Alappuzha Gymkhana

Alappuzha Gymkhana arrives like a surprise uppercut, smooth in its build-up and explosive in delivery. Director Khalid Rahman crafts a film that blends athletic grit with youthful charm, and the result is a surprisingly entertaining and stylish sports drama that packs in both punches and personality.

Let's start with the casting, absolutely on point. Every character feels like they belong to the world of Gymkhana. There's an authenticity in their performances, and it's crystal clear that the team put in serious off-screen effort, especially in the physically demanding sequences. And boy, does it pay off.

Lukman's entry is nothing short of electric. The pacing of the film suddenly shifts gears the moment he steps in, and from there, the boxing segments become the heartbeat of the movie. His scenes are pure class, intense, calculated, and incredibly engaging. Paired with the BGM that roars through every punch, dodge, and takedown, the boxing sequences achieve a cinematic high. It's no exaggeration to say that the background music is the soul of this movie, not just elevating scenes, but becoming a character in itself. Complete credits go to Vishnu for such an engaging score.

Ganapathi's character truly feels like the hero of the film. With his commanding presence and quiet strength, he anchors the story in a way that draws you in. Speaking of which, while the movie may lack typical "heroic highs" in the early half, Khalid masterfully saves that big punch for the climax, delivering exactly what the audience is waiting for. Though, fair warning, not all jokes land perfectly. A few flat moments break the rhythm, but they're fleeting and forgivable.

Another pleasant surprise is Anagha. She doesn't just appear - she steals the show. Her screen presence and flair light up the film. I just loved watching her moves on ring.

Interestingly, even though Naslen is a fan favorite, he isn't the main focus of the story. Instead, Khalid smartly uses him as the narrator, which brings a fresh touch to the film and allows more attention to be given to the whole group and the world of Gymkhana.

All in all, Alappuzha Gymkhana is a feel-good, festive treat with enough style, sound, and soul to make it one of the finest watches this vishu season. Whether you're here for the action, the style, or just a good cinematic experience, this one's definitely worth a watch.

Rating - 3.5/5

A well written and executed sports humour drama showing the struggles of teenage boys for building their life.

The plot of the story moves through the lives of few teenage boys who takes boxing as a medium to their college admissions and how boxing changes their outlook towards life forms the storyline.

Khalid Rahman has incorporated all the essential flavours to this movie for giving an entertaining experience to the viewers. The rapport among the boys and the families attitude with them were well portrayed by adding subtle humour elements in the screenplay. Khalid Rahman has kept the assurance alive among the audience expecting a good theatre experience. The boxing sequences and the mood set through the song Hatja was on point.

Naslen has given a natural performance in the movie as a boy next door. Ganapathi,Lukman,Franco,Sandeep,Baby Jean,Anagha Ravi & Shiva Hariharan also made convincing performances of their characters.

Jimshi Khalid has exceptionally shot the boxing sequences with Vishnu Vijay's music and BGM's elevating the vibe. Special mention to the editor Nishadh Yusuf(late) for giving a wholesome entertainer.

A good watchable fun entertainer and a go-to movie with family on this weekend.

Sometimes, the best cinematic experiences are the ones you least expect, and Alapuzzha Gymkhana is a prime example. Walking in with no expectations, I was immediately hooked; the film deftly pulls you from one scene to the next, maintaining a compelling rhythm throughout.

The boys' gang is a definite highlight, bringing genuine laughs with their excellent comic timing. Their camaraderie feels authentic and is a strong anchor for the movie's lighter moments. On the romantic front, while Jojo's attempts to flatter the girls were entertaining, I found myself unexpectedly rooting for him to end up with the one he initially refused to kiss, a testament to the subtle character development at play.

Surprisingly, given what I imagine might have been a modest budget, the boxing scenes are remarkably well executed. They carry a real punch and add an unexpected layer of grit to the narrative. The story itself gels seamlessly with the screenplay, ensuring a cohesive and enjoyable viewing experience, and each character, big or small, plays their part with conviction. Adding to the film's charm is a fantastic background score that perfectly complements the on-screen action and emotion.

This movie leaves you wanting more. I wouldn't be surprised if a second part is already in the works, and if it is, consider me eagerly waiting.

Initially, I was a bit disappointed that a Telugu dub wasn't available, finding only Malayalam and Tamil audio options. However, undeterred, I booked my ticket at Lulu Mall in Hyderabad, relying on my limited Malayalam knowledge. To my pleasant surprise, English subtitles were available, which I was very grateful for.

As for the movie itself, it offers a smooth and engaging screenplay filled with casual, relatable comedy, much like observing the everyday lives of teenagers. The addition of boxing as a central element was a fantastic choice. While I might have been okay with seeing untrained actors portray boxers, I was impressed to see that the entire cast was clearly well-trained in the sport, evident in their stances. Even Nelson's surprising six-pack added to the authenticity.

I particularly feel that Anagha Ravi deserves a full-fledged sports drama centered around boxing, a sentiment reinforced by the recently released video song.

The cinematography is truly outstanding. Capturing boxing scenes effectively is a challenging task with a high risk of failure, but the filmmakers absolutely nailed it. Some shots were reminiscent of Hollywood-level production, and I was particularly satisfied with the boxing visuals, especially after watching "Sarpatta."

Regarding the music, I enjoyed the trailer's background score and had already listened to three great songs on music streaming apps. The background music in the theater was also good, although I feel it would be best appreciated in a home theater setup or with quality earphones at home.

The screenplay is consistently smooth, and the story stands out for not being a typical, predictable boxing drama. This is where the movie's magic lies - it strikes a perfect balance, neither too intense nor too light.

I especially appreciated the climax. Just as I thought the movie was concluding, an interesting scene unfolded with a large group of boys, which I wasn't expecting. It was a great way to end the film.

Overall, this movie offers a refreshing and well-executed take on teenage life blended with the exciting world of boxing. It's definitely worth watching.

Boxing action choreography worked great. Excellent sound work to complement the action.

Naslen gave an outstanding performance.

Interesting scripting style. Director's movie - not an audience movie.

There is no specific story line as such. It is an experience. I was engaged pretty much all through the movie.

Boxing action brings in a lot of intensity but at the same time keeps a very safe distance from the ear clenching Marco. It is a pretty good balance. You can enjoy the violence without guilt.

Vishnu Vijay brings in some fresh music. The makers were just having fun. Cinematography, music, sound. There is no insight that the movie claims to lead the audience towards nor is there anything. However, in small scenes, there are interesting nuances that are conveyed.

It is a very bold movie - beating conventions. I am not sure if I enjoyed it as much as Thallumala. Soon after finishing Thallumala, I knew I would rewatch it. This one - I may.

Excellent performances from all the actors. Stylish. Vibe. Fun. Music.

It is experimental, and genuine.