Hmmm. Time, I think, for the team behind this Scandal series to move on. It's clear now that they're never going to equal, much less top, the brilliance of A Very English Scandal, in which Hugh Grant and Ben Whishaw turned the Jeremy Thorpe story into a riotous and riveting frolic. The sequel - A Very British Scandal - was an undercooked and ultimately unsatisfying account of the sordid saga of the Duchess of Argyll. But there was every reason to expect a return to form with this account of the bottomless sleazefest that engulfed the Duke of York. Unfortunately, A Very Royal Scandal is even more timid and turgid than the Argyll affair. I can't help wondering if those involved just can't bring themselves to really go for it when the subject is royalty. It's interesting, by way of example, that both the Queen and Prince Charles are afforded a degree of dignity and immunity, in that they remain off screen throughout, their decisions and dictates delivered by envoys and fixers. Yet they are really as much a part of the story as the Duke of York, and they are engaged in an epic battle to save the monarchy from ruin. And if you can invent scenes and dialogue for Andy, Fergie, Bea and Eugenie, then why not Liz and Charles too? Letting them off the hook is the main reason this Royal Scandal looks continually lame. It is also poorly served by the casting. Michael Sheen gives what is in many ways a well judged and finely wrought performance as Andrew, but he still doesn't quite pull off the arrogance and the obliviousness. And Ruth Wilson is undone by an ill-judged and annoying vocal impression of Emily Maitliss, that somehow comes off as more like Fenella Fielding in Carry On Screaming. Claire Rushbrook is also a poor choice as Fergie, which even the director seems to acknowledge by shooting her mostly from behind, or in profile, or in soft focus at the edge of frame. There's enough schadenfreude.to keep it mildly interesting, but it never fully takes flight. Except maybe at the very end, when Randy Andy, shamed and banished, wonders what he's supposed to do now. Sir Edward Young, played by Alex Jennings, tells him: "live with the consequences of your actions". The preceding three hours could have done with a bit more of the same blunt honesty.
