Depois de um rompimento, Jessica, viciada em trabalho em Nova York, muda-se para Londres planejando ficar sozinha. Ela conhece Felix, que a faz reconsiderar a possibilidade de encontrar o am... Ler tudoDepois de um rompimento, Jessica, viciada em trabalho em Nova York, muda-se para Londres planejando ficar sozinha. Ela conhece Felix, que a faz reconsiderar a possibilidade de encontrar o amor novamente.Depois de um rompimento, Jessica, viciada em trabalho em Nova York, muda-se para Londres planejando ficar sozinha. Ela conhece Felix, que a faz reconsiderar a possibilidade de encontrar o amor novamente.
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So many wasted talents in this yawn of a comedy. Will Sharp is the reason for two of the three stars, hopefully this will lead to bigger and better things.
The ensemble characters are a bunch of stereotypes, choosen to complete a checklist of visibility.
The biggest problem is the total unlikeability of the main character. You really stop caring about her crash life in London very quickly. The "funny" social situations are so contrived they become just silly. The written tries too hard to cover issues, emotions etc.
A special mention for Jennifer Saunders playing an unfunny version of Abfab Eddie
It tries to too hard and fails dramatically, if you want to see a well written female lead comedy watch Fleabag (or even Miranda)
The ensemble characters are a bunch of stereotypes, choosen to complete a checklist of visibility.
The biggest problem is the total unlikeability of the main character. You really stop caring about her crash life in London very quickly. The "funny" social situations are so contrived they become just silly. The written tries too hard to cover issues, emotions etc.
A special mention for Jennifer Saunders playing an unfunny version of Abfab Eddie
It tries to too hard and fails dramatically, if you want to see a well written female lead comedy watch Fleabag (or even Miranda)
After watching the entire series, I realized it felt like a social commentary on our individualistic and narcissistic culture. It made me sad, and I think it was supposed to make me laugh. It felt like everybody was so egotistical in this series there was not one redeeming character, including the protagonist. I wanted to like her a little more, but I just couldn't. She just kept sabotaging herself. Also, this series felt like it lacked a really good, strong plot sometimes it felt quite boring and like they were stretching the series for more episodes. I gave it a higher score because I loved all of the actors performances. It was nice to see Lena again, and I know she created this. I would say this had a beautiful moments and very disturbing moments, but I'm not going to be recommending it overall.
Nope, just not it. Could not get in to the main character. I find her too be very egoistic, way too dramatic and very self-centred.
As a European it is way too much American exaggerated drama about feelings and making it all about you.
First episode started out strong but just didn't get picked up after. The obsessive part with the ex wavering on way too long during the season. With in the end kind of soft boring ending.
Did like a lot of the acting and the different characters, but the script can use a little less of the almost hateful main character.
Definitely way "too much". Would I recommend, no. Would I watch again, no. Would I wish for my time back, YES!
As a European it is way too much American exaggerated drama about feelings and making it all about you.
First episode started out strong but just didn't get picked up after. The obsessive part with the ex wavering on way too long during the season. With in the end kind of soft boring ending.
Did like a lot of the acting and the different characters, but the script can use a little less of the almost hateful main character.
Definitely way "too much". Would I recommend, no. Would I watch again, no. Would I wish for my time back, YES!
I really wanted to love this. I loved Girls. I really felt Lena Dunham was the voice of a generation and I wanted this to be every bit as good. But it wasn't. In fact it was bad, REALLY BAD. Like student film or GCSE drama devised piece bad.
Firstly, Dunham can't write British dialogue at all, or British characters. All the British characters lacked well, character, and they also lacked nuance, originality and believability. They were all tired tropes. Some of their dialogue was just awful. Especially in the work scenes. Poor Richard E Grant did his best with terrible dialogue but he had nothing to work with. None of the work team characters came across like any real British person or spoke like any real British person. You could see they knew the show was going to flop.
Add to that the two leads were just unlikeable (and I've never disliked Will Sharpe in anything but this loser musician character is just plain unlikeable and you could see Sharpe's heart wasn't;t really in it) and the female lead character is both unlikeable and irritating in the extreme. It was hard to care about them, their romance or anything really. They also had zero chemistry which didn't help.
The show is also unbelievably slow and devoid of any plot. So no character, no plot, no originality and absolutely no Com in the Rom. I didn't laugh once. Didn't even crack a smile.
The whole thing felt off, like a mish mash of Baby Reindeer, Notting Hill and wanting to be but totally failing to be the brilliant Shrill. But Shrill had charm, nuance, actual comedy and pulled the heart strings. And a lead actress who was incredibly watchable. This does nothing. Didn't make me feel anything except infuriated about wasting my time watching it!
I'm sure off the back of the success of Girls Netflix just said off you go Lena, make whatever you want to make and never gave a single note. They must be regretting that now.
Netflix have had a string of British hits lately but this sadly is not one of them.
Firstly, Dunham can't write British dialogue at all, or British characters. All the British characters lacked well, character, and they also lacked nuance, originality and believability. They were all tired tropes. Some of their dialogue was just awful. Especially in the work scenes. Poor Richard E Grant did his best with terrible dialogue but he had nothing to work with. None of the work team characters came across like any real British person or spoke like any real British person. You could see they knew the show was going to flop.
Add to that the two leads were just unlikeable (and I've never disliked Will Sharpe in anything but this loser musician character is just plain unlikeable and you could see Sharpe's heart wasn't;t really in it) and the female lead character is both unlikeable and irritating in the extreme. It was hard to care about them, their romance or anything really. They also had zero chemistry which didn't help.
The show is also unbelievably slow and devoid of any plot. So no character, no plot, no originality and absolutely no Com in the Rom. I didn't laugh once. Didn't even crack a smile.
The whole thing felt off, like a mish mash of Baby Reindeer, Notting Hill and wanting to be but totally failing to be the brilliant Shrill. But Shrill had charm, nuance, actual comedy and pulled the heart strings. And a lead actress who was incredibly watchable. This does nothing. Didn't make me feel anything except infuriated about wasting my time watching it!
I'm sure off the back of the success of Girls Netflix just said off you go Lena, make whatever you want to make and never gave a single note. They must be regretting that now.
Netflix have had a string of British hits lately but this sadly is not one of them.
The main character jokes around and makes looks so much that it's not even believable as a real person. Even when she's supposed to be heartbroken it is a farce. Cringy. I'd like some character with substance. No one in the world acts the way these characters do but the main character more so than others. No substance at all just one "joke" after the other.
Você sabia?
- CuriosidadesDunham confirmed that "Too Much" was inspired in part by her own relationship with Felber, whom she met and married in the U.K. in 2021.
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- Tempo de duração
- 30 min
- Cor
- Mixagem de som
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