A Meia-Irmã Feia

A twisted fairy tale where wanting to be beautiful causes the lead protagonist all types of pain. Elvira has lost all her marbles as she competes with her beautiful stepsister Agnes, and she will go to any length to catch the prince's eye. Good acting, and the movie kept me intrigued. The Director Emilie Blichfeldt kept the moving going, and the lead actress who played Elvira Lea Myren did an outstanding job. A Norweigan film, that I would definitely watch again. I felt Elviras pain, but greed, insecurity, and a mother's love got in the way. The comedy aspect had me laughing as well, I'll give it a 7 out of a 10.

I have deep respect for ideas and concepts like the ones featuring in "The Ugly Stepsister". The totally bonkers reimagining of a classic fairytale like "Cinderella", told mainly from the perspective of the hateful stepsister, is pure genius and utmost creative. In fact, I'm even slightly frustrated that I can never come up with simple but brilliant ideas like that! Who thought it up, then? Well, the Norwegian writer/director Emilie Blichfeldt did, and she created a lot more than just an entertaining slice of trash cinema... Blichfeldt made a harsh but socially relevant statement, a brutal upgrade of body-horror, and a hilarious black comedy. All in one.

It may not seem obvious, but "The Ugly Stepsister" has quite a lot in common with Coralie Fargeat's "The Substance"; which is hands down THE best horror movie of the 2020s. Both films were made by strong and professional women, and they both star anti-heroines doing everything - literally everything - to answer to the highest possible beauty standards. Both of the heroines also desire to look young/beautiful not for themselves, but to still matter in the society they are part of. And, of course, their desperate obsession with beauty has terrible consequences for both of them.

Let's not over-analyze, though, as "the Ugly Stepsister" is first and foremost a tremendously entertaining combo of genres. Blichfeld fluently blends period costume piece, comedy, horror, and even a little bit of drama. The carefree life of Rebekka and her daughters Elvira and Alma rudely comes to an end when her rich second husband literally drops dead on the diner table. Their only hope for wealth and luxury would be that Prince Charming chooses the oldest daughter Elvira as his bride, but there's one little problem. With her giant braces, crooked nose, excessively natural curves, and ring-curling hair, Elvira does not immediately meet the beauty standards. Will Rebekka succeed to make her own daughter prettier in time for the Royal Ball, AND to keep the amazingly beautiful daughter Agnes - a.k.a. Cinderella - locked away in the stables?

I truly loved how old-fashioned narratives and outdated clichés from the old Disney story have faded, and even disappeared. The stepsister is no longer an arrogant and evil wench but a very insecure and introverted girl. Cinderella, on the other hand, is not such an innocent angel anymore. She is quite rude to Elvira, and she likes premarital sex with the stable boy while she introduces herself as a virgin to the Prince a little while later. Fortunately, some fixed values from the (original) story are also retained. You won't see it in the Disney version, but here as well the stepdaughter cuts off her toes to fit the shoe. The film is of course far from perfect. Many parts of the script seem underdeveloped, which creates loose ends as well as a very large number of illogical situations and inexplicable plot twists. However, these are only details, because Blichfeldt has created a refreshing and solid long-feature debut film, and I hope to see more of her soon.

I have consistently held a profound admiration for ideas and concepts that appear straightforward at first, yet upon deeper investigation, uncover a fascinating and profound complexity. Similar to the themes and notions presented in this film, which impressed me with its visual artistry, although some scenes are daring, these are typical in Scandinavian films, so this detail shouldn't catch you off guard. Reimagining a timeless fairy tale like "Cinderella" from the point of the spiteful, unattractive stepsister is sheer brilliance and a remarkable masterpiece. This concept might appear straightforward to certain individuals, yet in truth, it is truly brilliant. In this case, "Agnes," or more accurately "Cinderella," is no longer the naive angel we recognize. She treats her stepsister (Elvira) quite harshly and delights in premarital relations with the stable boy, while presenting herself as a virgin to the prince soon after. In addition to the classic tales and long-standing stereotypes from traditional Disney stories, the stepsister is now depicted not as a haughty, wicked girl, but instead as a shy, uncertain girl, even about her own self.

This creative advancement, along with numerous others, certainly enhanced the film's artistic richness and set it apart from other popular films with similar narratives. Certainly, the originator of this nightmarish concept is the imaginative Norwegian author and filmmaker, Emilie Blichfeldt, who has presented us with a bleak portrayal of both beauty and ugliness. This image goes beyond being merely an amusing film, uplifting us as spectators, without resorting to a shallow narrative, a clichéd drama, or an ineffective comedy. The creative director delivered a stark, socially pertinent message, a grim and intense enhancement to the "body horror" genre, while also incorporating some subtle elements of dark humor effectively. I genuinely enjoyed the film, and when I selected it for my evening viewing, I didn't anticipate it would elevate my experience as much as it did in tandem with him during the viewing. I am familiar with Scandinavian cinema, recognizing its sophistication, and I'm also acutely aware of its remarkable boldness in explicit scenes. An outstanding movie in every aspect, including directing, performances, visuals, costumes, writing, and soundtrack. The music at the start of the movie amazed me, indicating that I was impressed early on, to such an extent that I watched the film again after it finished to hear it once more. - It's by the incredible Australian artist Molly Lewis, renowned for her whistling skills. She now lives in Los Angeles.

Hold on. Here's a point, At the film's outset, during the opening credits and theme music, the camera smoothly glides over the dinner table, paired with the captivating music. It moves over the deceased father's head on the table, as though he's lying there with his head on it, but his eyes are open, gazing at us.

This is "an artwork of supreme beauty and magnificence." Oh my goodness, what imagination! Alternatively, the movie is packed with various other delights. A fantastic movie with a superb mark.

An extremely enjoyable combination.

The movie looks beautiful! Actresses are all amazing, especially both sisters and step-mother. I think Agnes (Cinderella) was presented as a bit bland on purpose, because the whole movie was from the perspective of one of the "ugly" sisters. The movie is very close to dark comedy, with body horror elements and twist on an original, also dark, Cinderella story.

I love that nothing is presented as we would expect. "Ugly" sisters are not ugly or evil, especially younger sister who is very sweet and actually quite beautiful but presented as really too young for the Prince.

Prince is also not presented as nice royal and good-mannered person like in story, as you can see in the movie, it's a rather surprising and possibly more realistic view on young, very rich and very spoiled king's son.

Cinderella is barely on screen. Viewers still root for her because she did nothing wrong, but I love the additional little twist on her character too. Those who saw the movie will know. She is not naive little girl either.

Stepmom is not inherently evil, as presented in cartoon, she is just not-so-smart, greedy woman, who likes money and who saw her chance to get it in her older daughter. Another rather realistic presentation instead of "pure evil stepmother" stereotype in fairytales.

Now, actress who plays Elvira is amazing! She is joy to watch, she absolutely the center of the movie and we see pretty much everything from her perspective.

Alma, younger sister, is presented as sweet and smart child with a lot of compassion and love for Elvira which I love!

On the darker side, there is a lot of gore in getting Elvira to the beauty standard she craved so much. I admit a lot of scenes I had difficulties to watch. So, be prepared for Cinderella, body horror + dark comedy, from perspective of one of the "ugly" (none of them are ugly, hence quotes) sisters.

A twisted take on Cinderella, The Ugly Stepsister is a Norwegian body horror flick that will creep you out through it's take on beauty standards and the level of extremity one can go to fit well.

The director, Emilie Blichfeldt did the same with 'The Ugly Stepsister' this year, with what was done in 2024 by Coralie Fargeat with 'The Substance', by showcasing the lengths one go to stay relevant. While it is far from perfect and the characters don't stand out much, apart from the lead; The Ugly Stepsister has abundant gore, amazing BGM and splendid performance by Lea Myren as Elvira that elevates the movie.

The director doesn't even hold back on frontal nudity of the characters in couple of scenes, and the third act of this body horror is equally disgusting to watch as well as emotionally draining; but for the advanced horror fans, this might be a treat.

My Rating : 3.5/5.