Adaptação do musical de palco baseado no romance sobre um homem gay e um prisioneiro político que dividem uma cela na prisão argentina nos anos 80. O homem gay narra as histórias de dois fil... Ler tudoAdaptação do musical de palco baseado no romance sobre um homem gay e um prisioneiro político que dividem uma cela na prisão argentina nos anos 80. O homem gay narra as histórias de dois filmes falsos e de sua própria vida.Adaptação do musical de palco baseado no romance sobre um homem gay e um prisioneiro político que dividem uma cela na prisão argentina nos anos 80. O homem gay narra as histórias de dois filmes falsos e de sua própria vida.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Gayle Artino
- Villager
- (não creditado)
Alicia Benavides
- Villager
- (não creditado)
Matthew Boyce
- Villager
- (não creditado)
Kevin Michael Brennan
- Shady Mocambo Man
- (não creditado)
Thomas Canestraro
- Desiderio's henchman
- (não creditado)
Debra Cardona
- Singing Villager
- (não creditado)
Valentina Castellano
- Villager
- (não creditado)
Noah Davidson
- Villager
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
What a fantastic adaptation, great justice to the novel, the musical and the original film! Stellar costumes, direction and editing! Golden age of Hollywood level! Insane dancing from the cast and surprising vocal performance from Lopez (the best I've heard her sound). Diego Luna shines in a new light and. Tonatiuh Elizarraraz is a revelation! So thrilling to watch yet makes you think deeper for important questions in life. I would love to see this revived on Broadway! Can't wait for Condon's next projects! The room was packed and it received a standing ovation at the Sundance Film Festival! So grateful to be there, I hope it gets a wide proper release cause this can be a box office smash hit!
I'm intrigued that Bill Condon has chosen to remake "Kiss of the Spider Woman" as a musical. Based on a Manuel Puig novel, the story focuses on two men imprisoned under Brazil's 1970s military dictatorship: Valentin, a leftist suspected of seeking to overthrow the junta, and Molina, a gay man held because of his sexuality. The narrative contrasts the characters shared plight with their sharply opposed attitudes toward power, and with the evolving hopes and stories that keep them going. Director Eduardo Barreto's 1985 adaptation garnered high praise, as did stars William Hurt, Raul Julia, and Sonia Braga. The film is a harrowing exploration of oppression which subtly pressed 1980s Western audiences about the brutal authoritarian regimes our governments backed for the sake of anticommunism, about the marginalization of both egalitarian politics and gay people throughout the world. Yet, the cellmates aren't given a free pass: They waver between selfishness and solidarity. Just when you think you've figured them out, they take a turn. Forty years later, the story seems roughly the same, but our context has changed. Today, Condon's KOTSW remake is being released into a U. S. A. That's taking its own authoritarian turn. The government isn't a military dictatorship, but the president rules by decree, defies the courts, disappears thousands of civilians daily to prison camps, and floods the streets with troops at the slightest pretext. Fittingly, Andor star Diego Luna takes over Raul Julia's role as the revolutionary Valentin.
I'm going to have to say this wasn't what I hoped it would be. Although I appreciate to forge your own path like Condon did with this, he just got lost. The performances from both the main characters were good. But Jennifer Lopez was just ok for me, as usual. There's so much attention that goes to her with every project she does and that it robs the other true talent of their spotlight. I'm hoping this doesn't happen here because it will ruin the whole story for so many musical fans. I believe using another less known actress would have better suited the Ingrid Luna character. I give it a generous 6/10.
... such are the eyes through which we see the world nowadays. Nonetheless, a story of two people catching each other in their own webs and becoming more than just cellmates. Superbly acted and directed, if not a little dated.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
Just got out of the first screening for this film at Sundance 2025. I am beyond blown away, the film is such a beautiful rendition of a familiar story, the cinemetography is so grand and upscale and are matched by grand and terrific performances by the films cast but the real start of this film of course is Jennifer Lopez. The choreography, the singing and the character work here is splended. I anticipate this will very likely garner her a 3rd Golden Globe nomination (Hopefully Win!) and hopefully her first Oscar Nomination. After the tumultuous and very forced hate train of last year (Which was clearly orchestrated and manufactured) Jennifer Lopez deserves to have the praise she will without a doubt receive from this role. Bravo!
Você sabia?
- CuriosidadesJennifer Lopez portrays the lead female role that was originated by Sonia Braga in the 1985 film adaptation. Braga played Lopez's mother in Olhar de Anjo (2001) and Casamento Armado (2022), as well as appearing alongside her in Cidade do Silêncio (2007).
- ConexõesRemake of O Beijo da Mulher-Aranha (1985)
- Trilhas sonorasPrologue
performed by Jennifer Lopez
written by John Kander
written by Fred Ebb
produced by: Matt Sullivan
published by: Kander & Ebb, Inc.
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Kiss of the Spider Woman
- Locações de filme
- Kearny, Nova Jersey, EUA(10 Basin Studios)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 2 h 8 min(128 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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