Carga Explosiva: O Legado

Ed Skrein doesn't hold a candle to Jason Statham in this role, try though he might. The actual plot is not too bad, with I wouldn't say twists and turns, but maybe the odd curved ball, to keep the viewer interested. Many of the stunts are pretty good. Some of the acting, though, is atrocious.

It's sad to see this movie flop this bad, really. It really had the huge risk of at least deliver something equivalent of the original trilogy. But doing this movie without any of the previous trilogy's creative minds is really a big mistake. The people behind the creative process for this movie clearly didn't know what they were doing. They only tried so hard to recreate the Jason Statham's Frank Martin persona with the mannerisms and the unique fight sequences. But in doing so they really pitted Ed Skrein with the old Jason Statham performance, on which everyone can really choose who's the winner. Not having Jason Statham is by itself a big burden due to Ed Skrein still fails to live up to the Statham persona. The story also seems very flat, nothing new or unpredictable is being offered by this movie. And the biggest sin is the editing.there are so many editing mistakes that takes away the fun in watching the action scenes. The acting overall is so bad that I don't deign to write about each actors' performances.

The Good: Exciting car chase sequences, eventhough it sort of mimics the Fast Furious series. Ray Stevenson's Frank Martin Sr. steals the show. The Not-so-Good: Ed Skrein doesn't exudes the charm of Jason Statham's, which is one of the signature of the series. Thus he couldn't carry the movie on his own. Some of the fight sequences feel stilted and not as smooth as Transporter series' trademark. No chemistry between Frank and Anna, thus the feeling between them isn't too believable. Once again, Russian are stereotyped as bad guys.

While Jason Statham might not possess incredible acting, he's a great fit for Transporter. He looks suave and confident, more importantly he looks capable in action sequences. Ed Skrein only amounts to carbon copy lookalike with accent.

Considering it's now stuck with poorly edited choreography for the scuffle, there's barely a trail of usual high octane ride. However, the worst offender is the awful script, bordering on cheap fantasy or softcore porn, the fact that it quotes The Three Musketeers so often is a literature travesty.

A group of prostitutes concocts a ridiculously intricate plan to topple their mafia boss. The Transporter is caught up in the struggle and forced to help them. Story relies on blind luck, coincidences, characters' stupidity and baseless arbitrary events. In other words, it's a complete and utter mess. Forget coherency or plausibility, the movie plays by its own faulty logic.

Unfortunately, the usual captivating fights or engaging chases are nowhere to be found. The movie opts for terrible editing and epileptic camera work instead. It's actually sad that the quirky yet brutal fighting scenes are replaced with such poor production. At the very least previous Transporters' fight is over-the-top fun, this is just confusingly bland.

Script is so awful, almost everything they say sound like 80's macho gibberish, one-liner from porn parody or silly used car commercial. I've high tolerance for cheesy lines, but when the characters literally pose for camera every five minutes to utter these insanely ludicrous lines, it's not even funny anymore.

Like before, Transporter must have damsel-in-distress, now it thinks a group of these attractive ladies would replace narrative. Audience might get juvenile guilty pleasure from the these blond short bob misses with minimal dress or a couple of nifty chases, but these gimmicks are shallow and the best they could do is slightly boost the movie rating if one is generous enough in reviewing it.

With the amount of plot holes and poor choreography it must go through, the end product is unrecognizable wreckage.

The new Transporter, who comes in the shape of Ed Skrein, has some big shoes to fill taking on a role that helped make Jason Statham a bona fide action star. I've only seen Skrein in one previous film, whilst I've seen nothing from director Camille Delamarre. But I'm certainly more familiar with Ray Stevenson, who plays the father of Frank Miller, a.k.a., The Transporter. In this regard, it's quite obvious that a Connery/Ford father- son dynamic has been sought, which gives the tiniest bit of personality to a film that falls completely flat from the onset and rarely picks up. The story is familiar -- the Transporter gets a job driving a package, the job goes wrong and he's in deep. It gets personal when his father is kidnapped, but with no grit on its wheels and Skrein trying in vain to create a new persona for this character, what it ultimately amounts to is flash cars, sexy girls, suits and stunts, but nothing more. Much like a glorified car advertisement.