Death Comes to Pemberley

Okay I know this is a piece of fan fiction, and I did enjoy it. It does keep you guessing til the end and it's worth watching. But....

When you use well known and loved characters from something as famous as Pride and Prejudice, they should at least stay faithful to their original characters. Which it does, mostly, but the portrayal of Elizabeth Bennett was just really off. She's supposed to be beautiful, witty and fun loving, whilst perceptive. In this she comes across as a plain, almost miserable woman. I did not like this portrayal at all and it did ruin it for me a bit.

Being a fan of PD James and Jane Austin I was looking forward to watching this show. It took a while to get past Elizabeth being totally out of character...at least from the stand point of Pride and Prejudice 1995 version. They dressed her down and made her look kind of dowdy and act miserable through most of the show. They didn't change the character of Darcy much--as my mother said, it looks like he has a toothache through most of the show. The colonel was also changed to be a rather secretive fellow, unlike his easy going character in P&P. The other characters seemed to mesh well with their original characters. If you have never seen Pride and Prejudice (1995 version) then you won't be disappointed. It is a good little English mystery.

Daniel Peacock's adaptation of P. D. James' reworking of PRIDE AND PREJUDICE offers a fascinating combination of styles and stylistics. It unfolds in the leisurely manner of most British television detective thrillers, taking care to sketch in the characters and define their relationship to one another. A murder occurs two-thirds of the way through the first episode, and the remainder of the time is spent outlining the series of hypotheses, assumptions (some mistaken), and clues that lead to the unmaking of the culprit. DEATH COMES TO PEMBERLEY also situates itself squarely in the heritage adaptation genre, with plenty of exterior shots of the Darcys' house (I counted twelve in episode one alone), augmented with moments of period 'realism' as various types of coach and horse arrive and depart from the front entrance. The cast comprises a series of star names calculated to appeal to different generations of television viewers; Jenna Coleman from EMMERDALE and DOCTOR WHO shares the screen with Trevor Eve (WAKING THE DEAD, SHOESTRING) and Penelope Keith (THE GOOD LIFE, TO THE MANOR BORN). The acting is competent without being out of the ordinary, although I do wonder whether the Lydia Bennet of Austen and James would have reacted with quite such ferocity to her husband's arrest. What gives this production is true fascination, however, is the way in which director Peacock deliberately references Simon Langton's PRIDE AND PREJUDICE (1995) throughout the mise-en-scene. This can be seen in the costume- designs (by Marianne Agertoft), as well as in the characterization: Elizabeth Bennet (Anna Maxwell Martin) communicates the same spirit of quiet determination embodied by Jennifer Ehle in the earlier production. She is also shot in much the same way, with the emphasis placed on her reactions to what happens around her. Her mother (Rebecca Front) seems completely oblivious to her offspring's feelings and shrilly complains of having had a fit should anything go wrong, in a performance inspired by Alison Steadman's reading in the earlier revival. Likewise her husband; James Fleet follows Benjamin Whitrow in maintaining a facade of polite loyalty to Mrs. Bennet, while searching for any opportunity to escape. The experience of watching DEATH COMES TO PEMBERLEY is a fascinating one, an exercise in identifying intertexts as well as understanding how adaptations are shaped as much by other adaptations as by their source-texts. Definitely worth watching.

So many bad reviews that I'm surprised I watched it at all. I agree it was lacking in the costume department. Elizabeth seemed to wear the same dress or nearly the same one daily. A woman of her means should have better clothing. It also lacked in staff housing. No footman, not butler, not lady's maid. They're should have been a chef and a maid for the chef. All those maids in the kitchen should have been busy I'm the house. It wasn't true to the time. That aside I rather enjoyed it. I'm a sucker for period pieces. I loved seeing it all play out. I wanted more when it was all said and done.

This would have been a good series if it had not appropriated Jane Austen's characters and settings. I was surprised at the casting of Darcy and Elizabeth, who were both dour and unattractive. The plot was interesting, but rather than being an homage to "Pride And Prejudice", which, like "Gone with the Wind", should remain intact and untouched by those with less imagination. The production was excellent, with beautiful costumes and sets, as always for British period dramas, but the leads playing the Darcy's were too old. Elizabeth looked like a worn out servant of at least 45, when Elizabeth Bennet would have been 27 at most, with wit and sparkle. They could not rise to the performances of Colin Firth and Jennifer Ehle, who will always be the only Darcy and Lizzy. And why is the beautiful Georgiana so much taller than her own brother, who looks nothing like her? The mystery was a competent one and the performances of the supporting actors well done. But it does no justice to Jane Austen. This series would have been much improved as a period murder mystery with completely fresh characters.