AVALIAÇÃO DA IMDb
5,4/10
9,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAnother 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.Another 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.Another 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.
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Teela LaRoux
- Escort #1 (segment "A")
- (as Teela Cull)
Stefanie Wood
- Escort #3 (segment "A")
- (as Stephanie Wood)
Stanley White-Starke
- Badger (segment "B")
- (as Stanley White)
Avaliações em destaque
Where do i even start? Since the film itself never starts let alone finishes. Abc's of death 2 attempts to avoid all horror film cliché's but somehow manages to create new ones. The film is disgusting, a series of events that are so poorly executed by its lazy filming techniques and its embarrassingly low budget. The acting is horrific there were literally no effort put into this film which leaves me confused on how it eve made it to the big screen. Although i do have to admit it made slight improvements compared to the first film, which is one of my all time hated movies. The film was made for its shock factor as if it was a competition on which skit was capable of creating the most disgusting. You might as well stick to the human centipede franchise.
The first ABCS OF DEATH was a fun little experiment in short-form horror storytelling. Now the producers have returned with another 26 teams of filmmakers for a second lesson in blood, guts, and often laughs. I was pretty keen on the first one despite its weaknesses so I was more than happy to settle in for another round. For the unfamiliar, THE ABCS OF DEATH assembles horror filmmakers from around the world, gives them a budget, and assigns a letter of the alphabet around which they create a short film. To be honest, I actually didn't like this one when I first watched it. I thought it relied too heavily on shock value to get reactions, but a second viewing helped me realize I was applying my disgust for one or two particular shorts against the film as a whole. That's not fair, as there is actually a lot of good stuff here.
THE GOOD: A, E, F, G, M, O, S, V, W, Y, and Z
As usual, I tended to love the crazier shorts the best. "Grandad" and "Masticate" were some of the funniest segments, but the honor for most insane goes to "Wish", where a couple of young boys are sucked into the world of an 80s era toy commercial (in the vein of He-Man) and realize it's not so fun anymore. The cheesy costumes and production design are perfect and the ending is equal parts funny and unsettling. "Amateur", "Equilibrium", and "Ochlocracy" get their share of laughs with "Equilibrium" earning some bonus points for creativity in camera blocking and choreography during an extended camera take. And then some of the filmmakers chose to go a more serious route. "Falling" is the simple tale of an Israeli paratrooper whose chute got caught in a tree and she's left at the mercy of a young Palestinian boy, injecting a bit of a social commentary. "Split" is one of the more brutal, as a man speaks with his wife over the phone during particularly punishing home invasion where we're reminded "hell hath no fury like a woman scorned".
THE "BAD":
That's not really fair. I wouldn't go so far as to call any of these bad, necessarily. The collection has its low points, as any anthology is bound to. Some of them just weren't as memorable. "Nexus", "Knell", and "Utopia" were all well done but I didn't think they were on par with a lot of the stronger material. Really, I'd have loved "Knell" if I understood what it was going for. The "commentary" track was none too helpful but added some extra uneasiness with it's bizarre what was it? Chant? Poem? I don't know but it probably would've been better if it'd been used as the main audio track for the short. I still wouldn't know what was going on, but it added an extra feeling of unease to an already strange short. I should also mention "P-P-P-P-SCARY!" to this section but as completely out of place as it felt I don't hate it. It's weird and it's not scary, but it's unique. Kudos for that.
THE UGLY: D and X
"Deloused" is the most nauseating segment in the entire film. That's isn't necessarily a complaint. It's a surreal stop-motion segment with some of the most hideous puppetry I've seen. Keep in mind I don't mean to say the puppets or design were lame or amateur; I mean they were the stuff of nightmares. Its hellish imagery ensures that it stands out against the other segments and guarantees you won't forget it. Meanwhile, "Xylophone" is the one segment I'd love to forget. After a second viewing, I realized this was the segment that painted the movie in a bad light for me. I'm not a fan of child death in film for the sole purpose of shock value. "Split" and "Wish" also involve child death/murder but neither is anywhere as gratuitous. This might not bother others, and that's cool, but it made me ill and I could've done without it.
By the power of these 26 filmmakers combined, THE ABCS OF DEATH 2 is ultimately a stronger film than the first. There was a lot of really cool stuff here and it gives attention to aspiring horror filmmakers that have some awesome talent, and hopefully that attention leads to some bigger opportunities in the future. These movies provide a showcase for talent that might not get the coverage that the big studio films relish in, and I'm open for another round if the producers keep this franchise going.
THE GOOD: A, E, F, G, M, O, S, V, W, Y, and Z
As usual, I tended to love the crazier shorts the best. "Grandad" and "Masticate" were some of the funniest segments, but the honor for most insane goes to "Wish", where a couple of young boys are sucked into the world of an 80s era toy commercial (in the vein of He-Man) and realize it's not so fun anymore. The cheesy costumes and production design are perfect and the ending is equal parts funny and unsettling. "Amateur", "Equilibrium", and "Ochlocracy" get their share of laughs with "Equilibrium" earning some bonus points for creativity in camera blocking and choreography during an extended camera take. And then some of the filmmakers chose to go a more serious route. "Falling" is the simple tale of an Israeli paratrooper whose chute got caught in a tree and she's left at the mercy of a young Palestinian boy, injecting a bit of a social commentary. "Split" is one of the more brutal, as a man speaks with his wife over the phone during particularly punishing home invasion where we're reminded "hell hath no fury like a woman scorned".
THE "BAD":
That's not really fair. I wouldn't go so far as to call any of these bad, necessarily. The collection has its low points, as any anthology is bound to. Some of them just weren't as memorable. "Nexus", "Knell", and "Utopia" were all well done but I didn't think they were on par with a lot of the stronger material. Really, I'd have loved "Knell" if I understood what it was going for. The "commentary" track was none too helpful but added some extra uneasiness with it's bizarre what was it? Chant? Poem? I don't know but it probably would've been better if it'd been used as the main audio track for the short. I still wouldn't know what was going on, but it added an extra feeling of unease to an already strange short. I should also mention "P-P-P-P-SCARY!" to this section but as completely out of place as it felt I don't hate it. It's weird and it's not scary, but it's unique. Kudos for that.
THE UGLY: D and X
"Deloused" is the most nauseating segment in the entire film. That's isn't necessarily a complaint. It's a surreal stop-motion segment with some of the most hideous puppetry I've seen. Keep in mind I don't mean to say the puppets or design were lame or amateur; I mean they were the stuff of nightmares. Its hellish imagery ensures that it stands out against the other segments and guarantees you won't forget it. Meanwhile, "Xylophone" is the one segment I'd love to forget. After a second viewing, I realized this was the segment that painted the movie in a bad light for me. I'm not a fan of child death in film for the sole purpose of shock value. "Split" and "Wish" also involve child death/murder but neither is anywhere as gratuitous. This might not bother others, and that's cool, but it made me ill and I could've done without it.
By the power of these 26 filmmakers combined, THE ABCS OF DEATH 2 is ultimately a stronger film than the first. There was a lot of really cool stuff here and it gives attention to aspiring horror filmmakers that have some awesome talent, and hopefully that attention leads to some bigger opportunities in the future. These movies provide a showcase for talent that might not get the coverage that the big studio films relish in, and I'm open for another round if the producers keep this franchise going.
I must say, when I've learnt of the second chapter of this ABC Horror experiment, I was rather skeptic. The first film had some fine moments, but overall was simply a vulgar display of all things nauseating and a complete waste of a fine idea... So why should this one be any different?
Well, I'm happy to say that this second chapter is different enough to be worthy of a slight higher rating in my opinion. First and foremost, the opening music... Wow! Not since Fantomas' masterpiece in Rosemary's Baby have I heard such horrific intense use of "la la la". Even if you never intend on watching this, check out the theme song. Second, while still infected with gore and revolting scenes, more parts than the first film were artistic, creative and worthy. I was personally very happy to see Israeli filmmakers Keshales and Papushado (made famous by Rabies/Kalevet and Big Bad Wolves) in the letter F.
All in all, I am still disappointed. I believe both films have given way, way too much room to scenes that are nothing more than gore and filth, and I wish they hadn't. What a waste of excellent talent and an excellent idea... If you're a gore fan, by all means, watch both films one after the other, you're in for a treat...
Well, I'm happy to say that this second chapter is different enough to be worthy of a slight higher rating in my opinion. First and foremost, the opening music... Wow! Not since Fantomas' masterpiece in Rosemary's Baby have I heard such horrific intense use of "la la la". Even if you never intend on watching this, check out the theme song. Second, while still infected with gore and revolting scenes, more parts than the first film were artistic, creative and worthy. I was personally very happy to see Israeli filmmakers Keshales and Papushado (made famous by Rabies/Kalevet and Big Bad Wolves) in the letter F.
All in all, I am still disappointed. I believe both films have given way, way too much room to scenes that are nothing more than gore and filth, and I wish they hadn't. What a waste of excellent talent and an excellent idea... If you're a gore fan, by all means, watch both films one after the other, you're in for a treat...
A few of these films were pretty good. J, M, O, S,& V. They were creative, well written, or had a good twist. The rest were pretty meh. That's fine. I've seen enough short films. They're passion projects for aspiring film makers working to better their craft, and vent some creative juices. I can accept them well enough, appreciate the little nuggets of goodness that might shine through here and there, and appreciate the effort that went into making them, often a budget of little to nothing, as they made it in their free time.
"P-p-p-p is for Scary" was possibly the worst short film I've ever seen, and I've seen a lot. How this ever made its way into this collection leaves me with just one of two conclusions. A: Purely through nepotism or bribery, or P: because there was no other film submitted for "P". If it was the latter, I would've hoped they just left it out. There were definitely some other bad ones in this collection, but this won the top prize of worst by a mile.
"P-p-p-p is for Scary" was possibly the worst short film I've ever seen, and I've seen a lot. How this ever made its way into this collection leaves me with just one of two conclusions. A: Purely through nepotism or bribery, or P: because there was no other film submitted for "P". If it was the latter, I would've hoped they just left it out. There were definitely some other bad ones in this collection, but this won the top prize of worst by a mile.
ABCs of Death 2 is an improvement on the first one in almost every way. The short films are much enjoyable but at some point, I asked myself: is this good? The first one contained some really weird shorts and it was so bizarre that it was enjoyable after a while. This, contains very down to earth stories most of the time but there are still some weird stuff in there. Anyway, the quality of the whole is improved. The first one made me think sometimes, L was my favourite but in this, there were so many twisted and chilling stories that really got me, because some of them were so believable.
It is nothing groundbreaking, but check this one out if you liked the first one.
Você sabia?
- Erros de gravaçãoDuring the 'Y is for Youth' segment, the language spoken is Japanese meaning the audience is given subtitles for the foreign speech. However, there is a misspelling of the word 'somewhere' within the subtitles. The line reads: "Didn't you say you were going somehwere?"
- Citações
Himself (segment "M"): Fuck yeah. I'll do some bath salts!
- ConexõesFollows O ABC da Morte (2012)
- Trilhas sonorasStarlighter
Music & Words by Amelie DeBosredon & Quarles Baseden
Written & composed by Jupiter
Published by Domino Publishing Company of America, Inc.
Published by Grand Blanc
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- How long is ABCs of Death 2?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- ABCs of Death 2
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 7.171
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.022
- 2 de nov. de 2014
- Faturamento bruto mundial
- US$ 7.171
- Tempo de duração2 horas 5 minutos
- Cor
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