Appropriate Behavior

I was excited to see this indie and for a low budget film in NYC it is quite well done. Being that is was a Sundance film I was expecting something really revelatory. Unfortunately it really wasn't. It took a long time to get going. The whole first half of the film was essentially exposition in the form of complaining. Nothing was really happening to the characters. They weren't doing or experiencing anything. Instead we learn the characters history as she complains about losing her girlfriend to friends and deals with her family dynamic. While none of that is bad per say, it certainly wasn't that engaging.

The film picks up speed after that and we get to see our lead actually experience things. However the star/writer/director utilizes flashbacks to tell the tale of how she got here, but the cuts backward and forward have no style, they are just cuts. So the film feels awkward and you get confused as to where you are in time too easily. Maybe it was intentional, as the lead is really off kilter as her life is put in shambles. But for this viewer, it didn't really work. You always eventually figure out where the timeline is, but it takes a while into each new scene to know. There are many ways to make flashbacks and jumping around in time work for an audience, but none of them are used and therefore it's all just basic editing and cutting and it feels clunky.

In conclusion, this is a competent first feature. You have to commend anyone who finishes a feature and does so competently. It isn't a perfect movie, but what is? It could have used some more work with the script and structure. Visually it's fine, but again not a revelation in indie cinematography. Can't really fault them for that though, as you only have just so many locations and it is mostly people talking. If you get too artsy with that it can be detrimental to the simple story being told. If you like indies and new filmmakers you could definitely do worse, but you can also definitely do better. For other films in this vein, millennial, edgy indie, OBVIOUS CHILD is far stronger.

I'm not one for lengthy reviews. I thought it was an interesting slice of life. Pretty close to reality for a gal of this age in NYC.

Like the rest of us, this character is just trying to figure it all out. She's flawed in a number of ways and watching her try and just make it through the day is mildly uncomfortable and usually quite funny.

A lot of these reviews are calling this a "hipster" or "shallow" film and I have to disagree. In fact, I don't think these people know what a hipster really is because this movie doesn't depict that at all. If anything, it's more about the lost generation of GEN Y. Those of us who are too old to be hip and too young to have truly lived in the grunge life. The generation that should probably have it figured out by now, but we don't. And that's okay. The title character, Sherin, is exactly that.

It didn't strike me as the kind of movie that was supposed to leave you feeling like a new person with a whole new outlook on life. It was just one girl's well told story.

There's a certain type of movie that Sundance always selects: quirky comedies about lovable oddballs who are in the middle of a crisis and want everyone to know about it. This is Appropriate Behavior. I will say in its favour that there isn't enough bisexual representation in cinema nor is there enough about American- Iranians. This has both, but at the same time writer director Desiree Akhavan doesn't want to examine either aspect in depth. This is both refreshing because these aspects of lead character Shirin's identity are assured aspects of who she is and aren't part of her crisis, and frustrating because aside from these elements there is nothing that makes this movie stand out in any way from the quirky indie comedies that come out every year from Sundance.

Behavior is about Shirin (played by Akhavan). Recently having broken up with the live-in girlfriend her conservative Persian parents thought was her "roommate" the film plays in pieces as we watch Akhavan try to put her life back together without the woman who defined so much of it. As a bonus we are also treated to flashbacks of the rise and fall of her relationship with her ex. It is... not very exciting.

The film is written with so many pithy one liners you can tell it was written to death. This makes for great screencaps and dialogue you can use as gif sets but as an overarching script with characterization not so much. The narrative is fairly elegantly sliced and diced so that you get just the right amount of mix of past and present but at the same time... Just who cares? This feels directly aimed at a group of lost 20 somethings stumbling their way through life, but as a lost 20 something myself I'm sick of seeing these kind of movies (always set in NYC!) and the individual scenes don't really do anything for me. There are still some aspects that make this movie watchable: a threesome that goes wrong (I'm always partial to sex scenes that are good and by good I mean manage to maintain the flow of the story. So many movies just have all plot and emotion stop to get a few thrusts in. Akhavan understands how to continue to build the narrative using the sex scene). The ending of the film is very cathartic and pitch perfect as well.

How Akhavan manages to nail some of the most difficult aspects of filmmaking while flubbing the middle is beyond me. It gives me hope however that she'll continue to improve.

I saw this film at Frameline 38 on June 27, 2014 at 7 pm in San Francisco at the amazing Castro Theater. Writer, director and lead actress Desiree Akhavan shows us the story of Shirin who is a wonderful, loving, flawed, fragile, F**ked up human being just like the rest of us. She will not get over her ex-girlfriend, she looks for love in all the wrong places (with hilarious results) and has very limited success when trying to come out to her family who have a selective hearing problem. The Q & A after the film was wonderful and Ms. Akhavan is clearly the Queer, Persian equivalent of Sandra Bullock - funny, talented, charming, intelligent, beautiful and very comfortable with her awkwardness. Absolutely delightful - go see this film.

"Appropriate Behavior" had all the ingredients I look for in an indie movie. It had characters on the margins of society in Shirin, a bisexual young woman living in New York City and of Iranian descent. It involved locations I will never know well, the aforementioned New York City as seen by the young and tragically hip. It explores a culture of which I'm not a part, that of the young bisexual/gay/lesbian/transgender person living in a big city.

Etc. etc. etc.

I was all ready to enjoy the heck out of this film at the Key West Film Festival in November 2014. I even skipped another movie that my group was attending and which sounded great. All so I could see something I normally wouldn't have seen in the theaters.

I wish I'd gone with my group. Even worse, I managed to talk someone out of going with me instead of with the others and so I felt bad about steering her wrong.

While the set up was all there, the execution sure wasn't. The main character truly only seemed interested in her own love life and gave no thought, nor screen time to anything else.

For instance, her brother the doctor seemed to have an interesting side plot going on, but the movie never seemed interested in doing more than teasing the viewers. The main character's coming out to her conservative parents was hinted about and teased, but then given all the pomp and attention of a wet noodle going down the drain.

Even worse, the main character was supposed to have a lead-in-to-the-third-act epiphany that led to her making changes and sowing the seeds for a happy ending. After our showing ended, the folks in my theater all talked about the movie and none of us had any clue about what the epiphany was supposed to be. Nor could we understand why or how the main character effected the change necessary for that happy ending.

So many wasted ideas, so little fleshing out done. In the end, there was not enough reason for us to care.

I gave this a five because I thought the acting and cinematography were relatively professional. Too bad neither were given enough substantial plot nor complications to help them live up to their potential.