Sob Pressão

This movie is not terrible, it's empty. It is a low budget one, where not much happens and the little that happens is stretched into an hour and a half of length.

It seems more a movie for television then for the cinema. You do not enter into the role of any character and there are no major twists and is also fairly predictable. With a little more development it would be more interesting.

However, while not completely boring and while having a minimum of (uninteresting) suspense, I can not recommend it, unless you've just nothing else to see.

The real nice thing to watch here is the movie poster.

5/10

I thought the movie was better then some of the reviews on IMDb make you think. Okay it might be boring for someone who expect to see a lot of action and a lot of different locations but the story is about men trapped in a small pod underneath the ocean so you can't expect anymore then that. To me it's all about the suspense that you get by watching their desperation and the way they try to find a solution to get them out of this very bad situation. And the least you can say is that they acted well. I could feel the claustrophobia, the anguish and despair. There's absolutely no way I would ever put a foot in one of those pods. So to me it was a better movie then I expected. It might not be the greatest in this genre but it certainly did the job to keep me entertained on a lazy Sunday afternoon.

"Pressure" concerns a group of men (Danny Huston, Matthew Goode, Joe Cole, and Ian Pirie), who are submerged in the depths of the Indian Ocean in a small submarine to replace an oil pipeline. However, once their submarine malfunctions, the crew are separated from their base and stuck in the deep waters with no connection to their base and oxygen levels running dangerously low. To survive, the men must conserve their energy and their air in hopes that a rescue team hasn't completely abandoned them in the ocean.

"Pressure" is one of the first films in quite sometime to have the gall to take place in one setting, effectively trapping the audience, much like the characters, in a tight, claustrophobic space, giving the audience the feeling of helplessness and peril. The great thing about these films is they open rely on tension and character development being that the setting isn't changing, so new environments and interactions aren't always being set up. The downside to this, however, is that when films to choose to focus on stunted dialog and lax character development, these films generally begin to become uninteresting.

Such a thing happens with "Pressure;" we have four characters, two of which played by veteran actors, and not a shred of human interest to be found. The characters predominately speak in stunted expressions about wanting to be rescued or argue amongst themselves, and when we do begin to learn about their own personal histories, there's little in the way of conversational realism to attach us.

The film does feature some very nice effects work, specifically on the water and the atmosphere engulfing the ship. The waters are a lighter indigo-color, murky and unrelenting, and scenes when some of the men venture out of the submarine in attempt to swim to shore really exploit the capable effects work in this film. Director Ron Scalpello also manages to create some discernible intensity with the film by having medium-length, extreme close-ups on the faces of the trapped men inside the submarine. While "Pressure" make lack narratively, and have little to grip one in terms of human interest, there's at least a commendable focus on the aesthetics in an attempt to try and create a tense setting.

Above all, however, the real bother is a serious lack of any character to root for or invest in, which makes "Pressure"'s slender runtime of eighty-eight minutes rather grueling to sit through. The characters are almost entirely vapid, the tension is sporadic and sometimes wholly ineffective, the pace finds itself simultaneously working in a slowburn and a slam-bang manner, and the overall impact is middling to say the least.

It's not a masterpiece, and it is contrived, but it's a fairly good. Cole is probably the most compelling character, but all the guys are pretty good.

This picture suffers quite a lot by the continual confusion about, well, pressure. Cole's hair gell explodes under increasing pressure, and later he has a dental embolism under increasing pressure... sorry, I thought Lew Grade was long in the box- they're both backward.

This was not a movie I was really interested in seeing. Four guys trapped in a submersible bell vehicle during a storm. Sounded like it would be boring. In truth, it wasn't the type of genre I'm interested in. However, they did a very good job.

The acting was awesome, and it seemed realistic as to how people would behave in such a situation. The production value was good, as was the cinematography. It didn't look cheap or CGI to death. The movie did tend to have a claustrophobic feel, as a real life situation would.

There is nudity. The young man is dreaming or having a hallucination, and a girl swims up to him, and she's totally naked, and you see everything.

I recommend this movie. I gave it a 7-star rating. I doubt I'll watch it again, but it was surprising that they did such a good job on the movie.