Ten Hours
- 2025
- 1 h 58 min
AVALIAÇÃO DA IMDb
5,8/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA bus murder investigation unfolds, revealing possible scenarios and suspects. As everyone undergoes questioning, hidden layers of the case begin to surface.A bus murder investigation unfolds, revealing possible scenarios and suspects. As everyone undergoes questioning, hidden layers of the case begin to surface.A bus murder investigation unfolds, revealing possible scenarios and suspects. As everyone undergoes questioning, hidden layers of the case begin to surface.
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Avaliações em destaque
I had to click the movie shut (love technology, would have cost me time and money if I was going to see this in a movie theater) in the opening scene itself after 2 minutes where the main character police person is shown beating brutally to half death some accused, with a cricket bat that is broken from the beating and dripping with blood.
Same old, same old, slave mentality movie writers that accept / condone / help propagate police brutality by Indian police.
The irony is that in the audio narration leading up to the opening scene, this police guy is said to have solved a previous hard to solve case by employing proper investigation techniques. Now when they open the scene for him he is shown quite the opposite, an inept and cruel scoundrel that has to beat half to death to extract a confession because he could not solve a case by working it in legal and by-the-book ways.
Same old, same old, slave mentality movie writers that accept / condone / help propagate police brutality by Indian police.
The irony is that in the audio narration leading up to the opening scene, this police guy is said to have solved a previous hard to solve case by employing proper investigation techniques. Now when they open the scene for him he is shown quite the opposite, an inept and cruel scoundrel that has to beat half to death to extract a confession because he could not solve a case by working it in legal and by-the-book ways.
10 Hours is a taut and engaging Tamil thriller that unfolds in real-time, gripping the audience with its relentless pacing and focused storytelling. The screenplay stays sharp and streamlined, avoiding any distractions while steadily building tension as time runs out.
The actors deliver convincingly understated performances, which enhances the film's sense of realism. What really sets it apart is its ability to sustain suspense without relying on over-the-top background scores or melodramatic twists. It's a smart, restrained thriller that treats its audience with respect. While the modest budget is apparent, the strong narrative and execution more than compensate. A must-watch for those who enjoy tight, fast-moving thrillers.
The actors deliver convincingly understated performances, which enhances the film's sense of realism. What really sets it apart is its ability to sustain suspense without relying on over-the-top background scores or melodramatic twists. It's a smart, restrained thriller that treats its audience with respect. While the modest budget is apparent, the strong narrative and execution more than compensate. A must-watch for those who enjoy tight, fast-moving thrillers.
Ten Hours is a compelling Tamil-language thriller that keeps viewers on the edge of their seats. Directed by Ilayaraja Kaliyaperumal, the film follows Inspector Castro, portrayed by Sibi Sathyaraj, as he unravels a complex murder mystery aboard an overnight bus journey from Chennai to Coimbatore.
The narrative unfolds over a tight ten-hour window, adding urgency and intensity to the investigation. Sibi Sathyaraj delivers a commendable performance, capturing the determination and grit of a seasoned investigator. The supporting cast, including Gajaraj and Raj Aiyyappa, contribute effectively to the film's immersive atmosphere.
Cinematographer Jai Karthik's visuals enhance the suspense, while KS Sundaramoorthy's score underscores the film's tension. The screenplay maintains a brisk pace, weaving through multiple suspects and red herrings, keeping the audience guessing until the final reveal.
While some plot elements may feel familiar to genre enthusiasts, Ten Hours stands out for its focused storytelling and strong performances. It's a well-executed thriller that offers a satisfying cinematic experience for fans of crime dramas.
The narrative unfolds over a tight ten-hour window, adding urgency and intensity to the investigation. Sibi Sathyaraj delivers a commendable performance, capturing the determination and grit of a seasoned investigator. The supporting cast, including Gajaraj and Raj Aiyyappa, contribute effectively to the film's immersive atmosphere.
Cinematographer Jai Karthik's visuals enhance the suspense, while KS Sundaramoorthy's score underscores the film's tension. The screenplay maintains a brisk pace, weaving through multiple suspects and red herrings, keeping the audience guessing until the final reveal.
While some plot elements may feel familiar to genre enthusiasts, Ten Hours stands out for its focused storytelling and strong performances. It's a well-executed thriller that offers a satisfying cinematic experience for fans of crime dramas.
The screenplay was one of the weakest aspects of the film, and it played a major role in ruining the overall viewing experience. The plot lacked originality and felt disjointed, with scenes that didn't flow naturally from one to the next. Character motivations were either unclear or completely inconsistent, making it hard for the audience to connect with or care about what was happening.
Key story arcs were either underdeveloped or abruptly abandoned, which left many loose ends and unanswered questions. The dialogues were uninspired and often felt forced or unnatural, lacking emotional depth or wit. As a result, even the talented cast struggled to bring their roles to life.
Additionally, the pacing was uneven-some parts dragged on unnecessarily, while others rushed through critical moments without proper buildup or resolution. Instead of drawing the audience in, the screenplay created a disconnect, making it difficult to stay emotionally invested in the story.
In the end, despite the film's potential-whether in terms of visuals, performances, or concept-the weak screenplay overshadowed everything else. It not only failed to engage but actively detracted from what could have been a compelling cinematic experience."
Key story arcs were either underdeveloped or abruptly abandoned, which left many loose ends and unanswered questions. The dialogues were uninspired and often felt forced or unnatural, lacking emotional depth or wit. As a result, even the talented cast struggled to bring their roles to life.
Additionally, the pacing was uneven-some parts dragged on unnecessarily, while others rushed through critical moments without proper buildup or resolution. Instead of drawing the audience in, the screenplay created a disconnect, making it difficult to stay emotionally invested in the story.
In the end, despite the film's potential-whether in terms of visuals, performances, or concept-the weak screenplay overshadowed everything else. It not only failed to engage but actively detracted from what could have been a compelling cinematic experience."
The movie is so good it was full of suspense. The second half was so thrilling to find out the killer and the murderers. The actors role fitted perfectly to the storyline. No disturbances was in this movie such as romantic and love. This movie is full of mysteries to find out the criminals. The bgm and background sound was so good. The screenplay, bgm, editing all deserves more. All those cuts in the movie was perfectly matched and never let the audience find out the criminals. Kollywood actors did their best part. Even some silly jokes were in the movie. Some malaysian actors also have done their best part in this movie( Uthaya Raaga). The climax was so good that we cant even know the murderer till they expose.
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 58 min(118 min)
- Cor
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