Pemandi Jenazah

"Pemandi Jenazah" (The Gravedigger's Wife) is an Indonesian horror film that explores themes of grief, guilt, and the supernatural. The film centers around a young woman named Nova who, after the tragic death of her husband, takes over his job as a gravedigger to support her family.

Strengths: * Atmospheric and Eerie: The film effectively creates a chilling atmosphere through its use of sound design, lighting, and a haunting score. The isolated setting of the graveyard and the eerie rituals associated with death contribute to the overall sense of dread.

* Strong Performances: The lead actress delivers a compelling performance, conveying Nova's grief, resilience, and growing fear convincingly.

* Exploration of Grief and Trauma: The film delves into the complexities of grief and the psychological impact of trauma on its protagonist. Nova's struggles with guilt and the lingering presence of her deceased husband provide a poignant and emotionally resonant core to the narrative.

Weaknesses: * Predictable Plot: While the atmosphere is well-established, the plot itself may feel somewhat predictable to seasoned horror fans. The supernatural elements, while effective in creating suspense, might not offer significant surprises.

* Reliance on Jump Scares: The film relies heavily on jump scares for its scares, which can feel repetitive and detract from the more nuanced psychological horror elements.

* Pacing Issues: The pacing can feel uneven at times, with some scenes dragging while others feel rushed.

Overall: "Pemandi Jenazah" is a decent Indonesian horror film that effectively utilizes atmosphere and strong performances to create a chilling experience. While the plot may be somewhat predictable and the reliance on jump scares can be excessive, the film's exploration of grief and trauma provides a compelling emotional core. It's worth watching for fans of atmospheric horror and those interested in Indonesian cinema.

"Pemandi Jenazah" (The Corpse Washer) is a deeply emotional and contemplative film that tackles themes of death, tradition, and the human condition. Set in a small Indonesian village, it explores the life of a young man who works as a body washer, preparing the dead for their final rites. Through his work, the film delves into the rituals and complexities of Indonesian Muslim culture, touching on personal grief, spiritual connection, and societal expectations.

The cinematography is beautiful, capturing the simplicity of rural life while juxtaposing it with the profound and often heavy subject matter. The performances are nuanced, particularly the lead actor, who brings a raw and authentic portrayal of a man struggling with his role in life and his personal loss.

While the film is slow-paced and reflective, it may not be for everyone due to its heavy, introspective nature. However, for viewers who appreciate films that explore life's deeper questions, "Pemandi Jenazah" offers a rewarding, thought-provoking experience.

CORPSE WASHER = PEMANDI JENAZAH.

I read through few reviews here, (there was even a wrong movie review that came here, haha - from pemandi jenazah somehow one person reviewed for isteri penggali kubur? (gravediggers' wife) 😂) I'll try to review without giving spoilers.

For starters, any ghost movie, IF WATCHED WITH COMPANY, WILL NOT BE SCARY.

I watched this alone late at night. It gave me many goosebumps moments, for which i rate this movie positively. As for the plot, it is about a girl named Lela, whose mother (Siti) is a Pemandi Jenazah for their small village. Siti inherited the job from her own mother, and intend to pass the torch to her daughter Lela, as she takes pride in doing that job of: cleaning a person who just left this world, before the soul goes to meet God. Siti also seems to have some supernatural gifts that she can sense some unnatural forces. Lela doesnt want to become a corpse washer, however Siti insists, because there are no other corpse washer in that village. (for this part it sounds stupid tho, because in Islam, this is fardu kifayah, where the community has the responsibility to do that, not just putting the burden on one person and others just chill. So that itself, is misleading from what Islam teaches. Heck, even the son doesn't want to bathe the mother, thats really sad, even tho its just movie.) Story mystery starts with Siti being disturbed and as she expected, Ida dies in horrific way. What happens next is for you to go and watch in Netflix. As I've said, if you watch this with company, it'll not be scary. But sit alone, and watch at night, you'll sure be scared, CONFIRMED!

The Corpse Washer follows familiar tropes and ideas but introduces some unique elements and social commentary. Lela, a young mortician, is unhappy with her life and the work she inherited from her family, especially since her mother insists on keeping it as a tradition. After her mother suddenly dies, Lela notices something odd about her body while washing it, unraveling secrets from the past with dire consequences.

The premise is simple yet intriguing, featuring some interesting elements. Lela and the other characters are mostly likable, and the actors deliver commendable performances. The acting is a bit uneven at times, especially from minor characters, but it's not too distracting.

The film heavily relies on jump scares and rarely takes the time to build a tense atmosphere. Instead, it bombards viewers with scary faces and loud noises. To its credit, the makeup and effects are well done, preventing it from feeling like a low-budget jumpscare fest. However, the movie doesn't fully reach its potential and could have been more engaging.

It's a decent watch, with a reasonable 107-minute runtime, so you won't feel like you've wasted over two hours if it doesn't fully click for you. If you enjoy Indonesian cinema, especially horror, you might want to give it a try, though it's unlikely to leave a lasting impression. [5,6/10]

The problem with Indonesian and Hollywood horror is their over-dependence on ineffective, predictable jump scares. Atmospheric horror is something the Indonesian have always failed to execute, despite the country's rich cultural tradition and beautiful landscapes.

The lazy use of conventional camera angles is almost as disappointing as the wheat flour on the ghosts. It is almost as if the film-makers aren't horror fans at all.

Story-wise, from the get go it was a bit too obvious, with the nosey ladies bickering over widowhood. Lela being tasked with cleaning the corpse completely unaided also does not reflect the reality of a typical Southeast Asian village-what happened to fardhu kifayah and gotong-royong? There's always that one monosyllabic, antisocial guy/gal to inject a feeling of mystery, and I'm really really tired of seeing this.

The only fresh element is how the evil spirits were portrayed to seem unfazed by the quranic verses and loud chanting of the mourners; a trope more commonly seen in western horror films. I imagine this would create some form of controversy among the more conservative audiences in places like Malaysia.

At least Indonesia is moving away from softcore porno in their horror films.

Another disappointment, unfortunately.