Avaliações do Metacritic

The film is rife with contrivances and clichés, but it engages with them in a respectful and clever manner, enough to sell even the silliest ideas. Man Up knows what it is, and the result is unexpectedly refreshing and exceedingly charming.

Not up there with key US influences "Annie Hall," "When Harry Met Sally" and "Jerry Maguire," but a romcom Brits can be proud of. Make a date of it.

Frequently laugh-out-loud funny and tangibly tender where it ought to be, the immensely satisfying screwball romp feels freshly contemporary even as it largely conforms to genre conventions.

In focusing on Bell’s flamboyant performance and moving the action along at a frenetic pace, [Palmer] did what was required here in making a rowdy, infectious entertainment.

Both actors stay sharp through some pretty degrading moments, and if Palmer and screenwriter Tess Morris are bent on serious button-pushing in the closing scenes, at least they garnish it with playfulness and wit.

The upshot of this loopy masquerade is more predictable than it is progressive, but considerably pleasurable thanks to Morris’s generous supply of pithy one-liners and the resourceful, ribald skills of Bell, as engaging and elastic a comic everywoman here as she was in her impressive directorial debut “In a World … ”

The wistful and poignant stuff doesn’t play as well as the surprising setbacks to romance, many of them delivered by the weirdly randy Sean at the most opportune times.

Bell is so goofy and likeable I found myself willing the film to keep up with her. But the funny bits are never quite funny enough, and the script loses feminist points bigtime for its sour bitch ex-wife character.

If it could decide whether it was a cute romcom or a dirty one, Man Up would be a real gem, but as charming as it is, it falls between two stools and never manages to, ahem, Man Up.

Lake Bell and Simon Pegg's star wattage isn't enough to distract from the sense that their characters are almost exclusively defined by their single-ness.