Garotos gêmeos mudam-se para uma nova casa com a mãe depois que ela passa por uma cirurgia estética de mudança de rosto, mas sob as bandagens está alguém que as crianças não reconhecem.Garotos gêmeos mudam-se para uma nova casa com a mãe depois que ela passa por uma cirurgia estética de mudança de rosto, mas sob as bandagens está alguém que as crianças não reconhecem.Garotos gêmeos mudam-se para uma nova casa com a mãe depois que ela passa por uma cirurgia estética de mudança de rosto, mas sob as bandagens está alguém que as crianças não reconhecem.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 23 vitórias e 36 indicações no total
Michael Ande
- Werner von Trapp
- (cenas de arquivo)
- (não creditado)
Ruth Leuwerik
- Baronin von Trapp
- (cenas de arquivo)
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Twin boys move to a new home with their mother after she has face changing cosmetic surgery, but under her bandages is someone the children don't recognize.
If you enter in to this film after seeing the trailer, you might be disappointed or at least mislead. Whoever edited that thing make the music scarier, the action more intense, and that is just simply not what the film is about.
Instead, we get a slow burn that is on some levels a horror film, but on other levels a sad story that has far too much grounding in reality. The true scariness of the film is not the mask, as you might think from the trailer, but rather the interactions of a family that is unable to completely build trust.
If you enter in to this film after seeing the trailer, you might be disappointed or at least mislead. Whoever edited that thing make the music scarier, the action more intense, and that is just simply not what the film is about.
Instead, we get a slow burn that is on some levels a horror film, but on other levels a sad story that has far too much grounding in reality. The true scariness of the film is not the mask, as you might think from the trailer, but rather the interactions of a family that is unable to completely build trust.
Ich seh, Ich seh aka Goodnight Mommy's previews were all over the internet a few weeks back. Hailed as one of the creepiest trailers this season, it had turned enough heads with its visuals and characters alike. 'Creepy' was slapped all over the trailer and the fact that it was more an art-house movie than a commercial movie, intrigued me more. Had Sundance's The Witch trailer not released earlier this week I would still have stuck to Goodnight Mommy's disturbing trailer.
From the get go you'll know that Goodnight Mommy isn't your average horror movie. Rushing through the movie like any horror movie wouldn't do justice and you wouldn't get the gist of it. Goodnight Mommy counts on being more atmospheric than in-your-face. Along with its 3 leads, its eerily disturbing locales had a life of its own and contributes a lot to the unnerving factor of the movie. A look at the initial scenes with a house in the middle of nowhere and two 9 year old twins playing would make you think that there's something very off about everything that follows.
The plot is paper thin but ain't much straightforward. From the first scene itself you'll find yourself piecing the plot together like a jigsaw puzzle. It isn't brain teasing but it all ends when 'the hunter becomes the hunted' (I wont spoil that implication). Halfway through you'll be questioning the events happening in the movie at the same time your mind will be stern on what it has already grasped in the first half. The leads were terrific, be it the Elias & Lucas Schwarz Twins or the Susanne West's The Mother. The Twins' performance were natural and as naive and, may I say, 'mischievous' as any 9 old's could get while Susanne West's almost covered face could emote more than you can ever imagine.
The weaker points here are the story and the ending. While the trailer boasts like it could be the next best thing in horror genre it isn't so. Call it brilliant marketing, the trailer beckons you to label this as a horror masterpiece. And as they say "Don't judge a book by its cover", the same applies here. Pure horror fans will be disappointed here as there are a lot less scares compared to other movies.
Towards the end or possibly much earlier than that, you'll be able to figure out where its headed and it doesn't help that the ending was equivocal. Its a common horror trope to make the ending ambiguous and while works out well for commercial horror movies, the same just didn't work out here. You will be left with questions that's not pleasing to ponder through.
Goodnight Mommy will shock you, disgust you and rattle you at times, but it wont scare you much. This movie deserves to be watched in patience and taken in with a pinch of salt. Goodnight Mommy revels in its atmospheric dread and a certain mystique that runs almost till the end. Considering its a movie coming from debutantes, Severin Fiala & Veronika Franz, its a commendable effort indeed. This isn't a bad horror movie, its just not what its advertised to be.
From the get go you'll know that Goodnight Mommy isn't your average horror movie. Rushing through the movie like any horror movie wouldn't do justice and you wouldn't get the gist of it. Goodnight Mommy counts on being more atmospheric than in-your-face. Along with its 3 leads, its eerily disturbing locales had a life of its own and contributes a lot to the unnerving factor of the movie. A look at the initial scenes with a house in the middle of nowhere and two 9 year old twins playing would make you think that there's something very off about everything that follows.
The plot is paper thin but ain't much straightforward. From the first scene itself you'll find yourself piecing the plot together like a jigsaw puzzle. It isn't brain teasing but it all ends when 'the hunter becomes the hunted' (I wont spoil that implication). Halfway through you'll be questioning the events happening in the movie at the same time your mind will be stern on what it has already grasped in the first half. The leads were terrific, be it the Elias & Lucas Schwarz Twins or the Susanne West's The Mother. The Twins' performance were natural and as naive and, may I say, 'mischievous' as any 9 old's could get while Susanne West's almost covered face could emote more than you can ever imagine.
The weaker points here are the story and the ending. While the trailer boasts like it could be the next best thing in horror genre it isn't so. Call it brilliant marketing, the trailer beckons you to label this as a horror masterpiece. And as they say "Don't judge a book by its cover", the same applies here. Pure horror fans will be disappointed here as there are a lot less scares compared to other movies.
Towards the end or possibly much earlier than that, you'll be able to figure out where its headed and it doesn't help that the ending was equivocal. Its a common horror trope to make the ending ambiguous and while works out well for commercial horror movies, the same just didn't work out here. You will be left with questions that's not pleasing to ponder through.
Goodnight Mommy will shock you, disgust you and rattle you at times, but it wont scare you much. This movie deserves to be watched in patience and taken in with a pinch of salt. Goodnight Mommy revels in its atmospheric dread and a certain mystique that runs almost till the end. Considering its a movie coming from debutantes, Severin Fiala & Veronika Franz, its a commendable effort indeed. This isn't a bad horror movie, its just not what its advertised to be.
Like others, I expected something very different based on the movie trailer. What I saw however, was much better. Goodnight mommy is a moody psychological thriller that shifts between phases of innocence, love, anger and betrayal with an ongoing feeling of dread throughout the movie. I wouldn't classify it as a "horror" film, as it feels more like a thriller. There are moments that are very tense and somewhat hard to watch. The characters are well developed and portrayed well by the actors, especially the brothers. There are a few moments that didn't fit in well with the plot and may have slowed the progression of the movie. Other that that, I enjoyed Goodnight Mother and recommend it to fans of any movie that scares, thrills, or makes you think. Not for lovers of quick-paced, cheap horror.
I ended up liking this movie more than I thought I was going to from what I was feeling about halfway through.
It started off as a spooky/creepy horror/thriller, then not a whole lot happened... then moved into body horror. If they had shaved off about 20 minutes of what was, to me, kinda superfluous filler... I think this would have been much more successful. I get building tension and being atmospheric however there were times it dragged a bit.
It was shot beautifully and the acting was good all around. The "twist" was so obvious from about ten minutes in that I feel like it must have been purposeful (?) and almost the director/writers basically saying "that's not the point", or that's what I hope at least because a twist it was not.
This is a really cool concept to take and do a full blown horror with. This almost felt a bit like "introductory horror". Regardless I still think it was successful for what it was and I would recommend as long as you are patient with slow burns.
It started off as a spooky/creepy horror/thriller, then not a whole lot happened... then moved into body horror. If they had shaved off about 20 minutes of what was, to me, kinda superfluous filler... I think this would have been much more successful. I get building tension and being atmospheric however there were times it dragged a bit.
It was shot beautifully and the acting was good all around. The "twist" was so obvious from about ten minutes in that I feel like it must have been purposeful (?) and almost the director/writers basically saying "that's not the point", or that's what I hope at least because a twist it was not.
This is a really cool concept to take and do a full blown horror with. This almost felt a bit like "introductory horror". Regardless I still think it was successful for what it was and I would recommend as long as you are patient with slow burns.
This is an absolute gem of a movie. It is a foreign film, so subtitles are a must if you're not Austrian. It starts out a little slow, but somehow keeps the viewer intrigued by the boys odd disposition. The film is filled with great scenery and the character development is done with a somewhat artistic taste showing what young boys get into. There are some great uses of cinematography especially during dream sequences. I would once again, reiterate that the movie is a little slow paced, but don't let that discourage you...You are in for a real treat. The film possesses one of the best endings I have seen in a long time. It a unique movie, and I absolutely loved it. I think a 7 is a fair assessment. Once again, hang in there. WATCH THIS MOVIE.
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Kevin Smith chats with Riley Keough at Sundance 2019, and she shares why she was fully unprepared for her first meeting with The Lodge directors Severin Fiala and Veronika Franz.
Você sabia?
- CuriosidadesThe actors were not given the script, and the movie was filmed chronologically.
- Erros de gravaçãoTodas as entradas contêm spoilers
- Cenas durante ou pós-créditosThe Cat (Katze) = Leo
- ConexõesFeatured in FoundFlix: Goodnight Mommy (2015) Ending Explained + Analysis (2017)
Principais escolhas
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- How long is Goodnight Mommy?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Dulces sueños, mamá
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.178.196
- Fim de semana de estreia nos EUA e Canadá
- US$ 63.641
- 13 de set. de 2015
- Faturamento bruto mundial
- US$ 2.193.474
- Tempo de duração
- 1 h 39 min(99 min)
- Cor
- Proporção
- 2.39 : 1
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