Adaptação do musical de palco baseado no romance sobre um homem gay e um prisioneiro político que dividem uma cela na prisão argentina nos anos 80. O homem gay narra as histórias de dois fil... Ler tudoAdaptação do musical de palco baseado no romance sobre um homem gay e um prisioneiro político que dividem uma cela na prisão argentina nos anos 80. O homem gay narra as histórias de dois filmes falsos e de sua própria vida.Adaptação do musical de palco baseado no romance sobre um homem gay e um prisioneiro político que dividem uma cela na prisão argentina nos anos 80. O homem gay narra as histórias de dois filmes falsos e de sua própria vida.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Gayle Artino
- Villager
- (não creditado)
Alicia Benavides
- Villager
- (não creditado)
Matthew Boyce
- Villager
- (não creditado)
Kevin Michael Brennan
- Shady Mocambo Man
- (não creditado)
Thomas Canestraro
- Desiderio's henchman
- (não creditado)
Debra Cardona
- Singing Villager
- (não creditado)
Valentina Castellano
- Villager
- (não creditado)
Noah Davidson
- Villager
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
... such are the eyes through which we see the world nowadays. Nonetheless, a story of two people catching each other in their own webs and becoming more than just cellmates. Superbly acted and directed, if not a little dated.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
Watched at the 2025 Sundance Film Festival.
The original "Kiss of the Spider Woman" from 1985 is pretty good, while it does have it's fault, it's an ambitious tale of romance, politics, and meta-fiction. Based on the musical version of "Kiss of the Spider Woman", this adaptation is a mixed bag for me. I appreciate several aspects as the camerawork, the production designs, and a new direction approach from Bill Condon does offer a grand and new upscale vision of the source material. Orchestrated with some interesting musical numbers and score compositions throughout.
The performances are mostly solid as they are able to offer their emotions and attachments. What makes this not fully work is due to it's narrative being uneven with how it wants to approach it's themes and the characters, unlike the original movie (yes, I understand it is based on the musical adaptation and it's different), felt lacking with any emotional connections. Condon direction seems to struggle with certain aspects that don't feel fully balanced and ends up feeling more unstable and unmemorable.
Despite good musical score, some of the musical lyrics don't really hit a punch. Many aspects are too recapture the period times of musical eras and while I do appreciate the new approach, it doesn't feel memorable and at times, feels repetitive. Alongside with some strange dialogue choices that felt out of place.
Overall, I am left with more mixed feelings as I do love the atmosphere and the new direction it takes, but it's uneven narrative and lack of emotional connection doesn't work for me.
The original "Kiss of the Spider Woman" from 1985 is pretty good, while it does have it's fault, it's an ambitious tale of romance, politics, and meta-fiction. Based on the musical version of "Kiss of the Spider Woman", this adaptation is a mixed bag for me. I appreciate several aspects as the camerawork, the production designs, and a new direction approach from Bill Condon does offer a grand and new upscale vision of the source material. Orchestrated with some interesting musical numbers and score compositions throughout.
The performances are mostly solid as they are able to offer their emotions and attachments. What makes this not fully work is due to it's narrative being uneven with how it wants to approach it's themes and the characters, unlike the original movie (yes, I understand it is based on the musical adaptation and it's different), felt lacking with any emotional connections. Condon direction seems to struggle with certain aspects that don't feel fully balanced and ends up feeling more unstable and unmemorable.
Despite good musical score, some of the musical lyrics don't really hit a punch. Many aspects are too recapture the period times of musical eras and while I do appreciate the new approach, it doesn't feel memorable and at times, feels repetitive. Alongside with some strange dialogue choices that felt out of place.
Overall, I am left with more mixed feelings as I do love the atmosphere and the new direction it takes, but it's uneven narrative and lack of emotional connection doesn't work for me.
Anyone that thinks this movie can be compared to the masterpiece that JULIA' was part of is looking at the world through a lens that is twisted. The fact that anyone can associate the value of someones character with the WAY they have sex is sick on a new level of shallow! I have 1 TRANS child and a WIFE that is BISEXUAL. I would never judge any of my family members based on skin color, religious beliefs, or who they do or do not have sex with. Judging someone on ANY other level, outside of the way they treat other people is just another form of bigotry and dressing it up as anything else is only pretending to value people when you are really passing judgment on them. Stating that you love someone for being gay or trans or black or white or brown is NO DIFFERENT than hating them for it. Using sex or skin to pass judgment on ANYONE, good or bad is just showing a mental illness that the person judging should really get help with. People should be decent for the sake of decency, not assume they are good or bad for any other reason! This society is spinning down a dark dark hole and calling it elevation. Putting new labels on something does not change what that something is. WAKE UP!!
I just got out of the premier here in the Sundance Film Festival, the movie was one of the best that I've ever seen. I have seen all JLo´s movies and thsi one is incredible, her talent, her acting and musical skills are other level. Also Luna was incredible even if he is not a singer and dancer, he gave his best in this movie. Tonatiuh was incredible is the first time that I am seeing him in action and WOW!
The film is a mix between Chicago musical and other kind of amazing musicals, the soundtracks and the dances were incredible, the whole theater was screaming for JLo and Luna scene.
But at the end of the day I think that is the first time that Jennifer Lopez will get her oscar nomination and probably she is going to win the Golden Globes. SHE WAS MORE THAN AMAZING!
The film is a mix between Chicago musical and other kind of amazing musicals, the soundtracks and the dances were incredible, the whole theater was screaming for JLo and Luna scene.
But at the end of the day I think that is the first time that Jennifer Lopez will get her oscar nomination and probably she is going to win the Golden Globes. SHE WAS MORE THAN AMAZING!
What a fantastic adaptation, great justice to the novel, the musical and the original film! Stellar costumes, direction and editing! Golden age of Hollywood level! Insane dancing from the cast and surprising vocal performance from Lopez (the best I've heard her sound). Diego Luna shines in a new light and. Tonatiuh Elizarraraz is a revelation! So thrilling to watch yet makes you think deeper for important questions in life. I would love to see this revived on Broadway! Can't wait for Condon's next projects! The room was packed and it received a standing ovation at the Sundance Film Festival! So grateful to be there, I hope it gets a wide proper release cause this can be a box office smash hit!
Você sabia?
- CuriosidadesJennifer Lopez portrays the lead female role that was originated by Sonia Braga in the 1985 film adaptation. Braga played Lopez's mother in Olhar de Anjo (2001) and Casamento Armado (2022), as well as appearing alongside her in Cidade do Silêncio (2007).
- ConexõesRemake of O Beijo da Mulher-Aranha (1985)
- Trilhas sonorasPrologue
performed by Jennifer Lopez
written by John Kander
written by Fred Ebb
produced by: Matt Sullivan
published by: Kander & Ebb, Inc.
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Kiss of the Spider Woman
- Locações de filme
- Kearny, Nova Jersey, EUA(10 Basin Studios)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração2 horas 8 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the Canadian French language plot outline for O Beijo da Mulher-Aranha (2025)?
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