: "I sort of made that up because I thought it sounded cool. There was a film producer who I knew in New York who would say, 'That goes in the black bag', whenever he got something bad or negative that he didn't like. You throw it in the black bag, then you throw the bag in the river and never see it again. I like that as a metaphor for where things go that are never going to be discussed. I re-purposed it as a piece of spy slang that doesn't actually exist - but maybe it should."
- Erros de gravaçãoWhen the movie ticket stub is seen in the trash, it has the date "WED 02 MARCH 2024" printed on it. However, in the following closeup shot, when George is holding the ticket, the prop has been altered, and the year has been removed, so it just says "WED 02 MARCH"
- Citações
George Woodhouse: If she's in trouble, even of her own making, I will do everything in my power to extricate her. No matter what that means. You understand?
Clarissa Dubose: My god, that's so hot.
- Cenas durante ou pós-créditosActress Alicia Vikander, the wife of the film's leading man, Michael Fassbender, who plays George Woodhouse, made a playlist that was used in the film. She was billed for this in the closing credits as "DJ Vicarious". In 2020, Vikander with her agent founded a production company called "Vikarious".
- ConexõesFeatured in Designing Black Bag (2025)
- Trilhas sonorasPolyrhythmic
Performed by Phil Kieran & Thomas Annang (as Thomas Tettey Annang)
Written by Phil Kieran
Licensed by Phil Kieran
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Código Negro
- Locações de filme
- Hotel Storchen, Weinplatz, Zurique, Cantão de Zurique, Suíça(exterior: Kathryn has meeting outside hotel)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 21.474.035
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.607.250
- 16 de mar. de 2025
- Faturamento bruto mundial
- US$ 43.537.987
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Proporção
- 2.39 : 1
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