O Crepúsculo do Pé Grande

Been looking forward to this for a while!

Definitely one of the most unique and among the most wierdest films i have ever watched in my life. And the wierd thing is that i can't describe it if its good (and actually in some ways artistic), serious or more like a parody comedy.

It's extremely well acted, must have been very difficult to act like this, but at the same time some scenes is way too much and makes it look like a parody. In some ways its primitive realistic and humorous as a follow up. The masks and make up is very well made.

I think its the first film ive watched where theres no spoken dialogue which makes is more realistic.

Filming is definitely very good.

Something uou havent ever seen before. Brings the concept of the mysterious Big Foots, to a whole new perspective and meaning.

It definitely has something i like, but more difficult to explain what it is.

Its not good, but it isn't bad.

I had a real hard time trying to figure out a score for this film, much less an overall impression of it. Frankly, you just don't see film like this any more.

I can understand if some audiences don't get it, mainly because it feels like the Star Wars Holiday Special on a severe drug bender. But once you peel away the Sasquatch mating rituals, birthing scene and other idiosyncrasies that make up this experience, you start to piece together the meaning the Zellner brothers were most likely seeking. They posit the reason why we don't see sasquatches is because they just don't exist anymore.

Like the last days of a failing empire, this very well might be the last Sasquatch family in the Pacific Northwest. Some people won't like the reasoning behind it, but it's the usual blame falling on deforestation and human infringement. I'm sure some might derive more meaning, but this is the base understanding I took away from this film.

Sasquatch Sunset is definitely not for everyone, but if you are a curious film goer, you might find something interesting in this bizarre and completely one of a kind movie. Just be ready for weird nature stuff....because I sure wasn't.

A "nature" film follows four Sasquatch living in their habitat. Going through the natural cycle of the seasons and mating season, they travel through the woods. As they migrate across the region, they sense a change, encounter strange things, and experience tragedy.

This movie is supposed to be a comedy, which may be appropriate if you are really into dark humor. However, the movie has no dialogue, which can cause your attention to drift. Quite a few WTF moments will make you laugh and take a moment. The movie's underlying premise is how humans affect the environment and natural habits. This movie is not for everyone, but it will impress you if you can get through it. Stream it for something different.

Almost uniquely odd, "Sasquatch Sunset" won't appeal to all. Jesse Eisenberg, Riley Keough, Christophe Zajac-Denek & Nathan Zellner (unrecognisable all under heavy & impressive prosthetics) are a family of sasquatch (aka bigfoot and/or yeti) seen roaming the Californian jungles over a year in the '80s. The screenplay (from David Zellner - who co-directed with brother Nathan) is divided into the four seasons, thru which the four forage, fish, re-produce, and curiously react to their surroundings. Having no narration it's not a mockumentary, but also with no dialogue (except grunts etc) it won't easily engage everyone, despite being interesting & relatively well made.

It's possible to see "Sasquatch Sunset" at an almost anthropological level, with four humanoid creatures in a series of scenes with them eating, fornicating, walking, defecating, sleeping, etc. That could be boring.

But start with the early scene of two of them chewing on grasses in an alpine meadow-- and think of it as breakfast. This is the start of their day. After that you're watching what their daily life is like, and it is familiar. Soon an interstitial title appears, "Spring," and the time scale has opened to a year. Eventually, you stop thinking about the timeline and start thinking about the fragility of existence.

There is no backstory, but the quartet is taken to be the last of their species-- and they know it. They have a signal to call for help: banging a fallen branch against a tree trunk in a series of four distinct sounds that echo through the forest. It tells us that they were once part of a clan, and a tribe, members of whom have died in the recent past. Perhaps there were five Sasquatch a year ago, or ten. Every death brings them closer to extinction, and every time their SOS isn't answered, it's a reminder that they are alone.

The movie is brilliantly structured, with credible costuming, able performances, and a score that pretty successfully mixes folk and New Age-y forms.

But my favorite parts have to do with the glimmers of intelligence and progress. We see nascent engineering skills when a log traps one of them. One member has the urge to count things, but without numbers he has trouble keeping track past two or three. At one point he holds a fossil or rock that petrified into rows of ripples, interrupted in the middle by a dark horizontal flaw. He begins counting down from the flaw, struggling to find a way to keep track, and you realize that someday he may notice there are ripples both above and below the flaw, which will require negative numbers.

But the best scene, by far, is when they happen upon a road in their forest. Do your brain a favor; see the movie.