Uma mulher suspeita que seu marido a está traindo e se arrisca a ter seu próprio caso, antes de descobrir a verdadeira e obscura vida secreta do marido.Uma mulher suspeita que seu marido a está traindo e se arrisca a ter seu próprio caso, antes de descobrir a verdadeira e obscura vida secreta do marido.Uma mulher suspeita que seu marido a está traindo e se arrisca a ter seu próprio caso, antes de descobrir a verdadeira e obscura vida secreta do marido.
- Prêmios
- 1 vitória e 1 indicação no total
Heather Marie Olsen
- Windmill Cafe Waitress
- (as Heather Olsen)
Avaliações em destaque
Reading the reviews I wasn't expecting much but Holland was a worthwhile watch for the acting. All three leads did a great job. I was particularly impressed with Matthew Macfadyen who got the accent perfect and was as typically cheery as you'd expect his character to be. As a Michigander I appreciated the local references though the commuter train was comically inaccurate. All the main characters are flawed which makes it an interesting watch from a human nature perspective.
It does end rather upbruptly and the viewer has to make some large assumptions about what happens next.
But the plot is intriguing and it covers ground rarely seen in the world of movie plots, so I'd say it's worth a look.
It does end rather upbruptly and the viewer has to make some large assumptions about what happens next.
But the plot is intriguing and it covers ground rarely seen in the world of movie plots, so I'd say it's worth a look.
I read the original Black List script for this film years ago. It was cool, and the concept was a unique one for sure. But the director just didn't pull it off this time. No offense to Mimi Cave, I'm sure this was just the wrong material for her, but I've *heard* that, even though she's not credited as a writer, she got in there and messed around the with the very script that made this potentially special. Of course it coulda been the producers meddling in places they shouldn't have...who knows, I wasn't there. But it definitely, like so many other films, at least brings up the point that directors should sometimes just let themselves be directors. You don't HAVE to be a writer/director, but I'm sure the problem is that it's an ego thing, and that directors proclaim that they can write, just because they're creative in other ways... But I hope more directors will follow Scorcese, Spielberg, etc etc and stick to what they're good at and let the writers handle the writing/story/characters.
Nicole Kidman's back - relentless, polished, always just a little haunted. At this point, she's less of an actress and more of a presence. You don't stumble upon her work; it finds you. And when you add Matthew Macfadyen - yes, that Mr. Wamsgams - it starts to feel like a can't-miss setup. Two heavyweights, one glossy thriller, and the promise of a slow unravel.
"Holland" opens strong. A sense of dread humming beneath its surface, the kind of menace that hides behind manicured lawns and calm morning coffees. It echoes "Nightbitch" - Amy Adams's descent into the quiet madness of domestic life - the same themes of women simmering in boredom, choking on the sterile routines they've been sold.
But then it slips.
What could've been sharp and unsettling buckles under the weight of its own ambition. The twist - if you can call it that - lands with a thud. Not clever. Not earned. Just... tired. And what followed, in those last 10, maybe 15 minutes? A mess. The kind that doesn't just spoil the end - it undoes everything that came before.
A wasted potential. And in a story like this, that's the real crime.
"Holland" opens strong. A sense of dread humming beneath its surface, the kind of menace that hides behind manicured lawns and calm morning coffees. It echoes "Nightbitch" - Amy Adams's descent into the quiet madness of domestic life - the same themes of women simmering in boredom, choking on the sterile routines they've been sold.
But then it slips.
What could've been sharp and unsettling buckles under the weight of its own ambition. The twist - if you can call it that - lands with a thud. Not clever. Not earned. Just... tired. And what followed, in those last 10, maybe 15 minutes? A mess. The kind that doesn't just spoil the end - it undoes everything that came before.
A wasted potential. And in a story like this, that's the real crime.
When - 1:35 PM
Where - Amazon Prime
With Who - Myself
First Thoughts - I'll be honest, I've gone back and forth on whether or not to review this movie. This is because I actually worked on it as a Production Assistant for 17 days of filming. Right off the bat, I want to make it clear that my rating and issues with the overall movie has nothing to do with the amount of effort the entire cast and crew put into it. We worked our tails off to make this film happen, and I'm just happy that it's finally out.
That being said, frankly, this isn't a good movie at all. Even during production it was hard to nail down exactly what the story was and what even the point of it was. Now having seen the finished product, it's clear that the higher ups weren't sure either. This film didn't know what it wanted to be, bouncing between the psychological thriller, drama, erotic thriller like a pinball. The actors, all of whom are talented, did the best they could with what they were given. It's clear though that the script needed a few more passes before being pushed into production. A lot of it came across as over explaining and stunted, it didn't really flow naturally.
The cinematography was solid, Pawel Pogorzelski showcasing his talented eye as always. But the editing felt very off with abrasive cuts and odd choices of shots used that felt as though they were trying too hard to be unique.
Another thing story-wise that frustrated me were choices made by the characters, particularly those made by Nancy Vandergroot. The decisions she makes as the main protagonist are not warranted or justified at all. Sure they pay off in the very end, but they make zero sense when she makes the actual choice. This leaves her feeling erratic and paranoid, making it really difficult to root for her character.
Overall, while I'm proud of the work the entire crew and I did here, that hard work simply didn't come across in the final product.
Full Review to follow.
First Thoughts - I'll be honest, I've gone back and forth on whether or not to review this movie. This is because I actually worked on it as a Production Assistant for 17 days of filming. Right off the bat, I want to make it clear that my rating and issues with the overall movie has nothing to do with the amount of effort the entire cast and crew put into it. We worked our tails off to make this film happen, and I'm just happy that it's finally out.
That being said, frankly, this isn't a good movie at all. Even during production it was hard to nail down exactly what the story was and what even the point of it was. Now having seen the finished product, it's clear that the higher ups weren't sure either. This film didn't know what it wanted to be, bouncing between the psychological thriller, drama, erotic thriller like a pinball. The actors, all of whom are talented, did the best they could with what they were given. It's clear though that the script needed a few more passes before being pushed into production. A lot of it came across as over explaining and stunted, it didn't really flow naturally.
The cinematography was solid, Pawel Pogorzelski showcasing his talented eye as always. But the editing felt very off with abrasive cuts and odd choices of shots used that felt as though they were trying too hard to be unique.
Another thing story-wise that frustrated me were choices made by the characters, particularly those made by Nancy Vandergroot. The decisions she makes as the main protagonist are not warranted or justified at all. Sure they pay off in the very end, but they make zero sense when she makes the actual choice. This leaves her feeling erratic and paranoid, making it really difficult to root for her character.
Overall, while I'm proud of the work the entire crew and I did here, that hard work simply didn't come across in the final product.
Full Review to follow.
During the first hour everything was normal, but then the story picked up and I was hooked. Exceptional performance by Matthew Macfadyen especially. Love everything he does. An incredible actor.
Nicole was fantastic. I throughly enjoyed the movie.
Went in with low expectation, came out smiling.
I really enjoyed not knowing where the story was taking me. Very light and comedic tones for most of the film and then it takes a sharp turn with horror elements. Needless to say, I had a fun time with this.
One of those films where by the twist at the end, and thereby the conclusion, I said to myself, "Is that really it?"
Nicole was fantastic. I throughly enjoyed the movie.
Went in with low expectation, came out smiling.
I really enjoyed not knowing where the story was taking me. Very light and comedic tones for most of the film and then it takes a sharp turn with horror elements. Needless to say, I had a fun time with this.
One of those films where by the twist at the end, and thereby the conclusion, I said to myself, "Is that really it?"
Você sabia?
- CuriosidadesMost of the scenes were not actually shot in Holland, Michigan. However, the scene at the windmill was shot at Windmill Island in downtown Holland, which coincidentally is located right next to the Holland Amtrak station.
- Erros de gravaçãoWhen the husband falls off the dock and it splashes hard, the next seen panned out, the water is visibly undisturbed.
- Cenas durante ou pós-créditosDuring the opening MGM logo, the roar of Leo the Lion, the studio's mascot, is silenced.
Principais escolhas
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- How long is Holland?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Welcome to Holland
- Locações de filme
- Nashville, Tennessee, EUA(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 50 min(110 min)
- Cor
- Proporção
- 2.39 : 1
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