Apenas um olhar

I've never reviewed any movie or series before, but this was bad enough for me to warn others.

I only know Corban by name, I've never read any of his books. His name was enough for me to give it a shot nevertheless. I wasn't put off by the foreign make of the movie; the dubbing honestly wasn't bad. It starts off pretty well. It feels low budget, but has an interesting premise. It was intriguing enough to keep going through 2 episodes, but then it starts going off the rails. There are characters who make no sense, you have no idea what purpose they have or how they're relevant. Some are introduced seemingly to further a plot point with no context and never to be seen again. Even the kids ask pretentious questions, it just feels weird.

Main characters are so poorly developed that I'm still not sure why some were ever needed. The main antagonist is almost unstoppable, until he's not, in a ridiculous way. Then there's twist upon twist upon twist that feels completely contrived with a poorly executed ending.

I gave it a 4/10 because it's shot pretty well for as bad as it is, that's about the only positive. I would say it would have made a better 2 hour movie, but if they can't develop characters in 6 hours then, well...

Save those 6 hours of your life, I wish I could have them back.

Coben's books are all eerily alike, and sadly, this movie adaption is no exception. Boring and formulaic from the get go, it never recovers. No character development, subtlety or surprises. I tried hard to ignore my prejudice against American crime fiction (James Patterson being the worst offender). At least Coben seems to write the books himself, but at this stage I reckon I could write the next one... maybe an easy way to make those elusive millions without actually having to put in the hard work? Dreams are free...however, I'd be boring myself, I've read too many excellent - predominsnzly British - whodunnits. By all accounts, American audiences are looking for different fare.

What a frustrating watch. This show had potential, but the characters? Absolutely infuriating.

Let's start with the dumb wife-her husband goes missing under mysterious circumstances, she gets shot at, her kids are threatened... and her first instinct? Not to call her husband's colleagues or get real help, but to start making jewelry. Priorities, I guess. Then she turns down private protection-why? She's a mousy, unprepared person up against actual criminals, yet somehow thinks she can handle this alone? And to top it off, she conveniently knows nothing-nothing about a major accident in her past, nothing about her husband. How useful are you, lady?

The dumber husband isn't any better. He notices someone following him, confronts them without being armed, then turns his back like it's all good. Of course, he gets sucker punched. He escapes... and then just gets found again. Fantastic.

The police? Useless. Casual, sarcastic, wasting time on unnecessary details, and just completely unsympathetic. Then there's the prosecutor, who starts off with what seemed like an important storyline about his daughter but does absolutely nothing except stalk the dumb wife. His actual contribution? Zero.

Even the dumb wife's friend, who at least had the sense to call the police quickly, still managed to fumble her role. If you're trying to be subtle while snooping, maybe don't openly announce your sneak peeks? Just saying.

Then we have the bad guy, and honestly? Props to him for being the only competent character. He keeps winning, and at this point, I don't even mind.

The story itself? A mess. Too many pointless side characters that add nothing. The initial intrigue gets buried under ridiculous character choices, and by the end, you just don't care anymore. Hard pass.

This Polish mini-series had me hooked from the beginning, and I thought it was excellent. The bad reviews I read came from people who didn't understand the story. Everything is very well explained at the end, all the crimes and all the murders. The actors are excellent, especially the main actress. But besides her, the characters are very well defined, such as her best friend and the police chief. An extremely tense series, with evil personified by an extremely violent criminal and an elegant and perverse lawyer. A mini-series that deserves to be watched in a marathon. Forget these negative comments.

Harlan Coben stories sure get around. This time, it's a Polish-made production, although it could just as easily have been set in America or Britain as so many have in the past.

That said, over eight episodes, here you get another tightly plotted, character-heavy series. The story goes through many convolutions not to say convulsions, as Mr Coben performs his usual trick of spinning many plates at once, allowing the assembled crockery to fall one piece at a time before there's just one remaining suspended in the air for the final reveal.

Also as usual, past events cast a long shadow over the present as we see a young Polish wife and mother's happy world turned upside down when her husband is passed an old photo, which upsets him causing him to promptly disappear without trace. Said photo is a snapshot of a mixed-sex rock band taken ten years ago just before a fire takes place at the concert venue, killing a young female band member. The father of the young woman who died is a recently retired prosecutor with whom the abandoned wife somewhat reluctantly joins forces to not only try to track down her missing husband but also learn the real explanation as to why the fire started and who was responsible for it. Part of this is wrapped up in the disputed authorship of the later hit song which gives the series its title.

All four surviving people in the old picture will see their lives affected dramatically as the past comes back to haunt them in different ways. If only the young wife could regain her own memory of that night as she was there too but in the trauma of surviving the blaze, undiscovered for days before being rescued, she's blocked it out of her memory, but you can bet she'll gradually regain it as events move quickly. All the while the body count starts to mount so much so that even the police in pursuit finally get a wriggle on with their investigation.

Even if some of the connections between the myriad characters on show seem at best tenuous and at worst absolutely fantastical, it's worth hanging on until the end when you can sit back, rest your mind and try retrospectively to join the dots. Good luck with that!

I thought the direction was superior for this type of production with a number of scenes imaginatively and dramatically rendered and would also commend the quality of the acting too, especially the actress taking the lead role who has a very expressive face.

Perhaps unnecessarily violent at times, this was definitely one of the better Coben adaptations I've seen. I'm just as sure that it won't be long before another mini-series inspired by one of his works pops up on the schedules again. Perhaps the biggest mystery then is how he is so prolific at knocking out such deviously crafted mysteries time after time.